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Theatre

  • Full Committed in Charleston

    Smash Hit in 2016 Piccolo Spoleto Festival

    By: Sandy Katz - Jun 09th, 2016

    The Threshold Repertory Theatre in Charleston, South Carolina presented the hilarious and zany "Fully Committed" as a 2016 Piccolo Spoleto offering which was a festival favorite with sold-out performances.

  • Tokyo Fish Story at Old Globe

    If You Knew Sushi

    By: Jack Lyons - Jun 08th, 2016

    “tokyo fish story” is a splendid production that performs, without an intermission, on the Sheryl and Harvey White Theatre Stage and runs through June 26, 2016.

  • Feeding the Bear by Michael Aman

    World Premiere at Island City Stage Near Ft. Lauderdale

    By: Aaron Krause - Jun 08th, 2016

    If “Feeding the Bear” doesn’t exactly break new ground, it works primarily because it’s the type of story with which many can identify. It’s a work that will make you cry one moment and laugh the next. Sometimes, you’ll do both simultaneously.

  • Nick Payne's Constellations

    Premiere at Chicago's Steppenwolf Theatre

    By: Nancy Bishop - Jun 06th, 2016

    Constellations, the new two-character play at Steppenwolf Theatre, is certainly a nonlinear story. Marianne (Jessie Fisher) and Roland (Jon Michael Hill) at times seem to be in parallel universes. She, an academic theoretical physicist, and he, a beekeeper.

  • Camp David by Lawrence Wright

    At Old Globe in San Diego

    By: Jack Lyons - Jun 06th, 2016

    Artistic Director Barry Edelstein continues to provide San Diego audiences with first rate theatrical entertainment. “Camp David” performs on the Donald and Darlene Shiley Stage through June 19, 2016.

  • Nunsense in Charleston

    Footlight Players Part of Piccolo Spoleto

    By: Sandy Katz - Jun 05th, 2016

    Our coverage of Piccolo Spoleto in Charleston continues with Nunsense at Footlight Players. Saints preserve us.

  • Lauren Gunderson's The Taming at S&Co;.

    Political Comedy Disconnects

    By: Charles Giuliano - Jun 05th, 2016

    Lauren Gunderson is widely renegaded as among the best and brightest of American playwrights. She can be thoughtful and provocative. With The Taming, however, which is being given an energetic and ambitious production, the comedy of brought down as too clever, thinky and talky for its own good. It was just too difficult to connect with and care for the unmanageable characters and their absurd situations.

  • The Royale by Marco Ramirez

    GableStage at Coral Gables, Florida

    By: Aaron Krause - Jun 04th, 2016

    The latter part of The Royale which played Broadway’s Lincoln Center Theater earlier this year, features one of the strongest, most powerful scenes of dramatic tension I’ve encountered in a theater in a long while

  • Tragedy of Eugene O'Neill

    Family Ravaged as Long Day's Journey Into Night

    By: Charles Giuliano - Jun 04th, 2016

    Currently Long Day's Journey Into Night, the masterpiece of Eugene O'Neill, is enjoying an all star Broadway revival. One of the last of his plays before a decade of illness he left instructions that it not be published until 25 years after his life. It was produced in Sweden within three years of his death. Based on the horrendous circumstances of his alcoholic, drug addicted family he hoped to avoid collateral damage to survivors. It begs the question of who owns the moral and legal rights when artists draw upon family and friends as material for their art.

  • Annual Piccolo Spoleto Festival

    Fever Was Red Hot in Charleston

    By: Sandy Katz - Jun 03rd, 2016

    Piccolo Spoleto Festival is officially the outreach arm of Spoleto Festival USA in Charleston, South Carolina. This year marks the fortieth anniversary of Spoleto Festival USA, and thirty-eighth year of Piccolo Spoleto.

  • At Home With Lindsay Ann Crouse

    Reflecting on a Remarkable Life in Theatre

    By: Charles Giuliano - May 31st, 2016

    Having returned to Annisquam where she grew up during summers Lindsay Ann Crouse is performing annually with Gloucester Stage. We saw her launch the season with a lively and hilarious production of Lettice ad Lovage. As kids my sister Pip was Lindsay's age and I was a bit older than her brother Timothy. On a rainy day we met in her vintage village home and discussed a remarkable life in theatre with numerous stage, TV and film credits including an Oscar nomination and an Emmy.

  • Spinning by Deirdre Kinahan

    US Premiere at Irish Theatre of Chicago.

    By: Nancy Bishop - May 31st, 2016

    Spinning is notable for its fine direction and acting. Dan Waller is one of those solid Chicago actors who plays many types of roles and makes each one his own. His portrayal of Conor is wrenching and passionate as he gradually learns so accept his responsibility for his actions.

  • Haymarket: The Anarchist’s Songbook

    Chicago's Underscore Theatre Company

    By: Nancy Bishop - May 30th, 2016

    If the Haymarket story is unfamiliar, you can read about it before you see the play. The creators do a good job of telling a complex story, but everything will make more sense if you read before seeing this production.

  • Annie Baker's The Flick

    Miami Theater Center

    By: Aaron Krause - May 30th, 2016

    The Flick by Annie Baker is being staged all over America. Given the scale of the movie theater with a theater the length of the individual productions varies greatly depending upon how long it takes for the trio of actors to sweep up all the popcorn between screenings. This is a review of a Miami production where it weighed in at about three hours.

  • Presto Change-O at Barrington Stage

    A Magical Three-Card Monte Musical

    By: Charles Giuliano - May 29th, 2016

    Barrington Stage Company is launching its Pittsfield season with a commissioned musical Presto Change-O which is having its world premiere on the intimate St. Germain Stage. On many levels this perky production is zesty and magical and that's not just an illusion.

  • John Douglas Thompson and Maggie Lacey

    NY's TFNA Presents Ibsen and Strindberg

    By: Susan Hall - May 25th, 2016

    Can men and women find themselves and satisfaction at the same time? This question has been asked since the beginning to time. Theatre for a New Audience, in their remarkable home, the Polonsky Shakespeare Center in Brooklyn, features John Douglas Thompson and Maggie Lacey in Ibsen's A Doll's House and Strindberg's The Father, running in repertory.

  • Lettice and Lovage by Peter Shaffer

    Lindsay Ann Crouse Launches Gloucester Stage Season

    By: Charles Giuliano - May 24th, 2016

    Veteran actor Lindsay Ann Crouse left LA several years ago to relocate to Annisquam the summer home of her theatrical family. In a now annual production she has been offered great roles by the local Gloucester Stage now launching its 37th season. She is stunning in the meaty role of an eccentric docent of a seedy British mansion. While entertaining she doesn't stick to the script. The play was written as a vehicle for Dame Maggie Smith by Peter Shaffer who wrote Equus and Amadeus. This play, as you will learn, is the cat's meow.

  • Sondheim on Sondheim as Putting It Together

    Stage Door Theatre in South Florida

    By: Aaron Krause - May 24th, 2016

    Unlike in another Sondheim revue, “Side by Side by Sondheim,” has no narrator to link the songs. Rather, a dramatic framework exists in which two couples are attending a cocktail party at an upscale residence. This allows the characters to sing nearly 30 Sondheim songs outside the context for which he composed/or wrote the lyrics.

  • World Premiere Noir Musical Thriller Hollywood

    By Tony Winners Joe Di Pietro and Christopher Ashley at La Jolla Playhouse

    By: Jack Lyons - May 23rd, 2016

    La Jolla Playhouse has the best track record of any West Coast theatre when it comes to sending their original theatrical productions to Broadway (over 30 of them to date). Their 2008 musical production “Memphis”, written by Joe Di Pietro and directed by Christopher Ashley went on to Broadway winning a 2010 Tony Award for Best Musical. “Hollywood”, again written by Di Pietro, and helmed by Ashley, is looking to pull off a Tony Award-winning ‘Daily Double’ coup.

  • Michael Bernardi Discusses Fiddler on the Roof

    Filling His Father Herschel's Boots an Original Tevye on Broadway

    By: Aaron Krause - May 19th, 2016

    Michael Bernardi lost his father, Herschel, when he was not yet two. Still, for much of his life, he has sensed his father’s presence. His father played Tevye on Broadway over three years and 702 performances, beginning in 1965. The younger Bernardi is currently playing Mordcha in the Tony nominated Broadway revival of Fiddler on the Roof.

  • The Tin Woman by Sean Grennan

    Actor’s Playhouse The Miracle Theatre in Coral Gables

    By: Aaron Krause - May 19th, 2016

    Anyone who’s required an organ transplant knows the horrible ordeals of blood tests and waiting lists. But what happens after a successful transplant is complete? Does life revert to normal for the recipient, the donor and their families?

  • The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord

    Scott Carter at Northlight Theatre in Chicago

    By: Nancy Bishop - May 19th, 2016

    Scott Carter is executive producer for HBO’s “Real Time With Bill Maher” and previously produced the first 1100 episodes of Maher’s “Politically Incorrect.” He has written two full-length monologues. Discord premiered in 2014 in Los Angeles at the Geffen Playhouse and the NoHo Arts Center.

  • Lend Me a Tenor in Charleston

    Ken Ludwig Tony Winning Play by The Footlight Players

    By: Sandy Katz - May 17th, 2016

    The Tony winning comedy Lend Me a Tenor by Ken Ludwig is being given a lively revival by The Footlight Players in Charleston. The first act takes a lot of exposition with long monologues. Having established the characters and plot lines the second act proved to be a fun packed roller coaster trip.

  • The Sign in Sidney Brustein’s Window

    Lorraine Hansberry's Last Play at Chicago's Goodman

    By: Nancy Bishop - May 12th, 2016

    The play, first produced in 1964 with a three-month Broadway run, is a time-warp visit to 1960s Greenwich Village. Lorraine Hansberry was concerned with the political issues and activism of the day, issues that still resonate: Political corruption, racism, homophobia, poverty and privilege.

  • Beautiful: The Carole King Musical

    Road Company at Florida's Broward Center for the Performing Arts

    By: Aaron Krause - May 12th, 2016

    If the audience at the Broward Center for the Performing Arts’ Au-Rene Theater was any indication, people pull for King not just because of her music. They want to see her succeed in this bio-musical. She comes across as an ambitious, yet humble, talented, yet insecure underdog.

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