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He cited Edwin Dickinson as his mentor, admiring Dickinson’s painterly restraint, his sensitivity, and the way he taught teaching through seeing and doing. For his whole life, he invoked Dickinson as his most important influence. He used to say that he started painting simply because he was interested in the world, and it seemed to him that painting could be a way that he could learn about it.

Celebrated for creating diverse, timely and relevant opera, White Snake Projects (WSP) returns to Boston’s Strand Theatre, September 26-28, 2025, for the world premiere of White Raven, Black Dove, in a season dedicated to addressing the climate crisis through art. Composed by Jacinth Greywoode and Andrew Lynch, and written by librettist Cerise Lim Jacob, White Raven, Blake Dove is an original work of science fiction fantasy exploring two issues consuming America today – race and climate change.

A small-scale grand opera, Cosi revolves around a bet that two sisters will be unfaithful to their fiances within 24 hours. To tempt the women, the men are required to dress like Albanians, with each man pursuing the other's beloved. Cosi is full of beautiful, if unmemorable music, but the comic chops of the singers are what makes the opera most appealing.

Latiné Theater Lab has mounted its second ever production, a world premiere of a Science Fiction comedy titled Last of the Red Hot Robots. A social media influencer learns from a DNA test that she is among the 40 percent of individuals who can smell asparagus in their urine. An otherworldly being tells two zoo-goers that ants, not humans, are among Earth’s dominant species.

The Carbonell Awards, which represent the best of South Florida theater, has announced nominees for the past year. The ceremony will take place at 7:30 p.m. Nov. 17 at Florida Atlantic University's University Theatre in Boca Raton. For the first time in a while, the ceremony will take place in Palm Beach County. The Carbonells cover Miami-Dade, Broward, and Palm Beach Countiess.

“With this exhibition we are pleased to feature an exceptional artist of our time and powerful works that speak to Martin Puryear's creativity and exceptional craftsmanship, and the lifelong learning that has fueled his practice,” said Pierre Terjanian, the MFA’s Ann and Graham Gund Director. “The sculptures included in this survey extend a compelling invitation to engage with themes of culture, identity, and history. We are grateful to our colleagues at the Cleveland Museum of Art for their partnership in making this project possible.”

The playwright deftly envelopes the essence of Sholem Asch's "God of Vengeance" into a dramatic wrapper of the history detailing Asch's unending challenges from his community and from authorities concerning the play's alleged obscenity.

During the era of Colonialism African nations were ruled by Europeans. This occupation resulted in the looting of some 90% of traditional African art and culture. In recent years German museums have returned tons of Benin Bronzes to NIgeria. The Museum of Fine Arts was pressured to return 34 works loaned to them as eventual gifts by collector Robert Owen Lehman. In a complex negotiation he nullified the agreement but the museum has retained and displayed five works. Noah Smalls of Williams College Art Museum helped to organize “Toward an Inclusive Framework: (Re)Building Black Art Histories in Academe, the Art Market, and Beyond,” for the 2025 College Art Association Conference. With Robert Henriquez we met for lunch to discuss these issues.

Incoming Ocean, a site-specific video installation by Georgie Friedman, splashes across the interior architecture of the Cultural Center. The waves, filmed at nearby Halibut Point State Park, break over walls and doors, advancing toward one’s feet while also washing across a school of 50 life-sized Ghost Cod, hand-carved by Jessica Straus.

ZAZ is an immersive sensory performance that shifts traditional viewing practices beyond just sight and sound. The performers embody the oral histories and recorded experiences of survivors of Hurricane Katrina. They perform in tap shoes, hard-soled shoes, gumboots, and barefoot, creating a rhythmic score that supports the narration woven into the performance.

Alicia cleaned fancy apartments in the sixteenth arrondissement in Paris. She looked worn out, her face was prematurely lined from years of exhausting work, but when she spoke Spanish, her face lit up. She was always in a good mood. One evening she told me she and her husband were planning a visit to Sevilla to see her relatives, but the real purpose of the trip, she confided, was to buy a plot for herself and her husband in the San Fernando Cemetery.

Josh returns home to Colorado in hopes of recovering from alcoholism and getting to know his grandparents better. A shared characteristic between them is memory loss, the difference being that the cause of Josh's is reversible, while that of the older generation is not.

Asked about the job opening. She said she was the manageress. She told me her name was Astrid. And yes, she strode. She strode everywhere. That was how she moved through her life. Now she came up to me and said: “Yes, we’re looking for a bartender. Come by the lamp here on the bar, open your mouth.”

The Heart is written by Kate Kerrigan, with music and lyrics by Anne Eisendrath and Ian Eisendrath. It is based on the novel, Réparer les Vivants by Maylis de Kerangal.  In the LA Jolla Playhouse production, over 24 hours, the heart of a person in the wrong place at the wrong time is connected to another person who was in the right place at the right time to answer the call.

Spectacle is a visual experiential exhibition. Elaine Buckholtz, a Light Installation Artist with a 25-year career in Lighting Design, has worked with artists such as Meredith Monk and Merce Cunningham.

Janis Joplin was one of rock-and-roll's greatest icons. This musical tribute to her which has thrilled audiences across the country and around the world returns to the San Francisco Bay Area, where she earned her fame.

The 37th edition of the international Dance Festival in Berlin, called 'Tanz im August' took place in ten (10) locations in Berlin and introduced twenty (20) amazing contemporary dance companies from around the globe.

The Berlin Music Festival is honoring Luciano Berio on the occasion of his 100th birthday with eight concerts devoted to his work. His explorations of acoustic sound fused with electronics, his relentless push to test the technical and expressive limits of instruments, his inventive musical collage and dialogues between traditions are all being showcased. Pierre Boulez, whose centenary also falls this year, is likewise being celebrated.

Mother Play: A Play in Five Eviction by Paula Vogel is grating, harrowing, complex and difficult to endure. It is given a stunning, meticulously directed regional premiere at Shakespeare & Company. Members of the company, director Ariel Bock, and actress, Tamara Hickey, excel at executing this excruciatingly difficult play.

Imagine your life as a candle. The wax and the wick of the candle are your Jing, your essence.

The board of a private school in Berkeley, CA must make policy decisions following a mumps outbreak. Jonathan Spector's brilliant script reveals archetypes and arguments, and an exemplary cast enlivens the characters. The arguments concerning vaccinations are timely given the anti-vaxxing crusade of the current federal administration.

The Museum of Fine Arts, Boston (MFA), has announced its lineup of 2025–2026 exhibitions, including Of Light and Air: Winslow Homer in Watercolor, a rare display of light-sensitive works that opens November 2. I

Sylvia is an excellent play, being given a good, but not outstanding, production.

Olivier Meslay, the Hardymon Director of the Clark Art Institute, will step down from his leadership role in July 2026, concluding a decade of change and growth that has seen the Clark flourish in international stature and engagement. Meslay, a widely respected curator and art historian, will return to his native France to pursue a variety of independent projects.

The paintings on display are inspired by the epic poems The Odyssey, by Homer and Metamorphoses, by Ovid.  Geschwer’s idea that mythology, dreams, and art operate within the same language system is at the core of his imagery. In his images, Geschwer makes use of classical painting methods and an interior pictorial language, often integrating art history iconography and verbo-visual elements. The resulting mysterious compositions deliver to the viewer the underlying archetypal messages of antiquity.