Berkshire Eagle

In 1967-68 Steve Nelson was the manager of the legendary rock and blues club The Boston Tea Party, and later ran The Woodrose Ballroom in western Mass. In his memoir Gettin’ Home: An Odyssey Through the ‘60s, he recalls the long and winding journey which took him from high in the Andes to become the foremost producer/promoter of concerts by The Velvet Underground. He will read from his book and chat about those times on Thursday, June 20 at 5:30.

The Oldcastle Theatre season in Bennington, Vermont starts on June 7 with Red by John Logan. The 48th season features four plays through October 20.

The current exhibition at Gallery 51 “Reconnecting: MCLA Alumni Show” is eclectic, fun, and here and there, somewhat whimsical

Several years ago The Fenway Motor Inn, morphed into the boutique, rock themed, Verb Hotel. David Bieber was commissioned to provide vintage memorabelia from his vast archive. Since then, with a small staff, he has been unpacking and cataloguing the collection. He also worked with the late Stephen Mindich to archive The Phoenix material at Northeastern University. Bieber discusses an era in the counterculture of Boston when there was a community of music makers, promo men, writers and DJs. Rent was cheap compared to now and we were living large on other people's money.

Brian Coleman has published several successful books on hip-hop. The latest of which is a picture book “Buy Me Boston: Local Ads and Flyers, 1960s – 1980s, Volume 1.” It is compiled from thousands of scans of pages of vintage publications.

Recent IRS filing reveals that when former Berkshire Museum director, Van Shields, abruptly departed he was given $92,000 in two payments. The second is due in January. There are also figures for the costly legal battles that resulted in selling 22 works of art to raise $53.25 million. From July 1 to Dec. 31, 2017, the museum incurred $1.6 million in legal costs. In April it paid off the full $1,852,426 outstanding balance on a $2 million line of credit.

Since April, 2017 the superstar pianist, Lang Lang, has been recovering from an injury to his left arm. In a scheduling coup he returned to performing last night during Opening Night of the BSO's 2018 season at Tanglewood., He was adored by the audience which was rewarded by sublime encore of Copin. Andris Nelsons conducted an evening of Mozart and Tchaikovsky.

The Barrington Stage world premiere of the musical Royal Family of Broadway has earned mostly positive reviews. It has been treated as a work in progress potentially bound for Broadway. The team assembled for this production have been there before. Because of a devastating review by Jesse Green in the New York Times that may not happen. While Green is an established, and well qualified critic, is it the role of the Times to nip in the bud regional productions being developed for a run in New York?

In a tersely worded press release, offering no explanation, the Berkshire Museum announces parting ways with its controversial director, Van Shields. He was hired in 2011 and presided over the decline and potential extincton of the museum. His strategy to sell key works from the permanent collection and launch his New Vision was met with protest and global media attention. Some will praise him for "saving" the museum and endowing its future. For others he leaves behind a pariah shunned by other museums. His departure and potenial board restructuring are essential as the museum mends fences and fine tunes drastic plans for renovations and gimmicky reinstallatons.

The Norman Rockwell Museum in Stockbridge has just launched “Keepers of the Flame: Parrish, Wyeth, Rockwell and the Narrative Tradition.” During a recent press preview we enjoyed an unencumbered view of the scholarly and superbly installed exhibition. Founding director, Laurie Norton Moffatt, discussed what the Rockwell legacy means in light of the controversy of the sale of two of his works by the Berkshire Museum. One of those works "Shuffleton's Barber Shop" was acquired by George Lucas who is loaning it to the Norman Rockwell Museum for the next 18 months.

A compromise is a deal that neither side is happy with. Other than a few hard fought concessions the Berkshire Museum will now gut the museum and its collection in pursuit of its vulgarian, populist New Vision. It's tarnished leadership, including director, Van Shields and board president, Elizabeth McGraw, will have a tough job earning back the trust and support of a community which they so adroitly alienated.

Celebrating the 100th anniversary of the birth of Leonard Bernstein there will be extensive programming of his music during the 2018 Tanglewood season. As has been the case in recent years James Taylor returns. There is extensive programming of popular artists in the shoulder seasons before and after the residence of the Boston Symphony Orchestra. Highlights include Roger Daltry and Tommy, Steve Miller, Peter Frampton, Judy Collins, Steve Stills, Bela Fleck, Andy Grammer, Steve Martin and Martin Short among others.

A decision on an appeal by Attorney General of Massachusetts, Maura Healey, to halt the sale of 40 key works of art at Sothebys on behalf of the Berkshire Museum will be decided by the end of January. Van Shields, now on medical leave as director of the museum, and board president, Elizabeth "Buzz" McGraw, announced their $60 million plans for a New Vision in July. What started as a local story has morphed into national and global coverage. The outcome of this unethical attempt at deaccessioning by a pariah museum may have a game changing impact on the mandate of all American museums' commitment to preserve and conserve collections for future generations.

Relying primarily on published sources Felix Salmon in the New Yorker has reported on the deaccessioning and New Vision of the Berkshire Museum. As Solomon states “The story of the Berkshire Museum is more than one about a second-tier local institution selling off some art. It’s a story about how fragile museum-industry norms are, how unaccountable a museum director can be, and how much destruction can be wrought during a single secret trustee meeting. (The museum’s new P.R. representative, Carol Bosco Baumann, declined repeated requests to make anyone from the museum available for an interview.)” This is consistent with the museum's bunker mentality of playing hard ball with the media.

To launch A New Vision for the Berkshire Museum it plans to sell 40 key works for some $60 miillion. That's a pot of gold but comes at a terrible cost to the heritage, legacy and cultural branding of the Berkshires. Van Shiields and the museum board insist that there is no other option. That disrespect raises questions regarding stewardship of the 40,000 works in the collection including 2,395 fine art pieces.

Based on an extensive Berkshire Eagle background check of Van Shields, and a failed attempt to create a radical new museum in South Carolina, it appears that he arrived in Pittsfield, a month after being fired, with an agenda. Funding plans that failed there entail selling 40 treasures of the Berkshire Museum. Through intensive study of non profit reports filed with the charity desk of the Attorney General, Thomas White, with knowledge of these matters, has sent us bullet points. They shed light on the "dire straits" forcing the museum to decimate its legacy to rebuild for the future.

Barring intervention by the Attorney General, at best a long shot, plans to sell 40 works of art with two paintings by Norman Rockwell worth as much as the remaining 38 lots, the fall auctions by Sotheby’s in New York appears to be a done deal .For the second time protestors will picket in front of the Berkshire Museum in Pittsfield from 10 am to 2 pmon Saturday, September 9. This past week Sotheby’s announced a presale estimate of “thirty pieces of silver.”

As a matter of public record we have examined the Federal tax information Form 990 disclosures of the Berkshire Museum from 2011 to 2015. They do not appear to create a profile of a cultural institution in dire straits. The museum is going forward with last ditch plans to sell 40 works of art. It is possible that there has been a dramatic downturn in the past two years? A Berkshire Eagle editorial asked “Why deny access to the museum's profit/loss statements for the past two years?" Based on reports for the prior five years we have questions for the museum, its director, Van Shields, and the board of trustees.

The renowned former Whitney Museum director, David A. Ross, in an exclusive statement posted to Berkshire Fine Arts strongly opposes plans initiated by the Berkshire Museum. “This is a sad affair. Perhaps the board, if unwilling to raise funds in the way all museums have to, should resign (along with its feckless director). My feeling is it should merge administratively with another educational non-profit in the region, and then begin the process of stabilization. It would be preferable to see the museum close for a few years of re-organization, than to forever destroy the core of its irreplaceable art collection.”

From 9 AM to noon there was an ordely and peaceful demonstration in front of the Berkshire Museum in Pittsfield. Pickets came and went with between 40 and 80 individuals linuing the sidewalk at any given time. Most passing cars honked their support. There was a media presence. While museum director, Van Shields, remained hunkered down in the bunker, board president Elizabeth "Buzz" Hayes McGraw delivered her boilplate message to a TV crew from Albany.

The artists and their supporters in the Berkshires will take to the streets on Saturday, August 12, from 9 AM to noon. There will be picket lines in front ot the Berkshire Museum in Pittsfield. They will provide a visible presence of those protesting the pending sale of 40 choice works and plans to gut and "reboot" the historic museum and collections.

When Laurie Norton Moffett, director of the Norman Rockwell Museum, in a Berkshire Eagle op-ed piece asked the Berkshire Museum to "pause" in its plan to sell 40 works the story broke as national news. In daily coverage since then the pro and con has rocked back and forth. I seemed like game over when Joe Thompson, director of MASS MoCA, endorsed the sale and radical plans urging readers to "get real." Then lawyers waded in questioning that the works may or may not be "unrestricted." The controversy went into extra innings when the Rockwell family, in an Eagle letter, stated that the artist never intended for his works to be sold as a last ditch bailout for the poorly managed and curatorially aenemic museum.

When ethical concerns and second guessing of its "reboot" plans surfaced the Berkshire Museum has spent money it doesn't have for expensive PR and marketing. Heavy hitters have been hired to deflect tough questions from the media and flack the museum's strategy to sell 40 works of art and change its mandate.

In compiling a list of 40 works to deaccession the Berkshire Museum opted to sell no works given by living artists or donors. When Norman Rockwell gave two works to the museum the letter, which is referred to in media coverage, states his wish to share them with the people of the Berkshires. In selling the works is the museum in legal violation of that trust? GIven the sensitivity of what is at stake we demand that the museum make public the artist's letter.

Initially the Berkshire Museum disclosed plans to sell two paintings by Norman Rockwell but declined to reveal the other works. Under intensive media scrutiny and concerns from the community the museum has posted responses to frequently asked questions on the website and has released the full list of deaccessioned works. The lot has a pre auction estmate of $50 million toward a goal to "reboot" with $20 milion in renovation and $40 million for endowment. The remaining $10 millions will be raised apart from the sale of works of art.