When January Feels Like Summer in New York

Ensemble Studio & Women's Porject Theater Join Forces

By: - Oct 20, 2014

jan jan jan jan jan Jan

When January Feels Like Summer
By Cori Thomas

Directed by Daniella Topol
Ensemble Studio Theatre
New York, New York
Through October 26, 2014
Photo credits Gerry Goodstein courtesy of Ensemble Studio Theatre and Women's Project Theater
Cast:  Mahira Kakkar (Nirmala), Debargo Sanyai (Ishan/Indira), Dion Graham (Joe), Maurice Williams (Devaun), Carter Redwood (Jeron).
Jason Simms (Scenic Design), Sydney Maresca (Costumes), Austin R. Smith (Lighting).

The set is a curved brick wall: a home, a shop, another home, the backdrop for an ICU ward and a subway car.  Director Daniella Topol brings the play to life. 

A pair of African American boys, Devaun and Jeron, are not thinking about crime, petty or otherwise, unless it is the crime that we as a society are perpetrating on the air and seas around us.  These young men are obsessed with how to dispose of garbage to save the planet until an older man comes along and pats Devaun's behind.  'Pervert' the young men exclaim as one and decide to plaster the neighborhood walls with reports of the man's transgressions and warnings about what he might do.  

For doing this, they become New York's new heros for a day.  Everyone sees them on television, not handcuffed but rather crowned by the Mayor. They have identified an outed a man who is roaming the city pricking people's butts with a pin.  How likely is this scenario?  I have seen it daily in the young boys I teach.  Many of them are as interested in the world around them as any pampered Park Avenue kid with plenty of money and time to think about global issues.

Cori Thomas has drawn Devaun with a dyslexic's twist of words.  He also has the brilliant promotional ideas for the causes he and his friend Jeron both want to adopt.  

Jeron can spell and also create signs.  Played brilliantly by Maurice Williams and Carter Redwood, they conquer the universe.  Well, New York, which often feels like it.

Their cause takes them to an Indian bodega, where the beautiful proprietress is being assisted by her brother mid-transformation to a sister.  At first Nirmala, whose hated husband has been languishing in a vegetative state for three years after being shot in their shop, tries to dissuade Ishan from becoming Indira.  

But nothing will stop him/her.  In a brilliant turn by Debargo Sanyai, Indira emerges, touching and somehow satisfied by the transformation.  Nothing is cheap about the handling of gender change.  We can only feel sympathy for the struggle of one human to become what she really feels she is.

Wide-eyed Mahira Kakkar, playing Nirmala, is encouraged to 'date' a garbage man who come to the shop, Joe. Dion Graham is also drawn against stereotype, an African American man who lives in confusion after being abandoned by his wife. He is responsible and at last open to a new relationship arranged without charge by Indira in her new self-assigned role as matchmaker.  

Devaun, posting anti-pervert signs in the shop, falls for Indira.  The prospect of a macho African American boy falling for a transgender female in transition is absolutely transfixing.  To find out what happens, go and see this terrific play.  Sets, costumes, lighting, everything works.  A real treat.