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  • Oklahoma

    At the Golden Gate Theatre,

    By: Victor Cordell - Aug 25th, 2022

    Broadway saw this musical revitalized in an edgy form in 2019.  That production, directed by Daniel Fish, won a Tony for “Best Revival of a Musical” and is currently touring. The production is noted for other departures from the past.  In keeping with the edginess of the new look, Act 2 opens like an acid rock concert.  With a thick manufactured fog covering the stage, an instrumental medley blasts with deafening, dissonant distortion leading into the famous dream sequence dance.

  • Fire and Ice Sculpture by Natalie Tyler

    Berkshire Artist-in-Residence at Chesterwood

    By: Chesterwood - Aug 30th, 2022

    In the historic apple orchard there will be a free artist's talk and reception on Friday, September 2nd from 5:00 to 7:00pm at Chesterwood,  4 Williamsville Road, Stockbridge, MA.

  • 4000 Miles by Amy Herzog

    Westport Country Playhouse

    By: Karen Isaacs - Sep 01st, 2022

    The play by Amy Herzog focuses on the relationship between a nonagenarian grandmother and her adult grandson. Neither fits the stereotypical mold. Then director David Kennedy selected Mia Dillon to play the grandmother and Clay Singer, the grandson. Almost perfect.

  • Xanadu the Musical

    Produced by San Jose Playhouse

    By: Victor Cordell - Sep 01st, 2022

    What makes “Xanadu” fun is its light-heartedness and tongue-in-cheek humor based on ridiculously unrealistic happenings.  It’s camp.  It’s kitschy.  It’ll make you smile a lot and laugh out loud

  • Ed Stitt: Larz and the City

    Gallery Naga

    By: NAGA - Sep 01st, 2022

     Ed Stitt lives close to Larz Anderson Park, a landscaped and wooded 64-acre parkland in Brookline and it has lately become his personal playground.  Stitt’s new painting exhibition trumpets the exquisite sweeping slopes, expansive lawns, and magnificent trees that comprise the park.  As if this weren’t enough, it also offers expansive views of downtown Boston.

  • Bent

    Co-production of Controversial Play in South Florida

    By: Aaron Krause - Sep 06th, 2022

    The historical drama, "Bent" has stirred controversy for suggesting that Jewish people received less harsh treatment than homosexuals at the Dachau concentration camp. A solid co-production between Empire Stage and ArtBuzz Theatrics is playing in South Florida.

  • Deutsche Oper Presents Turnage

    Greek Outdoors in KoolAide Colors

    By: Susan Hall - Sep 06th, 2022

    Mark Anthony Turnage was very young when composer Hans Werner Henze asked him to create an opera for the first Munich Biennale Summer Festival. Turnage, already attracting attention for his musical language which draws on Miles Davis, Janácek and Stravinsky, had caught Henze’s ear.  Henze’s own work ranges in reference from serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as traditional schools of German composition. 

  • Free Concert at the Clark

    Sunday September 11 at 4PM

    By: Clark - Sep 08th, 2022

    Sunday, September 11, the Clark Art Institute continues its Locals at the Lunder Center series with a free concert by two-guitar duo Elkhorn, followed by local musical group Sound For. Presented in partnership with Belltower Records (North Adams, Massachusetts), the performance kicks off an upcoming series of live music events that feature new experimentations in sound, in conjunction with the changing of the seasons. The concert takes place at 4:15 pm on the Lunder Center’s Moltz Terrace. In the event of inclement weather, the event moves to the Clark’s auditorium.

  • '62 Center at Williams College

    The 2022-2023 Season

    By: Williams - Sep 12th, 2022

    The ’62 Center for Theatre and Dance unveiled its live, in-person performances celebrating diverse and challenging theatre, music, and dance programming for the Williams College community and beyond.

  • The Marriage of Figaro

    produced by Opera San Jose

    By: Victor Cordell - Sep 13th, 2022

    Perhaps more than any other, “Marriage” is considered to be the finest comic opera ever written, if not the finest opera altogether. 

  • Close Encounters Announces a New Season

    Treasures in the Berkshires

    By: Susan Hall - Sep 14th, 2022

    Close encounters with music is an innovative and captivating presenter of music. Sublime chamber music concerts are enhanced by entertaining, erudite, and lively commentary by artistic director Yehuda Hanani. Programs include international soloists, and intriguing themes.

  • EXIL at Berliner Ensemble, Berlin

    Adaptation of Lionel Feuchtwanger's EXIL

    By: Angelika Jansen - Sep 15th, 2022

    The director, Luk Perceval, turned L. Feuchtwanger's book EXIL into a 3 1/2 hour long journey for audiences and ensemble.

  • Jeanne Renaud (1928 - 2022)

    Montreal Artist and Choreographer

    By: Claude Gosselin - Sep 16th, 2022

    Jeanne Renaud the Montreal artist, dancer and choreographer has passed away at 94. She created choreography for the film Brèves histoires de pierres muettes (2018) and le Projet Feldman/Renaud à la Salle Bourgie in 2021, with the dancers Louise Bédard and Marc Boivin.

  • Antony and Cleopatra by John Adams

    San Francisco Opera

    By: Victor Cordell - Sep 17th, 2022

    The opera is set in the 1930s, offering shades of the Hollywood glamor and fascist depravity of that time.  This conceit does allow for the visual appeal of period newsreels projections and a more varied look in Constance Hoffman’s appealing and fashionable costumery, but the conceptual rationale for the time shift is unclear. 

  • Victoria Jefferies: A Garden as a Work of Art

    Or Gardening as an Artistic Activity

    By: Astrid Hiemer - Sep 18th, 2022

    "A Garden as a Work of Art ~ Or Gardening as an Artistic Activity" -- This garden poses a statement as well as a question. So, please follow the work described in this collaborative project and decide for yourself.

  • Lear Written by Marcus Gardley

    Cal Shakes and Oakland Theater Project & Play On Shakespeare

    By: Victor Cordell - Sep 19th, 2022

    Marcus Gardley’s “Lear” is phenomenal in conception and breathtaking in execution.

  • The Moholy-Nagy Estate

    Collaboration with Web-3 Photography Organization Fellowship

    By: Moholy-Nagy - Sep 22nd, 2022

    The Moholy-Nagy Estate announces collaboration with web-3 photography organization Fellowship to launch its first NFT collection 

  • Opera Philadelphia Festival Returns

    Rossini's Otello Features Lawrence Brownlee

    By: Susan Hall - Sep 27th, 2022

    Opera Philadelphia brings Gioachino Rossini's Otello to the stage. Beethoven told Rossini that he should stay away from serious drama. It was not in his nature. That is not the only reason Rossini’s serious opera Otello has been largely ignored. When Verdi and Bioto wrote their Otello, it replaced Rossini’s in the repertoire. Now we can hear the glorious bel canto tenor Lawrence Brownlee and also Daniela Mack dazzle and emote as Rodrigo and Desdemona.

  • MFA Free on Monday, October 10

    Indigenous People’s Day

    By: MFA - Sep 28th, 2022

    On Monday, October 10, the Museum of Fine Arts, Boston (MFA), offers free admission and activities all day as part of an annual Indigenous People’s Day celebration. Visitors are invited to enjoy music and dance, drop in on a variety of engaging family art-making activities, and explore galleries showcasing 20th-century Native art from the Southwest as well as Indigenous artworks from across the U.S. and Canada

  • Britten's the Prodigal Son

    Boston- and U.K.-based Enigma Chamber Opera

    By: Enigma - Sep 28th, 2022

    The Boston- and U.K.-based Enigma Chamber Opera continues its exploration of chamber works by Benjamin Britten with two performances of the English composer’s biblically inspired 1968 opera “The Prodigal Son.” The work is the third of Britten's three Parables for Church Performance; Enigma mounted the first, “Curlew River,” to critical acclaim last fall. This new production is directed by Artistic Director Kirsten Z. Cairns, who finds in the universal story of parent/child reconciliation and forgiveness a balm for an often bitterly divided society.

  • Dance Theatre of Harlem: Sounds of Hazel

    Works & Process at the Guggenheim

    By: Guggenheim - Sep 28th, 2022

    Sounds of Hazel, choreographer Tiffany Rea-Fisher’s is a new ballet inspired by the life of virtuoso classical and jazz pianist, singer, and civil rights activist Hazel Scott.

  • volksbuehne.com ~ Berlin

    Ophelia's Got Talent

    By: Angelika Jansen - Sep 28th, 2022

    An amazing theatrical performance took place at the stage of the Volksbuehne, Berlin.  The Austrian performance artist Florentina Holzinger made her newest work „Ophelia's Got Talent“ into a show that stretched the technical abilities of the theatre to the fullest. 

  • Rachel Linsky Debuts Dance Hidden

    Boston Center for the Arts Plaza Black Box Theater

    By: BCA - Sep 29th, 2022

    Boston-based contemporary dance artist Rachel Linsky debuts “Hidden,” the latest in her ongoing choreographic series ZACHOR that seeks to preserve stories of WWII Holocaust survivors through dance. “Hidden” is inspired by the story of Holocaust survivor Aaron Elster who at 10 years old was hidden from the Nazis in a Polish family’s attic for two years.

  • Opera Philadelphia Expands Poe's Raven

    Toshio Hosokawa's Monologue with Dance

    By: Susan Hall - Sep 29th, 2022

    Opera Philadelphia and the Obvious Agency present a choreographed Raven, based on Toshio Hosokawa's Monologue. The audience is transported by the fantastic music and dance.

  • Indecent by Paula Vogel

    San Francisco Playhouse and Co-produced with Yiddish Theatre Ensemble,

    By: Victor Cordell - Oct 01st, 2022

    The genesis of “Indecent” begins in Warsaw in 1906.  Young author Sholem Asch has written a Yiddish play called “God of Vengeance,” which acts as a play-within-a-play in “Indecent,”  as scenes from the former appear throughout the latter.  Portrayed passionately and with grand gestures by Billy Cohen, Asch entreats other writers to participate in a table reading.  After the reading, I. L. Peretz, Warsaw’s most distinguished Yiddish author, tells Asch to burn the play.  Despite contentiousness and only a modicum of support, a Yiddish language company produces the play.  

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