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  • Chorus Line at Barrington Stage Company

    To Be Directed by Alan Paul

    By: BSC - Nov 20th, 2025

    Barrington Stage Company  announce that the company’s 2026 season will feature a 50th Anniversary production of A Chorus Line, the legendary Broadway musical that won nine 1976 Tony Awards and the 1976 Pulitzer Prize for Drama. BSC’s production will be directed by Alan Paul. Additional creative team will be announced soon.  

  • The Woman in Black

    London Production at Center Rep

    By: Victor Cordell - Nov 16th, 2025

    An attorney is dispatched to the creepy marshlands of eastern England to clear up the estate of a recently deceased widow. The attorney faces resistance from the local populace, a mountain of unexpected papers to be reviewed, and worse yet, earmarks of the supernatural - furnishings moved when no human is around and appearances of an apparition.

  • Introduction to Four Shows on The Great White Way

    Liberation, Reunions, Romy & Michele, Six

    By: Victor Cordell - Nov 14th, 2025

    While at the American Theatre Critics Conference in NYC, I attended four shows. By coincidence, the common theme of revisiting or reunion emerged. Women's relationships and rights surfaced as another binding element. Reviews of each play will appear separately.

  • Liberation

    Reflection on Feminism in the 70s on Broadway

    By: Victor Cordell - Nov 17th, 2025

    Lizzie wants to learn more about her deceased mother who was committed to women's liberation. The scene shifts between her mother's "conscious raising" group in Ohio in the '70s and Lizzie's interviewing group members in present time.

  • Romy & Michele: The Musical

    The Movie Comes Alive Off-Broadway

    By: Victor Cordell - Nov 17th, 2025

    The two ditsy women who left Tucson for LA are invited to their 10th high school reunion. Wanting to appear successful, they hatch the plot that they invented Post-Its. Sounds plausible. Right?

  • Six: The Musical

    Long Running Broadway Production

    By: Victor Cordell - Nov 17th, 2025

    In this high energy musical, the six deceased wives of Henry VIII compete to find who is the best singer among them. Verbal jabs punctuate heavy rock solos by the contestants.

  • Reunions

    Two Stories of Revisiting Set to Music Off-Broadway

    By: Victor Cordell - Nov 17th, 2025

    In the first of these turn-of-the-20th-century stories, a typist in England is sent unawares on a job that happens to be for her ex-husband who is being knighted. In the other, two Spanish lovers in youth find one another in their 70s.

  • Ruthless! The Musical

    Must-See Production at Island City Stage

    By: Aaron Krause - Nov 19th, 2025

    Island City Stage's fine production of "Ruthless the Musical" is a treat to savor. The professional production of the musical spoof runs through Dec. 7. Island City Stage's intimate black box theater is located at 2304 N. Dixie Highway in Wilton Manors.

  • Avery, Gottlieb & Rothko: By the Sea

    Blockbuster Reopens Cape Ann Museum in June

    By: CAM - Nov 16th, 2025

    Building on the extraordinary momentum and record attendance generated by the 2023 exhibition Edward Hopper & Cape Ann: Illuminating an American Landscape, the Cape Ann Museum is pleased to announce a new landmark exhibition, Avery, Gottlieb & Rothko: By the Sea, on view from June 30 through September 27, 2026. 

  • Shadow Visionaries: French Artists Against the Current, 1840–70 

    At the Clark Art Institute

    By: Clark - Nov 17th, 2025

    The Clark Art Institute presents an exhibition on mid-nineteenth-century French artists who looked beyond realistic subject matter. Their work encompasses the Gothic nostalgia of architectural photography, the social critique embedded in searing allegorical illustrations, and the literary connections with fantastical art. Shadow Visionaries: French Artists Against the Current, 1840–70 i

  • Theodore E. Stebbins, Jr. Publishes a Critical Study of American Art

    Rethinking American Art: Collectors, Critics, and the Changing Canon

    By: Charles Giuliano - Nov 02nd, 2025

    Nobody but Theodore E. Stebbins, Jr. could have written such a remarkable book. Drawing on a lifetime as a curator and scholar he has provided a sweeping critical analysis of the field of American Art from Colonial times through the present. With complete authority he rampages through an intriguingly well written and argued book that pulls no punches in telling it like it is.

  • The New England Experimental Art Group

    Gloucester"s Cosmos Gallery

    By: Cosmos - Nov 17th, 2025

    COSMOS Gallery’s  Unexpected #25 – Unwrapped will feature numerous and diverse artwork by The New England Experimental Art Group. The group is renowned for their innovative pursuit of contemporary art, with no constraints on technique or materials.

  • 2025 Boston Artadia Awards

    Awardees: Sónia Almeida, Brittni Ann Harvey, and Sopheak Sam. 

    By: Artadia - Nov 06th, 2025

    Artadia, a non-profit grantmaking organization and nationwide community of visual artists, curators, and patrons,  announces the 2025 Boston Artadia Awardees: Sónia Almeida, the Wagner Foundation Boston Artadia Award recipient; Brittni Ann Harvey; and Sopheak Sam. 

  • The Clark Art Institute Appoints Lara Yeager-Crasselt

    Aso O. Tavitian Curator of Early Modern European Painting and Sculpture.

    By: Clark - Nov 05th, 2025

    The Clark Art Institute announces that Lara Yeager-Crasselt has been appointed to serve as the first Aso O. Tavitian Curator of Early Modern European Painting and Sculpture.

  • Ragtime at Lincoln Center

    An All Time Favorite

    By: Karen Isaacs - Nov 03rd, 2025

    This musical, even more so than when it opened in 1998, forces us to confront some truths that we would prefer to ignore. It points out that America has not always lived up to its ideals and, in fact, has at times rejected them.

  • Endgame at the Irish Arts Center

    Druid Mounts a Magnificnet Production

    By: Susan Hall - Nov 03rd, 2025

    The Druid theater is mounting Samuel Beckett’s Endgame at the Irish Arts Center in New York.  The set is striking. It is curved like the inside of the two garbage cans sitting on the stage, covered by cloth at the start.  Inside tthe actual cans are two stumps–a happily married couple, Negg and Nell, played here by Bosco Hogan and Marie Mullen (one of the founders of Druid). 

  • From Epic Theater to “Oh, Mary”

    Cole Escola Receives the Erwin Piscator Award

    By: Jessica Robinson - Nov 03rd, 2025

    Honored for Oh, Mary!, a hysterical, historically inaccurate Broadway hit that reimagines Mary Todd Lincoln, the 16th president’s wife, as a perpetually tipsy, attention-starved First Lady who longs to be a cabaret singer. Performed in drag by Escola (who also wrote the play.

  • Parsifal

    San Francisco Opera's Stellar Production

    By: Victor Cordell - Oct 30th, 2025

    Wagner's final opera boasts some of his most organic music and lyrics in a tale of redemption. The piece demands enormous resources of every kind, and San Francisco Opera has produced a matchless experience that excels in every way.

  • Dishwasher Dialogues Brutality of Correctness

    No Reservations

    By: Gregory Light and Rafael Mahdavi - Oct 30th, 2025

    Much of bartending at Chez Haynes was about words, about the conversation, the ‘craic’ as the Irish say. It was also about theatre. The place was dressed like a stage and there were people coming and going, making their entrances and exits all through the night. With just a comment thrown in here and there, suddenly there was a real entertainment.

  • The Demon of the Book

    By: Cheng Tong - Oct 27th, 2025

    The Demon of the Book does not dissuade us from learning; on the contrary, it thrives on our love for it. It tempts us to believe that by memorizing scriptures and mastering doctrines, we have mastered the Dao itself. This barrier turns knowledge into a gilded cage.

  • Acquisition and Cultural Stewardship

    Non-Weestern Art Objects in American Art Museums 

    By: Noah Kane-Smalls - Oct 28th, 2025

    Resulting from Colonialism and looting some 90% of traditional African art is not to be found in Africa. Only recently has there been an awareness of this inequity. Noah Kane-Smalls is an administrator at Williams College Art Museum with some 20 years in the field. Here with passion and precision he lays out the issues and what needs to be done.

  • MFA Returns Pots to Family of Enslaved Potter

    David Drake Recognized as an American Master

    By: MFA - Oct 29th, 2025

    The Museum of Fine Arts, Boston (MFA), has reached a historic agreement with the known descendants of David?Drake (also known as Dave the Potter) regarding two monumental stoneware vessels in the MFA’s collection that were made by the enslaved potter and poet. The Museum has restored ownership of both works, returning one to Drake’s family and purchasing the other back.

  • Boston Public Art Triennial

    Overcoming Civic Neglect

    By: Mark Favermann - Oct 16th, 2025

    Through the efforts of the Boston Public Art Triennial, the City of Boston’s civic life and built environment have been enhanced and strengthened. Bravo!

  • Gabrielle Munter at Guggenheim Museum

    First Major Exhibition in Thirty Years

    By: Guggenheim - Oct 29th, 2025

    Gabriele Münter: Contours of a World will focus on her heightened Expressionist production from around 1908 to 1920, while also highlighting her later developments. The presentation will comprise some sixty paintings and nineteen of her early photographs across three galleries.

  • Mario Diacono 1930-2025

    Legendary Italian Born Boston Gallerist

    By: Charles Giuliano - Oct 30th, 2025

    In every sense Marion Diacono, who died today, was truly unique and remarkable. As a gallerist he had a deep and lasting impact but few of the A list works he showed remained in Boston. Italian born with a global vision his program was light years out of reach for earth bound and generally reactionary collectors, curators and critics. While they came to look mostly collectors failed to open their wallets. There were token sales to the MFA and at that time the ICA did not collect.

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