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Fine Arts

  • Art in Bloom at the MFA

    50th Anniversary of Spring Event

    By: MFA - Mar 18th, 2026

    The Museum of Fine Arts, Boston (MFA), celebrates the return of spring with the 50th anniversary of its beloved Art in Bloom festival, taking place from Friday, May 1, through Sunday, May 3. Since 1976, this annual celebration has paired art from the MFA’s collection—from ancient to contemporary—with floral interpretations created by New England garden clubs, professional designers, and MFA floral volunteers.

  • Jason Berger at Childs Gallery

    A Founder of Boston's Direct Vision

    By: Childs - Mar 10th, 2026

    Jason Berger created a gestural style of landscape painting that he promoted as Direct Vision. It relates to French art, where Berger worked with a Traveling Fellowship upon graduation from the Museum School. He and his wife, Marilyn Powers, were active in Newbury Street galleries. The best works were brushy and expressive with saturated color. The white of canvas gave the sense of sketches and watercolors.

  • Andy Moerlein at Boston Sculptors

    Storyteller's Doubt

    By: Boston Sculptors - Feb 27th, 2026

    Boston Sculptors Gallery presents A Storyteller’s Doubt, a selection of Andy Moerlein’s newest work on view April 2 – May 3, 2026. Offering larger than life woodcarvings as well as paintings, photographic collage and an immersive installation, the show also features collaborations with two esteemed colleagues.

  • Masiko Kamiya's Vessels

    At Gallery NAGA

    By: NAGA - Feb 18th, 2026

    In this recent series of paintings, Kamiya offers a profound visual translation of the physical self, deeply rooted in her personal experience with bilateral hip dysplasia. As this ailment has grown more acute, her focus has shifted toward a search for dependable balance within the asymmetrical relationship.

  • Alexander Calder: The Nature of Movement

    Selby Botanical Gardens, Sarasota., Florida

    By: Carrie Seidman - Feb 16th, 2026

    After lunch, my father and I followed Calder down a short path that led to the high-ceilinged studio. which sat on a plateau where the “vultures” I’d noticed from afar, came into view as a flock of stabiles. They were mostly black, a few red, enormous and, despite their stationary nature, seemed as if they were poised to take off at any minute.

  • ICA Director Sue Thurman

    Thriving on Newbury Street

    By: Charles Giuliano - Feb 13th, 2026

    From its inception in 1936, the Institute of Contemporary Art has endured a daunting existential struggle. As late as 1971 the Museum of Fine Arts appointed a part time curator of contemporary art. Lack of interest for modern and contemporary art resulted in a community which did not significantly support institutions, collectors, galleries and artists. The story of the ICA represents the struggle to overcome that indifference. Relocated to Newbury Street, it thrived from 1963-1968 under director Sue Thurman.

  • Sónia Almeida: Stages

    At the Clark Art Institute

    By: Clark - Feb 03rd, 2026

    The Clark Art Institute continues its art in public spaces program in 2026 with a year-long installation presenting the work of artist Sónia Almeida (b. 1978, Lisbon; lives and works in Boston).

  • Jodi Colella at Boston Sculptors

    Dangerously Close to Home

    By: BS - Jan 30th, 2026

    Jodi Colella’s rag rugs, lace doilies, and decorative hand towels flaunt quirky sayings lifted from a century’s old word game. Recontextualizing period phrases to capture the language of 21st century culture, Colella reflects today’s coded patterns of speech and cleverly bypasses polite norms.

  • Esther Bell New Clark Director

    Assumes Position in July

    By: Clark - Jan 29th, 2026

    The Board unanimously elected Esther Bell to the position following an extensive international search. Bell will be the first woman in the Clark’s seventy-year history to serve as its director. She succeeds Olivier Meslay, who announced last September that he would be leaving the Clark and returning to his native France in 2026.

  • Divine Color: Hindu Prints from Modern Bengal

    Museum of FIne Arts

    By: MFA - Jan 22nd, 2026

    Organized by the Museum of Fine Arts, Boston (MFA), Divine Color: Hindu Prints from Modern Bengal explores the origins of these popular prints— which have historically been overlooked by the art world—and their powerful impacts on Indian pop culture, religion, and society.

  • Thomas Messer and the Early Years of the ICA

    Aborted Plan to Merge with the MFA

    By: Charles Giuliano - Jan 21st, 2026

    From 1957 to 1961, Thomas Messer was director of the Institute of Contemporary Art, Boston and, for part of that time, taught modern art at Harvard. From 1961 to 1988 he was director of the Solomon R. Guggenheim Foundation. For a time there was a plan to merge the ICA as the modern/ contemporary department of the MFA. The ICA was briefly housed on the second floor of the Museum School. He advised on a couple of adventurous MFA acquisitions. A contemporary department was eventually established in 1971.

  • Art in Bloom at the MFA

    A Fifty Year Tradition

    By: MFA - Jan 21st, 2026

    Framing Nature coincides with the 50th anniversary of Art in Bloom (May 1 through May 3, 2026). This beloved tradition pairs art with floral interpretations created by New England area garden clubs, professional floral designers, and volunteers.

  • Photorealism in Focus

    Rose Art Museum

    By: Rose - Jan 21st, 2026

    Emerging in the late 1960s during an era of rapid technological change and inspired by the visual language of commercial imagery, Photorealism took shape as artists such as Richard Estes, Charles S. Bell, Ralph Goings, and others created painstakingly detailed paintings based on photographs that pushed the limits of illusion. These artists challenged traditional hierarchies between photography and painting while capturing the nuanced textures of contemporary experience.

  • Yinka Shonibare's Sanctuary

    Rose Art Museum

    By: Rose - Jan 16th, 2026

    The installation consists of 18 scaled-down replicas of historical and contemporary buildings that have served—and, in many cases, continue to serve—as places of refuge for persecuted and vulnerable groups or individuals. These structures range from ancient temples and medieval cathedrals to modern safe houses and shelters.

  • Say It Loud: AAMARP, 1977

    ICA Boston

    By: ICA - Jan 15th, 2026

    Founded in 1977 by influential artist, educator, and activist Dana C. Chandler, Jr., the African American Master Artists-in-Residence Program (AAMARP) at Northeastern University is one of the few longstanding residency programs for Black artists in the United States. For nearly five decades, AAMARP has stood at the intersection of art, activism, and community.

  • A Wake for Woke

    Trump's Assault on the Arts

    By: Charles Giuliano - Dec 13th, 2025

    During the next five year cycle when conceiving and funding ambitious exhibitions, administrators, foundations and trustees will keep a watchful eye on potential offenses against the government’s ban on diversity, equity and inclusion.

  • MFA Opens New Contemporary Galleries

    Gift of Wyss Foundation

    By: MFA - Dec 13th, 2025

    The Museum of Fine Arts, Boston, has announced that a suite of new galleries dedicated to modern art will open to the public on December 13. Four new spaces will be unveiled on the first floor of the Museum’s Evans Wing, each showcasing works from the 20th century that include highlights from the MFA’s collection, new acquisitions, and rarely seen loans from private holdings.

  • Decentering Whiteness

    A Museum Makeover

    By: Noah Kane-Smalls - Dec 12th, 2025

    A recovering art critic once asked after reading the 1619 Project, “Why don’t you hate all white people?” I asked, “What is a white person anyway?” We realized our identities are far more complex than the containers imposed on us. Whiteness is a burden, built on supremacy, nationalism, colonialism, slavery, and global violence.

  • Ginny Williams, Art Whisperer

    A Moving Film

    By: Susan Hall - Dec 10th, 2025

    Director Flemming Fynsk's moving film The Art Whisperer is in contention for awards this year. Its subject, Ginny Williams, was an art collector and gallery owner of remarkable instinct and vision.

  • Clark Art Institute

    Announces 2026 Season

    By: Clark - Dec 09th, 2025

    The Clark Art Institute announces its exhibition schedule through 2026. The lineup includes the first public presentation of the Aso O. Tavitian Collection with an exhibition featuring selected highlights from the 331 works of art that were given to the Clark in 2024.

  • Patricia Hills: Art World Feminist

    A Lively and Insightful Memoir

    By: Charles Giuliano - Dec 06th, 2025

    Now in her late 80s. Patricia Hills overcame numerous obstacles to become one of the leading scholars and curators of American art. I knew her as a radical leftist feminist at Boston University. This intriguing and insightful memoir chronicles that daunting journey. The book conflates her life as wife and mother with struggles in academia which regarded the study of American art as "too easy." As a force majeure she trained a generation of Americanist scholars and curators.

  • Jared Abner Hauntology

    Boston's HallSpace

    By: Hall - Dec 03rd, 2025

    HallSpace presents Hauntology an exhibition of wood sculpture by Jared Abner. This is Abner’s first solo exhibition at HallSpace. In 2021, he was in a 2-person show.

  • Susan Cross of MASS MoCA

    Appointed Director of Curatorial Affairs

    By: MOCA - Dec 01st, 2025

    Susan Cross has been appointed to the new position of Director of Curatorial Affairs at MASS MoCA following a nationwide search.   

  • Peabody Essex Museum

    19th Century Sculptor Edmonia Lewis

    By: PEM - Nov 24th, 2025

    The Peabody Essex Museum (PEM) presents the first major retrospective exhibition of the work of acclaimed 19th-century Black and Indigenous sculptor Edmonia Lewis. 30 sculptures by Lewis from public and private collections across the United States and abroad will be brought together with a number of additional objects in a range of media, giving visitors an opportunity to learn of Lewis’ mastery of marble and her remarkable, storied life.

  • Shadow Visionaries: French Artists Against the Current, 1840–70 

    At the Clark Art Institute

    By: Clark - Nov 17th, 2025

    The Clark Art Institute presents an exhibition on mid-nineteenth-century French artists who looked beyond realistic subject matter. Their work encompasses the Gothic nostalgia of architectural photography, the social critique embedded in searing allegorical illustrations, and the literary connections with fantastical art. Shadow Visionaries: French Artists Against the Current, 1840–70 i

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