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Charles Giuliano

Bio:

Publisher & Editor. Charles was the director of exhibitions for the New England School of Art & Design at Suffolk University where he taught art history and the humanities. He taugh tModern Art and the Avant-garde for Metropolitan College of Boston University. After many years as a contributor, columnist and editor for a range of print publications from Art New England, Art News, the Boston Phoenix, the Boston Herald Traveler and Patriot Ledger, to mention a few, he went on line with Maverick Arts which evolved into a website.

Recent Articles:

  • Moonlight Diner in Williamstown Food

    Burgers with Rock ‘n’ Roll

    By: Pit Bulls - Sep 20th, 2013

    With its vintage Rock 'n' Roll decor The Moonlight Diner in Williamstown offers a winning combination of comfort food at affordable. It was packed with families for Sunday brunch.

  • Roth Time: a Dieter Roth Retrospective Fine Arts

    MoMA and P.S. 1 Contemporary Art Center

    By: Charles Giuliano - Sep 20th, 2013

    The retrospective of Dieter Roth begged the question of the difference between treasure and trash. One waded through an enormous amount of stuff created by an amazingly original and prolific artist. This article was posted in Maverick Arts Magazine on April 6, 2004.

  • Kazimir Malevich: Suprematism Fine Arts

    Solomon R. Guggenheim Museum

    By: Charles Giuliano - Sep 20th, 2013

    By 1913, as the leader of the Russian movement of Suprematism, Kazimir Malevich pushed abstract art to the limit. During the initial liberation of the Russian Revolution he held a position of authority over the fine arts. That Utopia ended with the rise of Joseph Stalin after which the fine arts retreated to the conservative, agit-prop movement of Social Realism. This review is reposted from 2004 article in Maverick Arts Magazine.

  • James Rosenquist: A Retrospective Fine Arts

    Solomon R. Guggenheim Museum

    By: Charles Giuliano - Sep 20th, 2013

    As a young artist in New York James Rosenquist supported himself by painting billboards. That informed his approach as a Pop artist. For a time in the 1960s I worked for him as a studio assistant. This review of the Guggenheim retrospective is reposted from a 2004 article in Maverick Arts Magazine.

  • German Artist Blinky Palermo Fine Arts

    London's Serpentine Gallery

    By: Charles Giuliano - Sep 20th, 2013

    Blinky Palermo a name adapted by a German artist from the genre of American boxing was a student of Joseph Beuys. But, in a brief career, he went in a different direction. In the relatively small Serpentine Gallery in London we had the rare opportunity to see his work in depth. This report was posted to Maverick Arts Magazine on May 29, 2003.

  • Rethinking Landmark 9 Evenings Fine Arts

    9 Evenings Reconsidered: Art, Theatre and Engineering, 1966

    By: Charles Giuliano - Sep 19th, 2013

    The series 9 Evenings which were presented in a vast Armory in New York in 1966 impacted the emergence of performance art conflated with art/science/ technology. This is a reposting of an exhibition at the List MIT Visual Arts Center for Maverick Arts Magazine from 2006.

  • Conductor Michael Christie Music

    Continues as Music Director of Minnesota Opera

    By: MO - Sep 19th, 2013

    Conductor Michael Christie continues as Music Director of Minnesota Opera, a post he began in fall 2012, leading three productions during the 2013-2014 season. Christie conducts Puccini’s Manon Lescaut from September 21-20, 2013, Richard Strauss’ Arabella from November 9-17, 2013, and Verdi’s Macbeth from January 25-February 1, 2014 at Ordway Center for the Performing Arts (345 Washington Street).

  • Eva Hesse Retrospective Fine Arts

    Curated by Elisabeth Sussman and Renate Petzinger

    By: Charles Giuliano - Sep 19th, 2013

    During a 2002 tour of the Rhine we visited Wiesbaden to view the special exhibition of work by the American artist Eva Hesse. This review is reposted from Maverick Arts Magazine.

  • Williams College Exhibition of Hitler the Artist Fine Arts

    Prelude to a Nightmare: Art Politics, and Hitler’s Early Years in Vienna 1906- 1913

    By: Charles Giuliano - Sep 19th, 2013

    In 2002 Deborah Rothschild curated "Prelude to a Nightmare: Art Politics, and Hitler’s Early Years in Vienna 1906- 1913" for the Williams College Museum of Art. We repost a dialogue with her from Maverick Arts Magazine.

  • Ailey II at Williams College Dance

    Residence and Performance

    By: Charles Giuliano - Sep 18th, 2013

    In the program of Sandra Burton a major dance company is invited to reside at Willams College as an aspect of the fall curriculum. Last night at the "62 Center on its Main Stage there was a galvanic performance by Ailey II. The two hour program featured three works spanning from Revelations (1960) to Virtues (2012) and Streams (1970) in between.

  • Boston Artist Robert Ferrandini Fine Arts

    A Studio Visit From Right to Left

    By: Charles Giuliano - Sep 18th, 2013

    In 2005 we visited the artist Robert Ferrandini in his studio. Recovering from a stroke he was learning to paint with the other hand. This report in Maverick Arts discussed progress for an exhibition at Gallery Naga.

  • Painting in Boston: 1950-2000 Fine Arts

    Survey by DeCordova Museum in 2002

    By: Charles Giuliano - Sep 18th, 2013

    Painting in Boston: 1950-2000 was presented at DeCordova Museum and Sculpture Park . This review is reposted from Maverick Arts Magazine.

  • Landmark MFA Survey of Boston Women Fine Arts

    A Studio of Her Own: Women Artists in Boston, 1870-1940

    By: Charles Giuliano - Sep 18th, 2013

    In 2001 the Museum of Fine Arts paid tribute to women in "A Studio of Her Own: Women Artists in Boston, 1870-1940." This review is reposted from Maverick Arts Magazine.

  • Jungle Book at Huntington Theatre Extended Theatre

    Final Performance Now October 20

    By: Huntington - Sep 18th, 2013

    Due to popular demand, the Huntington Theatre Company again extends the run of its world premiere adaptation of The Jungle Book – the final performance will now be Sunday, October 20. The “inventive and visually stunning” (Entertainment Weekly) production officially opens tonight, Wednesday, September 18 at 7pm at the Huntington’s mainstage, the Boston University Theatre.

  • Dialogue with Documenta's Okwui Enwezer Fine Arts

    Part Three with Robert Fleck Letter

    By: Charles Giuliano - Sep 18th, 2013

    This is a conclusion of coverage of Documenta XI from a December 21, 2000 report in Maverick Arts Magazine. This also includes a letter from the Austrian curator Ribert Fleck.

  • Discussing Documenta XI Fine Arts

    Part Two with Okwui Enwezer

    By: Charles Giuliano - Sep 18th, 2013

    Part Two of a dialogue with Documenta XI organizer Okwui Enwezer. This is reposted from December 20, 2000 in Maverick Arts Magazine.

  • Okwui Enwezer on Documenta XI Fine Arts

    Part One

    By: Charles Giuliano - Sep 18th, 2013

    Jane Farver invited the director of Documenta XI, Okwui Enwezer, to speak at MIT. Following the extensive lecture we met for a conversation. This is part one of a dialogue reposted from Maverick Arts, December 18, 2000.

  • Documenta XI Fine Arts

    International Exhibition in Kassel Germany

    By: Charles Giuliano - Sep 18th, 2013

    Documenta, in Kassel Germany is the largest and one of the formative biennials. Actually it is held every five years. This is a report on Documenta 11 which is reposted from a September 11, 2002 article in Maverick Arts Magazine. It was organized by the African curator Okwui Enwezer.

  • Renowned Artist Jaune Quick to See Smith Fine Arts

    New Mexico Studio Visit

    By: Charles Giuliano - Sep 17th, 2013

    It started as an e mail dialogue. During a drive through the South West we arrived at the studio of the renowned Native American artist and activist, Jaune Quick To See Smith. That led to an exhibition of all new works on paper that I curated for the gallery of the New England School of Art and Design at Suffolk University. On that occasion Janune gave a special lecture to a general assembly of Suffolk students.This report is reposted from a 2005 article in Maverick Arts Magazine.

  • Artist Martin Mugar: Beer and Burgers Fine Arts

    Delectable Polka Dot Surfaces

    By: Charles Giuliano - Sep 17th, 2013

    Martin Mugar contributes think pieces on the visual arts for Berkshire Fine Arts. Our relationship started years ago with a raucous dinner at the Algonquin Club followed by nightcaps at the Pour House. We have had intense dialogues ever since. This is a 2005 a Beer and Burgers session reposted from Maverick Arts Magazine.

  • Curator Linda Norden: Beer and Burgers Fine Arts

    Blue Lagoon: The Venice Project with Ed Ruscha

    By: Charles Giuliano - Sep 17th, 2013

    When we spoke with former Fogg Art Museum curator, Linda Norden, she was in the process of developing a project for the American Pavilion of the Venice Biennale with the California based artist Ed Ruscha. This dialogue is reposted from a 2005 article in Maverick Arts Magazine.

  • James Manning Boston Arts Activist Fine Arts

    Known for Discovering Emerging Artists

    By: Charles Giuliano - Sep 17th, 2013

    Currently James Manning is widely employed as a top exhibition planner and installer working with Emerson College, Suffolk University, and the Rose Art Museum among other regular clients. We often collaborated in exhibitions for New England School of Art and Design. His annual new talent shows regularly discovered future art stars. This is a 2003 article reposted from Maverick Arts Magazine.

  • Blanche Lazzell and the Color Woodcut Fine Arts

    Provincetown's White Line Prints at the MFA

    By: Charles Giuliano - Sep 17th, 2013

    Provincetown is renowned for the tradition of a single woodblock so called White Line prints. We repost a review of the Museum of Fine Arts exhibition From Paris to Provincetown: Blanche Lazzell and the Color Woodcut that appeared in Maverick Arts Magazine.

  • Arthur Dion: Beer and Burgers Fine Arts

    Boston Gallerist Recalls Decades on Newbury Street

    By: Charles Giuliano - Sep 17th, 2013

    Meg White runs the day to day operation of the formidable Gallery Naga on Newbury Street. Founded as a cooperative gallery in 975 that changed when Arthur Dion took over in 1982. He pursued a mandate to represent Boston artists. A close working relationship and ready access to their studios was essential to his approach to representation. In 2005 we met to discuss his take on the Boston art world.

  • Camilo Alvarez Gallerist: Beer and Burgers Fine Arts

    The Director of Samson Projects

    By: Charles Giuliano - Sep 17th, 2013

    Not long after Camilo Alvarez founded Samson Projects in Boston's South End in 2005 we met for a beer and burger. It launched a series of meetings and articles with a range of artists, curators and gallerists. For their historical interest they are being reposted from Maverick Arts Magazine.

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