Berkshire Museum

Recent IRS filing reveals that when former Berkshire Museum director, Van Shields, abruptly departed he was given $92,000 in two payments. The second is due in January. There are also figures for the costly legal battles that resulted in selling 22 works of art to raise $53.25 million. From July 1 to Dec. 31, 2017, the museum incurred $1.6 million in legal costs. In April it paid off the full $1,852,426 outstanding balance on a $2 million line of credit.

Initially, Attorney General Maura Healey opposed the fire sale of Berkshire Museum treasures proposed by now long gone and hardly missed director Van Shields. Those who protested gutting the collection were shocked and dismayed that Healey folded. Commentator Steve Nelson suggests that you send the AG a message. He suggests Norman Rockwell as a write in candidate during the primary on Tuesday, September 4. Nelson is an Op Ed contributor to the Berkhire Eagle.

A great day trip that enlightens and enriches the soul is as close as Berkshire county, home of Hancock Shaker Village. Spending a day learning about the Shakers, sharing dinner and thought with Peter Jennings son, Chris Jennings, and attending a concert with members of WILCO and transplanted local troubadour, Johnny Irion, can turn any day into sunshine.

In a tersely worded press release, offering no explanation, the Berkshire Museum announces parting ways with its controversial director, Van Shields. He was hired in 2011 and presided over the decline and potential extincton of the museum. His strategy to sell key works from the permanent collection and launch his New Vision was met with protest and global media attention. Some will praise him for "saving" the museum and endowing its future. For others he leaves behind a pariah shunned by other museums. His departure and potenial board restructuring are essential as the museum mends fences and fine tunes drastic plans for renovations and gimmicky reinstallatons.

The Norman Rockwell Museum in Stockbridge has just launched “Keepers of the Flame: Parrish, Wyeth, Rockwell and the Narrative Tradition.” During a recent press preview we enjoyed an unencumbered view of the scholarly and superbly installed exhibition. Founding director, Laurie Norton Moffatt, discussed what the Rockwell legacy means in light of the controversy of the sale of two of his works by the Berkshire Museum. One of those works "Shuffleton's Barber Shop" was acquired by George Lucas who is loaning it to the Norman Rockwell Museum for the next 18 months.

On Sunday, June 2, the Berkshire Museum is hosting a festive opening for its summer-long juried exhibition Art of the Hills. Of 230 who applied works by 36 regional artists will be on view. I will not cross picket lines to attend the "celebration." There are no plans for Berkshire Fine Arts to view or review the exhibition.

Pittsfield used to have a small, charming, eclectic regional museum. As of today that's no longer true.

For the past year the Berkshire based photographer, David Ricci, has been working on a large format, expensive and ambitious book. It has a working title of Edge of Chaos and surveys four decades of his oeuvre. During a studio visit we viewed the work and how it is evolving into a publication.

The news of a "compromise" that really wasn't on Friday sent shock waves through the local, national and global art world. Other than the sale of Rockwell's "Shuffleton's Barber Shop" to an undisclosed museum, the Berkshire Museum got a green light to sell the 39 other works at Sotheby's. While morally and ethically flawed director, Van Shields, and board chair, Elizabeth McGraw, will proceed with catastrophic plans to gut the collection to raise $50 million. They will trash and rebuilid the museum creating its populist/ vulgarian New Vision.

A compromise is a deal that neither side is happy with. Other than a few hard fought concessions the Berkshire Museum will now gut the museum and its collection in pursuit of its vulgarian, populist New Vision. It's tarnished leadership, including director, Van Shields and board president, Elizabeth McGraw, will have a tough job earning back the trust and support of a community which they so adroitly alienated.

In 1993 I was intrigued by ersatz weapons fabricated from funky materials by Jimmie Durham in the Whitney Biennial. To explore creative freedom the artist left America in 1987 never to return. While acquiring a global reputation it is only now that the work is again being seen and debated in the States. A long overdue retrospective "Jimmie Durham: At the Center of the World" organized by the Hammer Museum traveled to the Walker Arts Center and is finishing its run at the Whitney Museum. It states a case for Durham as one of the formost American artists of his generation.

Electra Havemeyer Webb (1888-1960) founded the Shelburne Museum which has 150,000 objects and 39 buildings on 45 acres. Her father Henry Osborne Havemeyer was known as The Sugar King. With his wife Louisne they created a vast collection donating 2,000 objects, including French Impressionist masterpieces, to the Met. Electra married polo champion James Watson Webb II of the Vanderbilt family. Well before the controversies of the Berkshire Museum, in 1996, the Shelburne Museum sold $30 million of its art to pay expenses. During the winter just five buildings are open. We viewed two special exhibitions in the Pizzagalli Center for Art and Education which opened in 2013. It was a lively and intriguing experience.

The 2018 season of Barrington Stage Company which will feature three world premieres, including a major new musical from Tony Awards winners William Finn and Rachel Sheinkin, a new play from Off Broadway Alliance Award winner Lloyd Suh, and the first major production from playwright, Rachel Lynett. The season starts with Typhpid Mary by Mark St. Germain in the theatre named for him.

A decision on an appeal by Attorney General of Massachusetts, Maura Healey, to halt the sale of 40 key works of art at Sothebys on behalf of the Berkshire Museum will be decided by the end of January. Van Shields, now on medical leave as director of the museum, and board president, Elizabeth "Buzz" McGraw, announced their $60 million plans for a New Vision in July. What started as a local story has morphed into national and global coverage. The outcome of this unethical attempt at deaccessioning by a pariah museum may have a game changing impact on the mandate of all American museums' commitment to preserve and conserve collections for future generations.

During our visit to the Cape Cod Museum of Art we viewed several special exhibitions: Salvatore Del Deo: A Storied History, extended through October 28, Discovering Cape Cod’s Museum Treasures, through November 26, and Judith Shahn Selections: A Tribute to Thomas Linxweiler through November 12. We met with Dr. Edith Tonelli who has been director for the past four years. She provided an overview of the museum and plans moving forward. We also learned why the museum and adjacent Cape Playhouse prove to have been uniquely moving experiences.

“This is a classic case of confronting a well-organized, well-financed, misguided inside group, hoping to lead them to their better angels,” said Leslie Ferrin, founder of Save the Art. “That’s why we’re crowd-sourcing Save the Art’s legal action fund. We want to invite people to step up at whatever level they can, and say, “we support finding a better solution.”

The artists Norman Rockwell and Andy Warhol became rich and famous for giving the public what it wanted. It is this shared populism which is explored in an evocative exhibition at the Norman Rockwell Museum. Not surprisingly the exhibition has been mobbed with visitors.

It was thrilling, poignant and terribly sad last night when many artists, friends and community packed the Berkshire Museum for a vernissage of the sprawling, eclectic, and dazzling retrospective Morgan Bulkeley: Nature Culture Clash. It may be the last such project focused on a Berkshire based artist. As a part of its New Vision the museum is dumping 40 works of art and reconfiguring. Van Shields and the board refuse to discuss the fate of the remaining collection of 40,000 objects and the role if any of the fine arts in its plans.

Relying primarily on published sources Felix Salmon in the New Yorker has reported on the deaccessioning and New Vision of the Berkshire Museum. As Solomon states “The story of the Berkshire Museum is more than one about a second-tier local institution selling off some art. It’s a story about how fragile museum-industry norms are, how unaccountable a museum director can be, and how much destruction can be wrought during a single secret trustee meeting. (The museum’s new P.R. representative, Carol Bosco Baumann, declined repeated requests to make anyone from the museum available for an interview.)” This is consistent with the museum's bunker mentality of playing hard ball with the media.

To launch A New Vision for the Berkshire Museum it plans to sell 40 key works for some $60 miillion. That's a pot of gold but comes at a terrible cost to the heritage, legacy and cultural branding of the Berkshires. Van Shiields and the museum board insist that there is no other option. That disrespect raises questions regarding stewardship of the 40,000 works in the collection including 2,395 fine art pieces.

Based on an extensive Berkshire Eagle background check of Van Shields, and a failed attempt to create a radical new museum in South Carolina, it appears that he arrived in Pittsfield, a month after being fired, with an agenda. Funding plans that failed there entail selling 40 treasures of the Berkshire Museum. Through intensive study of non profit reports filed with the charity desk of the Attorney General, Thomas White, with knowledge of these matters, has sent us bullet points. They shed light on the "dire straits" forcing the museum to decimate its legacy to rebuild for the future.

Barring intervention by the Attorney General, at best a long shot, plans to sell 40 works of art with two paintings by Norman Rockwell worth as much as the remaining 38 lots, the fall auctions by Sotheby’s in New York appears to be a done deal .For the second time protestors will picket in front of the Berkshire Museum in Pittsfield from 10 am to 2 pmon Saturday, September 9. This past week Sotheby’s announced a presale estimate of “thirty pieces of silver.”

In May the world's foremost architect, Frank Gehry, signed on to design The Extreme Model Railroad and Contemporary Architecture Museum in North Adams. It is one of 11 projects being developed by visionary museum director Thomas Krens. There is a daunting sticker price of some $300 miliion for construction anticipated to start as early as June, 2018.

As a matter of public record we have examined the Federal tax information Form 990 disclosures of the Berkshire Museum from 2011 to 2015. They do not appear to create a profile of a cultural institution in dire straits. The museum is going forward with last ditch plans to sell 40 works of art. It is possible that there has been a dramatic downturn in the past two years? A Berkshire Eagle editorial asked “Why deny access to the museum's profit/loss statements for the past two years?" Based on reports for the prior five years we have questions for the museum, its director, Van Shields, and the board of trustees.

The renowned former Whitney Museum director, David A. Ross, in an exclusive statement posted to Berkshire Fine Arts strongly opposes plans initiated by the Berkshire Museum. “This is a sad affair. Perhaps the board, if unwilling to raise funds in the way all museums have to, should resign (along with its feckless director). My feeling is it should merge administratively with another educational non-profit in the region, and then begin the process of stabilization. It would be preferable to see the museum close for a few years of re-organization, than to forever destroy the core of its irreplaceable art collection.”