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Manahatta, now at the Yale Rep through Saturday, Feb. 15, offers a great deal to think about. It is getting its east coast premiere, having had its initial production at the Oregon Shakespeare Festival in 2018. Playwright Mary Kathryn Nagle, an enrolled citizen of the Cherokee Nation, is a lawyer, writer and activist.

I highly recommend this fast-moving, smart and funny play by U.K. playwright Beth Steel. If you’re not familiar with the early 1980s global economic recession and the Latin American debt crisis, you might want to read up on it before seeing the play.

The King of the Delta Blues, Robert Johnson, died in relative obscurity on August 16, 1938. Fifty years later he was inducted into the Rock and Roll Hall of Fame when it was founded in 1986. In 1961 Columbia released King of the Delta Blues Players with Volume Two in 1970. The Complete Recordings a two-disc set, released on August 28, 1990, contains almost everything Johnson recorded, with all 29 recordings, and 12 alternate takes.

Groundhog Day is a meaty, moving and humorous story on stage. A shining Slow Burn Theatre Company/Broward Center for the Performing Arts co-production runs through Feb. 16. An ingenious, symbolic set design are among the strong production values. A talented cast shines in this convincing, vivacious production. The stage musical is based on the 1993 film starring Bill Murray as Phil Connors.

Jordan Hall in Boston was the setting for a concert version of Arnold Rosner’s The Chronicle of Nine. His only opera for full orchestra is having its world premiere. Gil Rose, recent Grammy winner for best recorded opera, finds treasures in the archives and brings them to our attention. We are fortunate indeed.

The structure of Tiny Beautiful Things is comprised of unrelated letters requesting counsel, followed by Sugar’s responses, so the incoming letters lack a narrative arc. However, the themes of human dignity, self-worth, redemption, forgiveness, and especially love, course throughout, resulting in emotional connectedness.

When you think of Spain and its wineries, you think about butterflies. Well think again, as you read about El Regajal Winery and winemaker Danny Garcia-Pita. It is a remarkable combination.

Despite 7,000 attending her funeral, Bessie Smith lay in an unmarked grave for many years, as her ultimately estranged husband pocketed funds donated for her headstone. That was remedied in 1970 with a gift from one Janis Joplin.

My Name Is Lucy Barton written by Elizabeth Stout and published to a chorus of Hosannas in 2016, is now a one-woman, 2-character play, running through February 29 at Manhattan Theatre Club’s Samuel J. Friedman Theatre on Broadway. Adapted from the book by Rona Munro and directed by Richard Eyre, Lucy Barton stars Laura Linney.

The Wick Theatre presents a powerhouse production of Evita. Triple-threat performers and Behind-the Scenes crew shine. The production runs through Feb. 23 in Boca Raton.

The old rock trope says that punk music is “three chords and the truth.” That holds true for the fact-based story about a kid punk band from Evanston in the 1980s, which just opened in a world premiere by House Theatre. Verböten is the name of the play and the band.

WHEN: Not if, but when all our lives come to an end. - Here we are searching for personal meaning and memories via a monumental sculpture exhibition that expresses obliquely life and death issues of today and since Millennia.

Credit Lindsay-Abaire for building a comedy not just around women, but older women whose motivations are not limited to the sole objective of doting on grandkids. He makes his female protagonists full-bore individuals with zesty personalities who are willing to fight tooth-and-nail for what they want.

Playwrights rarely write sequels. That's the twist of Lucas Hnath’s A Doll’s House – Part 2 . This ersatz Ibsen next chapter has been widely produced from Broadway to regional theatre. Here Cordell reviews a California production.

Taking Steps offers its own unique spatial conceit, one with considerable charm but that takes a little getting used to. The action occurs on three floors of the dilapidated Victorian house, but those three floors share the same stage space

The Downstairs stage at La Mama is darkened.  People bustle around, cleaning equipment, moving it about, casting lights and cameras on it.  We the audience are not quite sure whether or not the performance has begun.  In fact, the minute we walk into the theater, we are in the drama.  It is the intention of Object Collection, the producers and creators, to keep the audience at high alert. Daniel takes a seat on the cosmic throne,  a cross between dental chair and space rocket.  The quotidian and the other worldly will be liberally mixed in music and action for the next hour.

For the past three years the Berkshire International Club has celebrated Chinese New Year. On a Sunday afternoon sixty members enjoyed a banquet at Panda House.

Gerry Bergstein is on the short list of leading Boston artists of his generation. Taking a leap on every level his monumental paintings will be show during February with a bonus day at Gallery Naga. Hood Museum director, John Stomberg, will provide an overview on the theme of Body Politic.

Timon of Athens gets a brilliant characterization by Kathryn Hunter at Theatre for a New Audience. This huge character is played by a diminutive woman who holds us in her thrall every moment she is on stage. In the first part of the play, Timon enjoys her wealth, mindlessly giving her ‘friends’ whatever they want. Her Steward tries to tell her that if she keeps gifting at this pace, she will soon be penniless. Distinctive characters move across the stage, intriguing us.

Sheepdog, by Kevin Artigue, Shattered Globe Theatre’s new production, crisply directed by Wardell Julius Clark, will have you holding your breath as details of the incident spool out over 90 minutes.

Kendra and Betty are southern women, together for six years, but their relationship is fraying, if not unraveling. As it turns dark, they’re stuck in a boat that won’t move. The Gulf by Audrey Cefaly is About Face Theatre’s latest production, directed by Megan Carney, now on stage at Theater Wit. The gulf, of course, is both literal and symbolic.

We are immediately struck by the lime color of the Rev 23 set: the walls, lights, desks in a school room in hell where God’s lessons are being taught, or unlearned. Clever James Darrah captures both the weight of Rev 23 and its surprising hopefulness in his production. Responding to an exuberant score by Julian Wachner, the Furies dance together across the classroom, lofting comments, instructions and denigrating the ideas of Lucifer. This is his world.

Although the playwright’s intent and narrative often lack clarity, the dialog is clever and the situations amusing. In the hands of a fine ensemble of actors, Custom Made Theatre offers a very funny and provocative production of How to Transcend a Happy Marriage.

First produced in Convent Garden in 1841, when Boucicault was 21, London Assurance, is a farcical comedy of manners, this time directed by Charlotte Moore. It is the cleverest and most enjoyable play to open this year.

Berliner Festspiele invited this young company, Gauthier Dance Company Theaterhaus Stuttgart, to dance for five exciting days and to great success. For the rest of the year they will travel and perform internationally, including at Jacob's Pillow, in Becket, Massachusetts, the week of July 13. The Pillow invites yearly for their three months long summer festival dance companies from around the world.