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Theatre

  • Billy Crystal at Barrington Stage Company

    Mr. Saturday Night a Work in Development

    By: Barrington - Sep 22nd, 2021

    Barrington Stage Company (BSC),welcomes Tony and Emmy Award winner Billy Crystal in a presentation of a new musical in development, Mr. Saturday Night, on the Boyd-Quinson Stage (30 Union Street) for nine performances. A new musical comedy, Mr. Saturday Night is about one man’s meteoric rise to the middle. The musical is a work in development and will be presented with minimal set and costume pieces.  

  • Was It Me by Andrea Fulton

    Theatre for the New City is Live Again

    By: Rachel de Aragon - Sep 22nd, 2021

    Theater for the New City, Executive Director Crystal Field presents Andrea Fulton's Was it Me? Directed by Kymbali Craig, the play gives us a poignant peak into everyday life. Fulton probes the anguish of a woman burdened by an unresolved memory of a traumatizing assault in her childhood. Fulton brings the question of self blame to the fore as the woman asks:  “Was it something about me that made this happen?"

  • Noorrrraaaaaaa  after Ibsen

    The Gorki Theater, Berlin

    By: Angelika Jansen - Sep 21st, 2021

    Just be aware. The premiere of Nora at Berlin's smallest theatre, The Gorki Theater, offers anything but the expected story line of Henrik Ibsen's famous 1879 play about a woman stepping out of a comfortable upper middle class family life to become independent.

  • The Last Five Years by Jason Robert Brown

    Branford’s new Legacy Theatre

    By: Karen Isaacs - Sep 20th, 2021

    The Last Five Years is a very popular musical with theaters; in part because it only needs two performers and minimal sets/costumes and partly because it tells a universal story of falling both in and out of love.

  • Working by Studs Terkel

    Produced by Palo Alto Players

    By: Victor Cordell - Sep 20th, 2021

    Terkel’s hometown beat was a great laboring town, Chicago, the City of Broad Shoulders.  From a lifetime of communing in his community and across the country, he produced powerful oral histories based on interviews, particularly “Working” (1974) and the Pulitzer Prize winning “The Good War” (1985).

  • Angela's Ashes: The Musical

    Irish Repertory Theatre's Frank McCourt's Memoir

    By: Susan Hall - Sep 19th, 2021

    Angela’s Ashes, a musical based on Frank McCourt’s fictionalized memoir of his early family life, is presented now in its musical version by Irish Repertory Theatre.  It is a conventional musical. Yet the memoir’s conventionality did not diminish the story’s deep resonance not only with immigrants, but with all readers who have experienced difficult childhoods. 

  • The Story Box Presented by Here

    Suzi Takahashi Dramatizes Truth and Reconciliation

    By: Susan Hall - Sep 16th, 2021

     Written and performed by Suzi Takahashi and directed by Kristin Marting, The Story Box explores the importance of safeguarding our civil rights through the lens of Japanese American identity. Using kamishibai (a traditional Japanese storytelling method), coupled with Takahashi’s own family history and original music, this show takes audience members on a 230-year journey through our country’s problematic treatment of Asian immigrants.

  • A Different Kind of Self Portrait

    A nine-and-a-half-feet tall mastodon

    By: Aaron Krause - Sep 16th, 2021

    Jess the Mastodon is puppet artist Jim Hammond's self-portrait -- kind of. Hammond designed Jess for Theatre Lab's production of The Impracticality of Modern-Day Mastodons. The professional company based on Boca Raton's Florida Atlantic University campus is staging the play about dreams coming true.

  • Be Here Now at Lyric Stage

    By Deborah Zoe Laufer

    By: Lyric - Sep 15th, 2021

    A quirky romantic comedy about a professor of nihilism who experiences joy for the first time in her life.

  • WAM Theatre's US premiere of KAMLOOPA

    Staged at Shakespeare & Company

    By: WAM - Sep 15th, 2021

    WAM Theatre to present the US premiere of KAMLOOPA: AN INDIGENOUS MATRIARCH STORY by Kim Senklip Harvey, winner of Canada’s prestigious Governor General’s Award for English Language Drama, directed by Estefanía Fadul (WAM’s Native Gardens, The Oregon Trail). COVID safe live performances of this new comedy, will be presented at Shakespeare & Company’s Elayne P. Bernstein Theatre in Lenox.

  • Starting Here, Starting Now

    San Francisco Playhouse

    By: Victor Cordell - Sep 13th, 2021

    Unlike most revues, this one also demands acting out the songs, and on this count, the artists excel, making the drama work.  Dance and blocking choreographed by Nicole Helfer provide visual dynamics. Lovers of musical revues who like the cerebral and the discovery of unfamiliar music and lyrics will appreciate this production.

  • Scalia/Ginsburg, Music and Libretto by Derrick Wang

    Produced by Solo Opera

    By: Victor Cordell - Sep 13th, 2021

    Opera simply is not supposed to be this much fun. Supreme Court Justices Antonin Scalia and Ruth Bader Ginsburg were judicial titans representing the opposite ends of the political spectrum. Most opera goers would find Composer/Librettist Derrick Wang’s one-hour confection distinctive, entertaining, and evocative.

  • The Winter’s Tale

    At Cal Shakes

    By: Victor Cordell - Sep 10th, 2021

    Shakespeare’s infrequently produced “The Winter’s Tale” is often characterized as a “problem play,” meaning that its tone is inconsistent – sometimes dramatic with psychological overtones, sometimes comic with mystic qualities. 

  • The Impracticality of Modern-Day Mastodons

    A World Premiere Production by FAU's Theatre Lab

    By: Aaron Krause - Sep 06th, 2021

    The Impracticality of Modern-Day Mastodons is a new play by Rachel Teagle receiving its world premiere production at Florida Atlantic University's Theatre Lab. The professional company's production runs through Sept. 19. Jess the Mastodon seeks to find her place in a world in which she seems out of place. A Mastodon is a large, extinct elephant-like mammal.

  • Galatea by David Templeton

    At Spreckels Theatre Company

    By: Victor Cordell - Sep 06th, 2021

    Robot, replicant, android, or body snatcher – one of science-fiction’s leading obsessions has long been the fear of alien or man-made “beings” replacing humans.  In playwright David Templeton’s “Galatea,” the near future envisions an outer-space centered universe populated by organics, like you (I think) and me, as well as synthetics, the latter being created by the former to appear and behave exactly like humans.

  • Angela's Ashes: The Musical

    An Irish Repertory Theatre Streaming Production

    By: Aaron Krause - Sep 02nd, 2021

    Angela's Ashes: The Musical is a new musical adaptation of the Pulitzer Prize-winning Frank McCourt memoir. The award-winning, Off-Broadway Irish Repertory Theatre will stream the show from Sept. 9 through Sept. 22. The online production follows an in-person, critically-acclaimed run in Ireland in 2017.

  • The Suburbs

    Thrown Stone Theatre in Ridgefield i

    By: Karen Isaacs - Sep 02nd, 2021

    After a two block walk, the audience arrives at the lawn of the Aldrich Contemporary Art Museum for The Caterers by Tony Menses. At least you can understand why a museum dedicated to recent art was chosen, since the play takes place sometime after 2030.

  • The New Agit Prop

    American Repertory Theatre

    By: A.R.T - Sep 01st, 2021

    The press release for fall programing at American Repertory Theatre contained a signifying statement.

  • Sweet Land, Opera of the Year

    The Industry Produces Grand Opera

    By: Susan Hall - Aug 29th, 2021

    Sweet Land by a consortium of artists formed by the adventuresome Los Angeles company The Industry has won the award for best new opera in 2020 from the Music Critics Association of North America.  Music by Du Yun and Raven Chacon. Libretto by Douglas Kearney and Aja Couchois Duncan . Directed by Cannupa Hanska Luger and Yuval Sharon.

  • Having Our Say- the Delaney Sisters First 100 Years

    At Ivoryton Playhouse

    By: Karen Isaacs - Aug 28th, 2021

    These two sisters, 103 and 101 at the time of the play, regale us with incidents and observations on their lives and opinions. And what experiences they are. They talk about their family’s history (and photos are projected) of slavery and freedom.

  • Faust by Berlioz in Salzburg

    A Masterpiece Revealed

    By: Susan Hall - Aug 27th, 2021

    La Damnation of Faust is a glorious dramatic legend.  It bombed in Paris, much to composer Hector Berlioz’ dismay and confusion. Yet even members of the orchestra he conducted at the premiere asked the composer about notes he wrote.  “That note does not exist,” complained a horn player. “It sounds like a sneeze.”  “That’s just what I wanted,” replied Berlioz. No one contests the musicality of the "Romane" aria, "D'amour l'ardente flame," so beautiful that it was selected to conclude the memorial service for Maria Callas.

  • Elektra in Salzburg

    Supreme Strauss

    By: Susan Hall - Aug 25th, 2021

    Elektra, the stage drama that underlies the opera Elektra, was written by Hugo von Hoffmansthal for a theatre venue run by Max Reinhardt in Berlin. Reinhardt would go on to found the Salzburg Festival in 1920. After a hundred years, this Festival is inarguably one of the world’s most satisfying. Their new production of Elektra is classic and thrilling.

  • Tchaikovsky’s Eugene Onegin

    At Santa Fe Opera

    By: Victor Cordell - Aug 22nd, 2021

    “Eugene Onegin” not only represents the greatness of Russian opera but is one of the fine representatives of the whole operatic idiom. Director Alessandro Talevi marshals the creative team to give a look that blends traditional and modern elements. 

  • Benjamin Britten’s A Midsummer Night’s Dream

    At Santa Fe Opera

    By: Victor Cordell - Aug 20th, 2021

    Shakespeare’s frequent conceits include mistaken identities, confused love matches, supernatural interventions, play-within-a-play, and multiple plot lines, but “A Midsummer Night’s Dream” embraces them all, and more.  Several  threads are interspersed and overlapping throughout the play and opera’s narrative that may cause confusion to the uninitiated.

  • The Lord of Cries by John Corigliano

    Commissioned by Santa Fe Opera

    By: Victor Cordell - Aug 19th, 2021

    “The Lord of Cries” is an unusual melange of two literary works written two millennia apart.  The more recent is Bram Stoker’s “Dracula,” which has been used as the basis for operas before, but none have entered the repertoire.  Adamo concludes that Stoker must have known the other contributing piece, Euripides’s “The Bacchae.” 

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