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Celebrating twenty-five women artists working in Britain between 1875 and 1945, the Clark Art Institute presents A Room of Her Own: Women Artists in Britain, 1875–1945 featuring 87 paintings, drawings, prints, stained glass, embroidery, and other decorative arts. The exhibition explores the spaces these women claimed as their own and which they used to further their artistic ambitions, including their rooms, homes, studios, art schools, clubs, and public exhibition venues.

Dolores Huerta made her mark as Cesar Chavez's most trusted associate in the California grape pickers strike and boycott starting in 1965 that would result in major protections for agricultural workers. Independently, she led strikes and boycotts elsewhere, and she negotiated the contract that would end the unrest.

Ever since my boarding school days in Vienna and going on school skiing trips, mountains mean snow and snow means cold. I was cold those four years in Vienna. To this day give me the Mediterranean heat.

In the 1960s I met Edna Andrade several times when she traveled from Philadelphia to bring new work to the East Hampton Gallery in New York. The gallery was know for Op Art which describes her work at the time. Edna Andrade: Imagination Is Never Static presents a selection of drawings recently gifted to the Harvard Art Museums by the artist’s estate, this exhibition emphasizes the central role of drawing as well as interdisciplinary exploration in her art and in modernist movements of the 20th century.

The hedonistic and opportunistic Comte Ory takes advantage of men being away at the Crusades to pursue women. Knowing that the Comtesse Adele seeks spiritual guidance, his first gambit is to disguise as a hermit, but his own page gets in the way.

A radio play, The Beginning of the End (of Judy Rhines) by Peter Littlefield, accompanies the installation. The play is a mystery set in the 1940s. Judy Rhines is a secretary, until one day, losing her job and just about everything else, she learns the ways of a witch

As part of its 150th anniversary celebration, the Munich Opera Festival presented Pénélope by Gabriel Fauré—a bold and welcome choice. To champion this rarely performed work, the company brought in Andrea Breth, one of Germany’s most accomplished theater directors. The cast clearly responded to her direction with commitment and nuance.

No opera company today rivals the Munich Opera when it comes to innovative yet deeply respectful productions of the classic repertoire. While it’s tempting—and often rewarding—to look beyond the traditional opera circuit for new creative voices, few choices are as effective as Hungarian filmmaker and theater director Kornél Mundruczó.

The Munich Opera celebrates summer with an annual festival. This year, the prelude to the Ring Cycle by Richard Wagner, Das Rheingold, provided novel and thrilling music and drama.

Annie has a strong connection to Connecticut. It started life at Goodspeed in 1976, before heading to Broadway, where it not only won multiple Tony Awards but played until 1983. While the inspiration was the comic strip, Little Orphan Annie, the musical’s plot by Thomas Meehan, is completely original. Charles Strouse wrote the music with lyrics by Martin Charnin.

When Stephen Petronio announced that he was disbanding his company of 40 years Pamela Tatge of Jacob's Pillow jumped in. Together they planned a program that best represented his work. He spoke directly and candidly to the audience which responded with love and support.

Brünhilde's empathy for illicit lovers Siegmund and Sieglinde induces her to betray the orders of her father Wotan, the king of gods. His punishment is to reduce her to becoming a mortal. Santa Fe Opera's production excels.

Agatha Christie’s The Mousetrap opened to mixed reviews in 1952, and other than a hiatus for Covid, is still running. It’s a London tourist trap and as much a site to see as Big Ben and the museums. Berkshire Theatre Group's sizzling production at the Colonial Theatre is a home run. This show is the most fun of the Berkshire season.

Touch of RED by Shamel Pitts | TRIBE will get a Jacob’s Pillow premiere that has been five years in the making. This performance will be a homecoming. In the Ted Shawn Theatre, Bill T. Jones/Arnie Zane Company will make their first appearance at the Pillow since 2012, running August 6 through 10. Now in their 43rd year, the company is performing two seminal works from their historic repertoire: D-Man in the Waters set to Felix Mendelssohn’s soaring Octet for Strings  (1989) and Story/ (2013) performed to Death and the Maiden by Franz Schubert played live.

The jester Rigoletto vows to protect his daughter from lascivious men. Not only does he fail, but he suffers tragic consequences as a result of his attempted revenge after her abduction and abuse.

This feast of celebrating the dead––and death, of course too––was a good jab into my coddled heart, and a solid fuck-you-and-the-nag-you’re-riding aimed at the grim reaper. After the clients finally left way past closing time, the entire staff, all rather worse for fatigue and drink, sat down for our own special Halloween dinner.

The Playhouse on Park version has a new premise. We don’t just dive into the plot. The production begins with an audience assembling for a screening of the classic movie. However, just moments in, a malfunction stops the screening.

In this Gothic ghost tale, a young governess is charged with caring for two orphans under the guardianship of an absentee uncle. Two employees on the estate whom the governess encounters are deceased. Is she dreaming, or is their presence real? And are the children innocents, or are they possessed by the ghosts? Benjamin Britten's eerie music fits the ghost story.

Laozi reminds us in the Tao Te Ching of the utility of emptiness: “We shape clay into a pot, but it is the emptiness inside that holds whatever we want.” A life cluttered with noise and perpetual engagement leaves no room for the spirit to reside

The list of things All Shook Up does well is long, from the show itself to the outstanding Goodspeed production and the talented cast.

Jacob’s Pillow will welcome the Afro Latin dance company Sekou McMiller & Friends, who brought audiences to their feet last year on the outdoor stage, for their Ted Shawn Theatre debut from July 30 through August 3.

Blanche Lazzell: Becoming an American Modernist explores the pioneering artist’s lifelong pursuit of translating Modernism into an American art form and celebrates her largely unsung achievements in championing abstraction in the United States through painting and printmaking.explores the pioneering artist’s lifelong pursuit of translating Modernism into an American art form and celebrates her largely unsung achievements in championing abstraction in the United States through painting and printmaking.

For its first appearance at Jacob's Pillow in a decade the Sarasota Ballet Company presented two works by Sir Frederick Ashton and a world premiere by Jessica Lang, Sir Frederick Ashton (born 1904, Guayaquil, Ecuador—died 1988, Sussex, England) was the principal choreographer and director of England’s Royal Ballet, the repertoire of which includes about 30 of his ballets.

For an appearance at the Edinburgh Fringe Festival of a play by Greg the set of painted rags was conceived by Rafael. It was cheap and easy to transport. Looking out over a mountain of rags, however, the audience consisted of a single individual. They attributed lack of success to their unflinching artistic integrity.

Tom Rakewell shuns regular work. His desire to make it on his wits alone plays into the hands of Nick Shadow, alias, The Devil. Willing to leave his betrothed, Anne Trulove, behind, and seduced by the attractions of London, Tom falls deeper and deeper into despair.