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  • Phil Everly of the Everly Brothers at 74

    Bye, Bye, Love

    By: Charles Giuliano - Jan 04th, 2014

    The first appearance of the Everly Brothers on the Ed Sullivan Show was 30 June 1957 and their last 28 February 1971. In a career as pioneers of rock 'n' roll they charted 27 Top 40 singles and 35 Top 100 singles. As Mom put it, like Elvis, they were "Cheap and Common." Which is precisely why we loved them.

  • Peter Mattei Superb at Carnegie Hall

    The Met Orchestra Struggles with the Return of Levine

    By: Susan Hall - Dec 23rd, 2013

    All was not well at Carnegie Hall as James Levine conducted Mahler with Met Orchestra. Despite inconsistencies this afternoon was wonderful because Peter Mattei sang.

  • Bizet's Carmen

    Presented by Hubbard Hall Opera Theater

    By: Thomas Dyer - Dec 22nd, 2013

    In early February the Hubbard Hall Opera Theater will take another of their succinct piano reductions of a classic opera on tour to the Dorset Playhouse and the University of Albany. What better way to spend a cold winter night or a cozy afternoon before the Superbowl?

  • Terry Teachout’s Definitive Book on Duke Ellington

    We Loved Him Madly

    By: Charles Giuliano - Dec 21st, 2013

    Wall Street Journal theatre critic, Terry Teachout, wrote a superb jazz biography "Pops: A Life of Duke Ellington." That became the one man play with John Douglas Thompson "Satchmo at the Waldorf" which opens soon Off Broadway. Now Teachout has written an even better biography "Duke: A Life of Duke Ellington." He is in the process of transforming that material into a play.

  • Taking the Holidays in Strad

    On Performing with the Legendary 1718 Firebird Violin

    By: Gerald Elias - Dec 19th, 2013

    Musician and author Gerald Elias reports on an offer he could not refuse. "I got to perform on the 1718 “Firebird” Stradivarius, one of the greatest violins in the world. Ever." Now based in Utah he travels to Tanglewood each summer to play with his former BSO colleagues. He also writes mystery novels with classical music themes.

  • Die Fledermaus Rollicks at Lyric Opera

    Who Wins: The Butterfly or the Bat?

    By: Susan Hall - Dec 17th, 2013

    Only the Bat knows. Loren-Meeker who has mounted showcase and studio productions at Houston Grand Opera, a Hoffman for the ages at the Danny Kaye in New York and has directed at smaller opera houses around America, hits her stride in the big-time in the Johan Strauss, Jr. operetta, the most popular operetta of all time.

  • Boston Baroque's Messiah

    Historically Informed Performance

    By: David Bonetti - Dec 16th, 2013

    "Messiah" might be a Christmas cliche, but Martin Pearlman and his Boston Baroque keep it light and fleet. The chorus was superb, composed of individuals who could sing in unison, but who were also able to break out of the group with their individual voices. I don’t recall ever hearing a chorus with so many distinct individuals.

  • Mahlerpalooza

    When a Musical OD Lands You in Intensive Care

    By: Jack Zimmerman - Dec 03rd, 2013

    I’m writing this in the MRU of a local hospital. MRU stands for Mahler Recovery Unit. I’m here for the long haul – six weeks of Rossini overtures, early Haydn symphonies and Scott Joplin piano rags. Mahler addiction respects no boundaries – rich, poor, the highly educated or just plain working-class folks – the MRU has them all.

  • Boston Baroque Pops the Cork

    Concerts to Celebrate the New Year

    By: Baroque - Dec 03rd, 2013

    Following its annual tradition, Boston Baroque will once again "pop the cork" in grand style on New Year's Eve and New Year's Day! This year's celebratory concerts feature a rousing all-Bach program with Brandenburg Concertos No. 3 & No. 4 and Schweigt stille, plaudert nicht (Coffee Cantata) BWV 211 along with champagne and chocolates at intermission.

  • Boston Early Music Festival Chamber Operas

    The BEMF Delighted Jordan Hall Audience

    By: David Bonetti - Dec 03rd, 2013

    The BEMF has produced five semi-stage chamber operas since 2008 and this Thanksgiving weekend presented excerpts from all five.

  • 2014 Boston Pops Season

    Fun Fun Fun From May 7 to June 14

    By: BSO - Dec 02nd, 2013

    The 2014 Boston Pops spring season will introduce audiences to debut appearances by Warren Haynes (5/13 & 14), Tony award-winning Billy Porter (5/20 &21), and conductor Sarah Hicks (5/23 & 24), as well as first-time collaborations with the New York-based jazz band sensation The Hot Sardines (5/28-30) and Cirque de la Symphonie (5/16 & 17),the wildly unique circus act that brings its aerial flyers, acrobats, dancers, and jugglers to orchestral stages throughout the country. Opening night features comic Jason Alexander.

  • Nils Frahm at Le Poisson Rouge

    Music Between Minimalist and Electronic Conglomerate.

    By: Djurdjija Vucinic - Dec 02nd, 2013

    The concert featuring the music of Nils Frahm was sold out at New York's Le Poisson Rouge. His combination of ambient modern classical falls somewhere between minimalist and electronic conglomerate.

  • La Traviata at the Lyric Opera of Chicago

    Marina Rebeka Stars in Fabulous Production

    By: Susan Hall - Dec 02nd, 2013

    Under General Director Anthony Freud, the Lyric Opera is transforming opera for the 21st century. Coming seasons will be increasingly General Manager Anthony Freud’s own creations and should be fascinating to watch unfold.

  • Lizzie Borden's Forty Whacks

    Boston Lyric Opera Slated for Tanglewood

    By: David Bonetti - Nov 25th, 2013

    Although its mid-century Freudianism is dated, "Lizzie Borden" still packs a wallop as a work of music-drama. The recent Boston Lyric Opera production was a preview for a performance at Tanglewood this summer.

  • Instrumental Magic

    String Madness and Accord

    By: David Wilson - Nov 25th, 2013

    I generally avoid reviewing cd’s that are void of singing, so it is with some trepidation that I approach these two releases, and would with even greater hesitation were it not that each of them delights, astounds and begs me to listen to them repeatedly and often.

  • Hindemith and Me

    Celebrating a Titan of Contemporary Music

    By: Jack Zimmerman - Nov 23rd, 2013

    If I had the means and the energy, I’d organize a festival of some sort. Instead I’m commissioning a Hindemith Bobblehead for my office. Barack Obama has one. So does Oprah, so why not Hindemith? I’m going to stick it on a small pedestal with a plaque that has my favorite Hindemith quote: “There are 12 tones. Treat them carefully.” You gotta love that guy. i

  • 2014 Tanglewood Schedule

    James Taylor Returns July 3 and 4

    By: BSO - Nov 21st, 2013

    The Boston Symphony Orchestra announces the schedule for its 2014 Tanglewood program. Aftar a hiatus last year, as has become traditional, James Taylor returns for the Fourth of July Weekend. On July 5 Renee Fleming will appear on the opening night of the classical program. Popular artists will be announced as they are booked.

  • Four Saints in Three Acts

    Intriguing Opera by Gertrude Stein and Virgil Thompson

    By: David Bonetti - Nov 19th, 2013

    Gertrude Stein and Virgil Thomson collaborated on a one-of-a-kind opera that keeps on attracting audiences generation after generation. Conductor Gil Rose led a recent concert performance of the Boston Modern Orchestra Project at Jordan Hall, of the New England Conservatory. But, it’s an awful lot of whimsy. (And I hate whimsy.)

  • Newport Jazz Festival to Celebrate 60th

    Greetings From Its Founder George Wein

    By: George Wein - Nov 19th, 2013

    I’ve been producing the Newport Jazz Festival since 1954 and I'm proud to announce that the festival will be celebrating its 60th anniversary on August 1 - 3, 2014. This may be the first time you're hearing from me personally, but I know I've met many of you festival-goers while riding around on my golf-cart, known as the "Wein Machine." It's always great to talk with fellow jazz-lovers.

  • Awakening by Martin Case and Joseph Brogan

    A Shamanic Journey Across the Sonic Landscape

    By: Ien Nivens - Nov 15th, 2013

    No coincidence that the sexier, more adulterated human voice of the saxophone takes the lead in the urban groove and neon sizzle of “Dance” and again in “Re-entry.” It is our connection to the dark, after all, that haunts us and, strange to say, fortifies us for a return to the light of common day.

  • Nico Muhly's Opera Two Boys at the Met

    From Awakening Desire to Identity, A Treacherous Course

    By: Susan Hall - Nov 14th, 2013

    Nico Muhly's opera Two Boys was a success at the Metropolitan Opera. What the music and the story convey is the feeling of sexual awakening in puberty. Only a first-rate article in Salon.com by J. Bryan Lowder talks about “desire before identity.”

  • Corelli and the Elevator

    Exploring Musical Ups and Downs

    By: Gerald Elias - Nov 14th, 2013

    Go for it. What would you say has been the most important invention over the past five hundred years or so? The automobile? Nuclear power? The microchip? Sliced bread? My vote…(drum roll)…the elevator!

  • Milos Karadaglic, the Brooklyn Riders, Bela Fleck

    At New York's Le Poisson Rouge

    By: Djurdjija Vucinic - Nov 13th, 2013

    We welome the New York music critic Djurdjija Vucinic. She reports on several performances at the renowned Le Poisson Rouge.

  • Ear Say: Those Harmonizing Ladies II

    The Sweetback Sisters, The Boxcar Lilies, The Carper Family

    By: David Wilson - Nov 11th, 2013

    I am attracted to any group, male, female or mixed that effectively use vocal harmonies. Only rarely in my limited attempts to sing along with others have I found myself able to find that sweet harmonizing position. I have great respect for those who seem to effortlessly slip in and out of it.

  • Parsifal at Lyric Opera of Chicago

    Groves, Youn, Hampson and Karanas Deliver

    By: Susan Hall - Nov 10th, 2013

    John Caird and Johan Engels’ production of Parsifal at the Lyric Opera of Chicago is an unqualified success. A difficult and long opera is made accessible without violating the composer. Exiting the theater with the packed house over and over laudatory phrases were lofted: “Home run for Wagner.” “I can’t believe it was so long. I was rapt.” “Beautiful in every way.”

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