Museum of Fine Arts

In conjunction with the exhibition Hallyu! The Korean Wave, which explores the worldwide impact of South Korean pop culture, the Museum of Fine Arts, Boston (MFA), presents films by some of the country's greatest auteurs.

The collection of Japanese art at the Museum of Fine Arts, Boston (MFA), is one of the most comprehensive in the world. Five newly transformed galleries showcasing nearly 200 highlights—including painting, sculpture, decorative arts and selections from the Museum’s vast collection of ukiyo-e prints—open on May 11, 2024.Japanese

With minimal marketing and fanfare the Cape Ann Museum launches its 2024 season with the special exhibition In the Round: 20th Century Cape Ann Sculpture which opens April 6 from 3 to 5 pm. It focuses on major sculptors who lived and worked on Cape Ann. In July there will be a survey of women artists. The museum has pulled back to business as usual following last summer's blockbuster Edward Hopper and Jo Nivison exhibition in collaboration with the Whitney Museum of American Art.

In my new paintings I am imagining “evolutants” stuck in the mud, from remains of the flora and fauna of the smallest cell-like creatures to the evolution of our present human form, painted as staggered layers of history. They are colorful, animated patterns of biological and imaginary forms painted in acrylic and oil.

First Friday, March 1, 5 - 8:30pm, will feature the reception & artist talks at Boston Sculptors in the South End. Works by Ed Andrews and Leslie Wilcox will be on view through March 31. There will be artist talks on Saturday March 16 from 2-5 PM.

Pandering to the public continues at the ever more accessible Museum of Fine Arts. It follows a blockbuster show of Sargent portraits of white supremacists with an in depth view of the ultimate charlatan Salvador Dali. He has been described as the greatest modernist from the wrist down. Dalí: Disruption and Devotion, opens in July with 30 works by Dali compared to European masterpieces from the museum's collection. The Dalis are on loan from the St Petersburg, Florida museum. The project is both cost effective and crowd pleasing.

Presenting over 150 photographs of, by, and for Indigenous people, “In Our Hands” welcomes all to see through the lens held by Native photographers.

A majority of the works in Mondrian: Foundations are drawn from a gift to the MFA from Maria and Conrad Janis by and through the Janis Living Trust. In addition to 34 paintings, drawings and watercolors by Mondrian—24 of which are on view in the exhibition

In collaboration with curator/designer Martina Salisbury, The Friends of Beattie-Powers Place presents Moments in Time :: Pictures 1965-2023. The intimate salon installation offers a rare opportunity to view a selection of over 60 of Gerard Malanga’s photographs, including portraits of some of the most illustrious artists, musicians, literary figures, and cultural icons of the last six decades.  ?

Hall Space presents Ellen Shattuck PIerce "Taking Place." It's a lively exhibition of relief and hand colored laser prints.

These paintings, inspired by the Major Arcana cards in the traditional Rider-Waite tarot deck, are also the inspiration for a Major Arcana-specific 22-card tarot deck released by Jane Hudson this summer with WIld Soul River.  

Jacob’s Pillow today announced the artists who will participate in 10 onsite residencies this fall through next summer, as part of the Pillow Lab residency program. Artists participating in this series, in chronological order, are: Ilya Vidrin, Sekou McMiller, LaJuné McMillian, Minty Fresh Circus, Aakash Odedra, Kyle Marshall Choreography, CONTRA-TIEMPO Activist Dance Theater, Hari Krishnan/inDANCE, Theresa Ruth Howard, and Miguel Gutierrez.

Strong Women in Renaissance Italy features approximately 100 works of art—sculpture, paintings, ceramics, textiles, illustrated books and prints—largely drawn from the MFA’s collection, alongside eight key loans from the British Library, the Dayton Art Institute, the Bowdoin College Museum of Art, the Jewish Museum, the Boston Athenaeum and a private collection. Women became artists, writers, poets, musicians and singers. They acted as patrons and commissioned works of art.

Noted for its Wax Works the Annisquam Seafair is now 178-years-old. We attended this past weekend.

Gabrielle Barzaghi is one of the leading contemporary artists residing on Cape Ann. Horse Opera is Barzaghi's fourth solo exhibition at the Matthew Swift Gallery, and presents a significant new body of her work comprising more than a dozen drawings.

Trembling Earth features seventy-five objects, ranging from brilliantly hued landscapes and three stunning self-portraits, to an extensive selection of his innovative prints and drawings. The exhibition includes more than thirty works from MUNCH’s world-renowned collection, major pieces from other museums in the USA and Europe, and nearly forty paintings, prints, and drawings from private collections, many of which are rarely exhibited. The Clark is the only American venue for this stunning exhibition.

About 2,500 years ago, the Acropolis of Athens was filled with statues of young women, called korai. Raised on high bases, these dedicated offerings created a forest of shimmering marble women honoring the goddess Athena. One of the finest examples of these objects, known as Kore 670, which rarely leaves the Acropolis Museum, has traveled to the Museum of Fine Arts, Boston (MFA), where it is on view through January 8, 2024.

In a thoughtful introduction, Gadsden makes her case for Modernism, and then hones in on five wonderfully talented but quite different trailblazing industrial designers: Paul T. Frankl (1886-1958), Donald Deskey (1894-1989), Viktor Schreckengost (1906-2008), Harley J. Earl (1893-1969), and Belle Kogan (1902-2000).

Edward Hopper (1882-1967) visited Cape Ann initially at the invitation of his friend and fellow painter, Leon Kroll (1884-1974), and produced his first oil painting outdoors in the United States during that trip. The Whitney Museum is lending Hopper’s five oils painted in Gloucester in 1912, including Briar (sic) Neck, Gloucester (1912); Tall Masts (1912); Italian Quarter (1912); and Gloucester Harbor (1912). The exhibition will mark the first time these works have ever been shown together on Cape Ann.

Flynn has made hundreds, perhaps thousands of drawings over the last 50 years. Choosing just 50 (really 61) drawings is nearly an impossible task. William Flynn is an artist that spends days drawing. He finds ways to express the beauty in mundane objects; an old baseball mitt, ski boots, a bicycle that was run over and flattened, cars at junkyards, an old arm chair, pop-up books, whirly-gigs.

Now 82, at long last the Native American artist, Jaune Quick-to-See Smith, is the subject of a retrospective at a major New York Museum. Jaune Quick-to-See Smith: Memory Map will be on view at the Whitney Museum of American Art from April 19 to August 13, 202

In 1923 Edward Hopper spent his second summer in Gloucester. He met and later married the artist Josephine Nivison. That summer he painted several pictures and created a number of water colors. They worked side by side. A century later, on the occasion of Gloucester 400 Plus their work will be on view at the Cape Ann Museum.

Cicely Carew, Venetia Dale, and Yu-Wen Wu have been named the recipients of the 2023 James and Audrey Foster Prize Exhibition. Their exhibition at the ICA, on view August 24–January 2, will encompass a wide range of media—from sculpture and installation to time-based media and works on paper.

In 2015 I wrote a book of poetry, Shards of a Life, which was launched with a reading and dialogue with director, Susan Wissler, at Edith Wharton's The Mount. It was an auspicious beginning. Each winter other books of poetry and oral history followed. There was a disruption in 2021 entailing recovery from spinal surgery. The eighth book, Annisquam: Pip and Me Coming of Age, is on track for a Spring/ Summer release.

Concurrent solo exhibits at Boston's Moakley Courthouse, present new abstract watercolors by Erica H. Adams and abstract Lexan wall reliefs by Marjorie Minkin that share transparency, color-light and layers that reveal content.