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Theatre

  • Love’s Labor’s Lost

    Old Globe’s Lowell Davies Outdoor Festival Theatre

    By: Jack Lyons - Sep 10th, 2016

    Director Marshall nicely controls the on stage silliness that frothy, light Shakespearean rom-coms deliver to audiences while at the same time providing the actors the opportunity to enjoy themselves. When they have a good time we have a good time.

  • Gregorian by Matthew Greene at Walkerspace Theatre

    Armenian Genocide Based Drama

    By: Edward Rubin - Sep 09th, 2016

    Gregorian, Matthew Greene’s latest play, produced by Working Artists Theatre Project at the Walkerspace Theater, digs deep into the painful history of the Armenian people, examining the century long effects of the 1915 genocide on four generations of the Gregorian family, in which the Ottoman Empire slaughtered 1.5 million Armenians.

  • Allyn Burrows Named Artistic Director

    No Stranger to Shakespeare & Company in Lenox

    By: S&Co. - Sep 08th, 2016

    Shakespeare & Company announces that actor and director, Allyn Burrows, a long-time member of the Company, has been named its new Artistic Director.

  • The Rothschilds at Stage Door Theatre

    Through October 16 in Margate, Florida

    By: Aaron Krause - Sep 06th, 2016

    “The Rothschilds” is based on a real-life European family whose members established a powerhouse banking operation and secured rights for their fellow Jews during a time of anti-Semitism in late 18th century Europe. Family members faced boulder-size odds throughout their efforts, making their dream seem impossible.

  • Ibsen's John Gabriel Borkman

    Stratford Festival of Canada

    By: Herbert M. Simpson - Sep 03rd, 2016

    This production is worth seeing less, I believe, for a seldom-seen, lesser Ibsen play, than for a sensitively directed, brilliant cast. The plot development may be drawn out and repetitious, but its dramatic effect onstage is mesmerizing.

  • Sotto Voce at Shakespeare & Co.

    Displaced Persons Seeking a New Nome.

    By: Maria Reveley - Aug 28th, 2016

    Pulitzer Prize winning playwright Nilo Cruz spins a lyrical drama centering on the long forgotten voyage of the St. Louis, which carried 939 German Jews seeking asylum. They were turned away and 234 ultimately died in concentration camps. "I can't believe this is happening again," Bernadette, the protagonist, says toward the end of Sotto Voce. The plight of these refugees seems reenacted in today's conflicts.

  • The Hypochondriac by Moliere

    Stratford Festival of Canada

    By: Herbert M. Simpson - Aug 26th, 2016

    Antoni Cimolino’s production is showy, full of brilliant moments, superbly cast, and elaborately staged. But what should be a souffle soon begins to feel like a heavy, overfilled, over-spiced stew.

  • Chorus Line in Charleston

    Opens 85th Season of Footlight Players

    By: Sandy Katz - Aug 25th, 2016

    The production of A Chorus Line which opened the 85th season of Footlight Players in Charleston was so fresh and lively that it was hard to fathom that the musical premiered some four decades ago. The smallish stage was packed with 26 hopefuls auditioning for just eight roles.

  • Steve Martin's Meteor Shower

    World Premiere at Old Globe Theatre

    By: Jack Lyons - Aug 24th, 2016

    “Meteor Shower”, Steve Martin's latest play, is currently wowing audiences at the Old Globe with his far-out sense of humor that deals with the social mores of 1990s California. It has already been extended twice.

  • Two Gentlemen Of Verona at S&Co.

    A Complicated Tale Of First love

    By: Maria Reveley - Aug 23rd, 2016

    In this early play by Shakespeare, rarely produced, we find four main characters, two love triangles, two fathers hoping to help their children, two of Shakespeare's clowns and a dog (!) providing laughs for the whole family. The absurdist atmosphere created by the director, Jonathan Croy, allows the audience to see the wonders and obsessions of first love.

  • Tribes at Barrington Stage Company

    Award Winning British Drama by Nina Raine

    By: Charles Giuliano - Aug 22nd, 2016

    Since its London premiere in 2010 Tribes, an award winning drama by Nina Raine, opened Off Broadway and has since been produced by major regional companies. It is being directed at Barrington Stage Company by Jenn Thompson

  • Broadway Bounty Hunter Stars Annie Golden

    Barrington Stage Debuts Hit Musical by Joe Iconis

    By: Charles Giuliano - Aug 20th, 2016

    Annie Golden broke out with Hair in 1979. As she sings in a sure to be standard the actress is a "Woman of a Certain Age." She plays herself in a world premiere of Broadway Bounty Hunters by Joe Iconis at Barrington Stage Company. This is a fun musical that you will want to see at least twice. They just don't make them like this anymore.

  • Terrence McNally Play in Fort Lauderdale

    Love! Valour! Compassion! at Andrews Living Arts Studio

    By: Aaron Krause - Aug 16th, 2016

    “Love! Valour! Compassion!” is a character-driven, relatable, touching and terribly timely work with just a smidgen of sentimentality. The play, which will cause you to laugh one moment and cry the next, a la Neil Simon, vividly captures the fears, hopes, heartbreaks, tension and pride of a group of eight gay men in the summer of 1995.

  • And No More Shall We Part by Tom Halloway

    Ending Life Drama with Molina and Kaczmarek at WTF

    By: Charles Giuliano - Aug 14th, 2016

    What are the options when patients opt to end treatment for devastating, excruciatingly painful terminal illnesses? With astonishing performances by the renowned actors Alfred Molina and Jane Kaczmarek the issues are explored in And No More Shall We Part by Tom Holloway at Williamstown Theatre Festval.

  • Constellations At Berkshire Theater Group

    Links Quantum Physics with Human Relationships

    By: Maria Reveley - Aug 12th, 2016

    A love story set against the backdrop of quantum physics. Brilliantly written and superbly acted, Kate Baldwin and Graham Rowat succeed in hitting the high and low notes of their characters' lives, moving seamlessly from one universe to another, and bringing the audience along with them.

  • Einstein's Gift by Vern Thiessen

    Genesis Theatricals in Chicago

    By: Nancy Bishop - Aug 09th, 2016

    Despite its title, Vern Thiessen’s play is the story of Fritz Haber (Chris Saunders), a German Jewish chemist who made important discoveries, one of which won him the 1918 Nobel Prize in Chemistry. That discovery—which synthesized ammonia for use in fertilizers and explosives — also became the chlorine gas that killed thousands of soldiers on both sides in World War I. In particular, it was the poison gas used in the 1915 Battle of Ypres, with 100,000 casualties.

  • Alice Austen, Photographer Portrayed

    Robin Rice Conjures A Life

    By: Susan Hall - Aug 08th, 2016

    Alice Austen is well-known to residents of Staten Island, where her family home, Clear Comfort was perched on a hill over looking the New York harbor. Like Vivien Maier her story attracts the attention now that it did not in her own lifetime.

  • A Midsummer Night’s Dream

    Sol Theatre in Boca Raton

    By: Aaron Krause - Aug 08th, 2016

    In a traditional production of “Midsummer,” the setting of law and order is the palace of Duke Theseus. In this production, that setting becomes Hermia’s house and the nearby school.

  • An American Daughter at Williamstown

    Revival by Pulitzer/Tony Winner Wendy Wasserstein

    By: Charles Giuliano - Aug 07th, 2016

    Tony and Pulitzer winning Wendy Wasserstein, who died ten years ago at 55, was among the most successful and admired playwrights of her generation. One of her lesser Broadway plays, An American Daughter, is being revived at Williamstown Theatre Festival. It features a strong woman and candidate for high office who, because of a gaffe on camera, is being crucified by the media. Does this sound familiar?

  • Stalking the Bogeyman at GableStage

    David Holthouse Play in South Florida

    By: Aaron Krause - Aug 06th, 2016

    The play, “Stalking the Bogeyman,” by David Holthouse illustrates to what extent silence can aggravate, anger and agonize. The piece is a gripping, thought-provoking, bold theatrical work running through Aug. 28 in a riveting Southeastern premiere production by GableStage in Coral Gables, Florida.

  • Cry "Havoc" by Stephan Wolfert

    Must See Theatre at S&Co;.

    By: Charles Giuliano - Aug 04th, 2016

    Last year the one-man-show Cry "Havoc" by Stephan Wolfert was given a couple of performances at Shakespeare & Company. It has returned with a longer but limited engagement. A number of individuals during a post performance talk back indicated that they returned to see it again. This is an astonishing and visceral experience that one simply must see at least once. It is arguaby the most compelling show of the Berkshire season. It has been hinted that it may become an annual event for the company.

  • Butler by Richard Strand in New York

    How Fort Monroe Launched Emancipation

    By: Susan Hall - Aug 04th, 2016

    Dusting off a proud fact of VIrginia's history, playwright Richard Strand provides a hugely entertaining evening of theatre on the dour subjects of the Civil War and slavery.

  • Grey Gardens at Ahmanson Theatre

    Eccentric Relatives of Jackie O

    By: Jack Lyons - Aug 03rd, 2016

    Grey Gardens” is once again being staged by the award-winning director Michal Wilson who helmed the production back in 2007. His cast in this 2016 production stars a sensational Rachel York as ‘little’ Edie Beale/Edith, and a terrific Betty Buckley as Edith Bouvier Beale.

  • Let the Good Times Roll

    Summer Fun in Charleston

    By: Sandy Katz - Aug 02nd, 2016

    For fabulous summer fun Let the Good Times Roll at Charleston's Music Hall.

  • Foreign Affairs 2016 in Berlin, Germany

    A Commentary

    By: Angelika Jansen - Aug 01st, 2016

    "Foreign Affairs," the international performing arts festival at the Berliner Festspiele is history, literally. This year's festival was the last one of its five-year run. The last three years were under the artistic leadership of Matthias von Hartz and brought ever-expanding public involvement and an increasingly frenetic search for innovative alternatives to theater practices at large. Here is an overview and musings about the final festival as named.

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