Front Page

The Art Gallery of Ontario owns 900 works by Henry Moore including large plasters for bronzes, maquettes, drawings and related materials. The 1,200 square foot gallery and its ancillary displays comprise the largest public collection of the artist's work. Simply put, it is one of the most magnificent experiences of 20th century sculpture on a global level.

The deceptively simple Madelein George play, Precious Little, is multi-layered, funny and thought provoking. A talking ape is a main character in George's strange, but relevant piece. Precious Little is packed with big ideas and themes. A strong cast shines in this 90-minute, intermissionless, yet complex play. Let it grow on you.

The special exhibition "Shame and Prejudice: A Story of Resilience" by the First Nations artist Kent Monkman is a game changer. With ferocious wit the artist deconstructs horrific aspects of Canadian history through a series of narrative, social realist paintings. We viewed the work at the McCord Museum in Montreal where the traveling exhibition closed on May 5.

The show is emotional, bewitching, and always entertaining. It is based on the biography of Son House by Rochester native Daniel Beaumont. But ultimately it is a celebration.

Here we go again messing with Chekov. This time Aaron Posner has his way with the Russian master. Uncle Vanya is a comedy in the sense that it is full of pitiable, laughable characters in awkward situations, and nobody dies (but one almost does!). In Life Sucks, Posner makes the characters more ridiculous and more expressive to add energy and bolder humor. Vanya is shlepier. Aster is more passionate for his causes. Ella is a stronger magnet.

The very title Significant Other is poignant and of our time. Its abstractness as a term contrasts with the more intimate traditional words it represents. The topic matter is also relevant and the treatment authentic.

“The Diary of Anne Frank”, at the Palm Canyon Theatre (PCT) in Palm Springs, is a must-see production no matter wherever and/or whenever it is staged. It’s a poignantly dramatized play written 76 years ago by Frances Goodrich and Albert Hackett, that unfortunately is very relevant today.

The Rare Biosphere, a new play by Chris Cragin Day presented by the Sea Dog Theater and directed by Christopher J Domig is a charming and poignant look at at the question of immigration. Through the lives of a very American adolescent lens we are confronted with realities which upset the norm-- and intensify choices

The special exhibition “Toulouse Lautrec and the Stars of Paris” is a collaboration of the Museum of Fine Arts and The Boston Public Library. Their great combined depth in prints and posters is supplemented with loans from other museums. In addition to his signature graphic works the exhibition is expanded with paintings, photographs, and sculptures by other impressionist and post impressionist artists.

On May 25, come for MASS MoCA’s 20th birthday blowout that spreads across the museum campus to encompass new exhibitions, art-infused versions of your favorite games, live music by performers from both near and far, great food, and a world of fun. The day’s events kick off with An Afternoon of Conversation & Song with Annie Lennox at 4pm, a rare solo-acoustic performance to benefit the Annie Lennox Foundation (as well as MASS MoCA’s Fund for New Music).

David Ives won a Tony for the sado/masochistic, dark comedy "Venus in Fur." Although written twenty-six ago, "All in the Timing" features six comedy vignettes that are highly relevant to audiences of 2019. There is no dated material in this cleverly written and sensationally performed production.

Manhattan School of Music mounts a superb production of Tobias Picker's Emmeline this spring. Directed by the gifted Thaddeus Strassberger, the work has been moved into the present and resonates as a universal tale. George Manahan. who conducted the world premiere of the work at Santa Fe Opera over twenty years ago, led the orchestra, revealing all the richness of the score. Young talent created unforgettable characters in this re-telling of a Greek myth.

“The Niceties”, a sharp, intelligently written drama by playwright Eleanor Burgess that is smartly and seamlessly directed by seasoned director Kimberly Senior, is currently on stage at the Geffen Playhouse, in Los Angeles. What begins as a polite clash in perspectives in age and place explodes into an urgent debate about race.

In 1919 Walter Gropius retrofitted the Grand-Ducal Saxon School of Arts and Crafts into what he dubbed Bauhaus. In its centennial year there are global celebrations through media coverage, publications and exhibitions. It has been reported that there are 600 shows in Germany. We have been reading and visiting work on view at the Museum of Fine Arts and some 200 objects from the 50,000 donated through Gropius and others to Harvard University. He joined the Graduate School of Design as its director in 1937.

A book of interviews by Dutch art historian Marta Gynp "You Me and Art: Artists in the 21st Century" is lively, eclectic and informative. Of the twenty individuals she interacts with some are well known and others less so. In several instances what artists had to say about their work changed how I respond to it. In an engaging and familiar manner she was able to get behind the facade to probe intimate thoughts and insecurities. That approach reveals a humanistic view of how work evolves from studios to galleries and museums.

Lisa Yuen returns to Boston's Lyric Stage performing multiple, male roles in Stephen Sondheim's Pacific Overtures. If you are familiar with the musical expect to see a fresh and accessible revival by director Spiro Veloudos. The production runs from May 10 through June 18.

Anastasia offers eye-popping visuals, soaring music and heartfelt emotion. The projections seem stunningly authentic, yet never get in the way of the emotion or story. This equity production is in South Florida before heading north and then west. Cast and behind-the-scenes artists shine.

Yet again MASS MoCA has scored the top rock event of the summer. Chrissie Hynde and the Pretenders will perform on Friday, July 26.

The Works & Process series at the Guggenheim Museum is full of surprise and delight. The notion that one’s experience of art can be enhanced by music is not new. Yet in the case of Hilma af Klint, the exhibit of whose works has been the sensation of the New York art season, using a chamber opera to take us inside her experience, was enormously helpful for a better understanding of the woman and her work.

The award winning Hulu production of Margaret Atwood's "The Hanmaid's Tale" will make this Boston Lyric Opera production readily familar to audiences. Composer Poul Ruders’ stunning contemporary score brings this dark social tale to the stage in large-scale, presenting his work with a massive, multi-faceted approach to orchestration. BLO has commissioned Ruders to create a new edition of the opera, bringing an expected orchestra size to approximately 65 players, with a chorus of about 34 singers.

Since the 1960s and Perry T. Rathbone I have interviewed every director of the Museum of Fine Arts. Sitting recently with Matthew Teitelbaum was refreshingly different. We were renewing a relationship that started in 1989 when he was a curator for Boston's Institute of Contemporary Art. In 1993 he returned home to become senior curator at Toronto's Art Gallery of Ontario. He became director there before coming to the MFA in 2015 as its eleventh director. While in the thick of staff changes and policy strategies he invites us to evaluate progress over the next five years.

Jean Bergantini Grillo was hired as a senior editor and columnist when The Cambridge Phoenix was launched by Jeffrey Tarter on October 9, 1969. She worked with renowned editor Harper Barnes trying to bring shape and coherence to a staff of hippie writers. Today she is writing a play about that era and its macho newsroom. She was one of three women on staff and knew how to use her elbows. She later wrote for The Village Voice, an experience described as chaotic, but loved four years with the Daily News.

On Thursday, June 27 at 8 p.m., the Boston Pops and special guest Marc Martel join together for a celebration of the legendary rock band Queen. Martel, known for his striking vocal resemblance to Freddie Mercury, Queen’s lead singer, has been fronting Queen's official tribute show, The Queen Extravaganza, since 2011.

The ONE Festival of Opera Omaha celebrated its 2nd anniversary this year. It has already become a must visit for opera lovers throughout the world. The productions here are first rate. Bringing in James Darrah, who is a director of choice for many of the best young composers, has excited opera fans. This year did not disappoint.

Rita Kalnejais’ play, which premiered in London in 2015, is a gorgeous display of animal choreography, directed by Devon de Mayo. As I watched this zoo-rama of animals scuffle among themselves and fight their antagonists, both animal and humans, I was smitten with the energy and genius of their movements.