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Theatre

  • John Proctor Is the Villain” by Kimberly Belflower

    Scheduled for HUntington's 23/24 Season

    By: Huntington - Mar 09th, 2023

    Broadway Licensing is pleased to announce its acquisition of the highly-anticipated play, “John Proctor Is the Villain” by playwright Kimberly Belflower for live stage performance rights. In conjunction, The Huntington, Boston’s leading professional theatre, is thrilled to publicize that it will include the thought-provoking, funny new play in its 23/24 season.  

  • Pictures from Home by Sharr White

    At NY's Studio 54

    By: Karen Isaacs - Mar 11th, 2023

    Let’s admit that the play has some resemblances to Death of a Salesman. Irving is a traveling salesman gone weeks at time, just as Willie Loman was.  He is also a flawed man. His relationship with his son is contentious.  Like Linda in the Miller play, his wife is loyal to him but aware of the realities he can’t quite admit and tries to keep the peace between him and Larry.

  • Strindberg's Totentanz at Berliner Ensemble

    August Strindberg's Play of 1900

    By: Angelika Jansen - Mar 11th, 2023

    August Strindberg's "Totentanz" had its opening in Berlin at Bertolt Brecht's famed theater, the Berliner Ensemble. Written in 1900 it is one of those plays that lets one shudder about the senselessness and cruel relationship some couples endure and call it a marriage.

  • Fannie: The Music and Life of Fannie Lou Hamer

    An Homage to a Civil Rights Heroine

    By: Victor Cordell - Mar 13th, 2023

    Greta Oglesby gloriously reprises the role of Fannie Lou Hamer that she performed at Oregon Shakes’ vast outdoor Elizabethan Theatre.  She brings a speaking voice brimming with passion and conviction, as well as a strong and melodious singing voice.  She stalks the stage with a slight hobble as a wounded warrior who is too busy planning the next demonstration to let her nagging injuries slow her down.

  • Tosca

    Livermore Valley Opera's Fine Production of Puccini's Searing Verismo Opera

    By: Victor Cordell - Mar 15th, 2023

    In its essence, the opera is an intimate triangle of love, predation, betrayal, and murder. Yet the intimacy of “Tosca” plays against a grand canvas of three unrelated settings, which LVO executes deftly.

  • Oliver!

    Maltz Jupiter Theatre in South Florida

    By: Aaron Krause - Mar 18th, 2023

    Maltz Jupiter Theatre triumphs with its production of the infrequently produced musical, "Oliver!" This production is the company's largest yet. Maltz's production runs through April 2.

  • The Art of Burning

    Riff on Medea At Hartford Stage

    By: Karen Isaacs - Mar 21st, 2023

    Though The Art of Burning is described as a comedy, it is really a drama centering on Patricia (Patti) who is about to be divorced from Jason, after a many year marriage (they have a 16-year-old daughter).

  • August: Osage County

    Palm Beach Dramaworks in South Florida

    By: Aaron Krause - Mar 22nd, 2023

    Palm Beach Dramaworks is poised to perform August: Osage County. The production runs from March 31 thru April 16. Playwright Tracey Letts won the Pulitzer Prize for Drama and the Tony Award for Best Play for August: Osage County. The director and a cast member say that despite its three-plus hours, the play flies by.

  • Working Based on Studs Terkel

    Modern Theatre Boston

    By: Suffolk - Mar 22nd, 2023

    WORKING celebrates the everyday laborers who create purpose in their lives by doing their life’s work. Ever wonder what your teacher is really thinking? Does your waiter really want you to, “enjoy your meal”? Witness these often unsung employees take center stage and tell their side of the story.

  • Endgame at Irish Rep

    John Douglas Thompson and Bill Irwin

    By: Karen Isaacs - Mar 24th, 2023

    The Irish Rep has mounted a superb production of Samuel Beckett's difficult and riveting Endgame. It features Bill Irwin, know for his Beckett interpretations, and renowned Shakespearean actor John Douglas Thompson. The hit show will be live streamed for its final performances,

  • Ruthless! The Musical

    A Delightful Spoof of Mame, Gypsy, and The Bad Seed

    By: Victor Cordell - Mar 27th, 2023

    Send-ups can be tricky, since pastiche, and particularly farce, can wear thin. But “Ruthless! The Musical” pushes all the right buttons, offering a bright script and bouncy music with clever and provocative lyrics. Altarena Playhouse gives it a rousing rendition that is enjoyable from start to finish. The casting and acting are superb, and the creative elements sparkle.

  • Merrily We Roll Along

    Sondheim's Checkered Musical Rises Again

    By: Victor Cordell - Mar 28th, 2023

    Those familiar with 42nd Street Moon will see how this offering fits the company’s modus operandi. Obviously, it is a musical, and one that calls for a large ensemble, but with limited orchestration and minimal staging, all of which suit the company. But for that, you get Sondheim – witty, and sometimes searing lyrics, creative rhythms, often delivered in patter style, and great music. The music, however, is a little off the composer’s beaten path – a bit more conventional Broadway and a bit less dissonance.

  • Art Bath Overflows in New York

    Wildly Original Programming Delights

    By: Susan Hall - Mar 28th, 2023

    The producers of Art Bath, who dance together at the Metropolitan Opera, are warm individuals who make inspired selections for programs that range from conventional songs accompanied by live, drawn art to wild Moroccan sintir music which inspires accompanying clapping and ululation in joy. 

  • Steinberg/ ATCA New Play Award

    2023 Finalists Announced

    By: Aaron Krause - Mar 29th, 2023

    The American Theatre Critics Association (ATCA) has announced the six finalists for the 2023 Harold and Mimi Steinberg/American Theatre Critics Association New Play Award. ATCA presents the honor annually. The presentation will take place on May 7 at South Coast Repertory in Costa Mesa, Calif as part of the annual Pacific Playwrights Festival.

  • Blithe Spirit

    Fun With Farce And Fantasy

    By: Victor Cordell - Apr 03rd, 2023

    The flamboyant bon vivant Noël Coward excelled in many aspects of the performing arts, but he is best remembered today as a playwright who exposed the foibles of English society in several between-the-wars, comedy-of-manners plays.  The last of these was “Blithe Spirit.”  Many of us, having seen the movie and perhaps productions of the play as well, may wish to pass on seeing this war horse once again.  That would be a mistake.  City Lights has produced a sparkling rendition that hits the mark on every measure.

  • Prospero's Island

    A Compelling Operatic Update of Shakespeare's "The Tempest"

    By: Victor Cordell - Apr 05th, 2023

    Composer Allen Shearer and librettist Claudia Stevens's “Prospero’s Island” borrows from the “The Tempest.” But they have moved it a significant measure from the source material. In addition to lyrics in modern American-English vernacular interspersed with poetic accents, a plot update and revision gives the material more contemporary relevance while altering the moral profile of the main character. The result is a riveting chronicle of moral corruption followed by a quest for redemption that is accompanied by equally compelling music, calling on diverse idioms. Although the narrative arc is clearly dramatic, the creators frequently punctuate the proceedings with humorous interludes.

  • English

    Adult Iranians Struggle with Unexpected Social and Cultural Issues Involved in Learning English

    By: Victor Cordell - Apr 08th, 2023

    Born to immigrant parents, Iranian-American playwright Sanaz Toossi looks at a part of a global industry that has derived from the ubiquitous nature of English – teaching English to non-native speakers.  Calling upon her own heritage to generate a narrative, her incisive dramedy “English” won both the Lucille Lortel and Obie awards for best new play in 2022.

  • Der Rosenkavalier at the Metropolitan Opera

    Great Singing Across the Boards

    By: Susan Hall - Apr 08th, 2023

    Richard Strauss preferred to spell the title of his most popular opera: Der Rosencavalier.  Although the opera began with conversations between librettist Hugo von Hofmannsthal and Count Kessler, a diplomat, scholar and director of the Cranach-Presse in Weimar, the opera is very much Strauss’s.  Kessler promised Hofmannsthal that he could pay for his children’s education with the proceeds from productions.  That he did. 

  • A Distinct Society

    Cruel Consequences of Misguided Regulations

    By: Victor Cordell - Apr 10th, 2023

    Haskell Free Library and Opera House straddles the border between the U.S. and Quebec Province in Canada as a result of a surveying error that occurred before the library was built.  A line on the floor designates the border.  The playwright has deftly used this real-life anomaly as the crucible for the play’s conflicts. After the Muslim Travel Ban of 2017, a kerfuffle arises as a result of a social media posting which suggests that the library is a good crossborder meeting place.  The message is not lost on Muslims, particularly families with members on both sides of the divide.

  • The Huntington's Coming Season

    First by New Huntington Artistic Director Loretta Greco. 

    By: HUntington - Apr 12th, 2023

    The Huntington announces its complete lineup for the 23/24 season, featuring an eclectic mix of 7 highly acclaimed shows by a wide variety of diverse artists, the first full season completely programmed by new Huntington Artistic Director Loretta Greco. 

  • Refuge

    Rolling World Premiere at Theatre Lab in South Florida

    By: Aaron Krause - Apr 12th, 2023

    As part of a rolling world premiere, Refuge is running at Theatre Lab in Boca Raton, Fl. in an intense and believable production through April 23. The production features music, magical realism, and puppets. Refuge is about the migration crisis, but does not deal with politics. Rather, it is a piece brimming with humanity.

  • Grand Horizons

    A New Look on Life Late in Life

    By: Victor Cordell - Apr 11th, 2023

    Bill and Nancy have been married for 50 years, and on the surface, they have been happy, or at least content.  But when they dispassionately announce their decision to divorce to their visiting adult sons, Brian and Ben, the boys are flabbergasted.  As expected, they have questions like “What happened?” but worse, they have answers, like “We can fix this,” as if the breakup could be within their control.  And when they finally realize that it could actually happen, it’s “Why couldn’t you get divorced when we finished school, like normal people?”

  • Honoring Julianne Boyd

    The Berkshire Nonprofit Awards

    By: Barrington - Apr 13th, 2023

    Barrington Stage Company announces that Founding Artistic Director Julianne Boyd will be honored with The Berkshire Nonprofit Awards Lifetime Achievement Award from The Nonprofit Center of the Berkshires, in partnership with The Berkshire Eagle on May 23.

  • Endgame from the Irish Repertory Livestream

    Bill Irwin and John Douglas Thompson Star

    By: Susan Hall - Apr 14th, 2023

    Endgame livestreamed from the Irish Rep. Samuel Beckett’s Endgame enjoyed a must-see run at the Irish Repertory Theatre.  Starring Bill Irwin, the clown and Beckett aficionado, as Clov and John Douglas Thompson as Hamm, here uncharacteristically for Thompson, the “insider.”  He is bound to a wheelchair, blind and dependent on painkillers, yet the clear force of the moment. Clov lurches around him

  • Poor Yella Rednecks - Vietgone 2

    A Vietnamese Family in Arkansas - Strangers in a Strange Land

    By: Victor Cordell - Apr 15th, 2023

    With his highly successful “Vietgone,” playwright Qui Nguyen, told the beginning of his family’s immigrant story, following the fall of Saigon in the Vietnam War.  His equally thoughtful and humorous sequel, “Poor Yella Rednecks,” continues the family’s saga.  Amusingly, he writes himself in as a character in the play and facetiously disavows to the audience that its characters are real.

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