The Empress faces Sophie’s choice.  Either decision - to accept or reject the shadow - could leave blood on her hands.  High drama occurs with real or perceived betrayals and threats of killing, but since nobody dies, some would characterize “Die Frau” as a comedy!

Long before the Brooklyn Museum discovered the notorious Hannah Gadsby of "Nanette" and engaged her services as a curator of Pablo Picasso, Susan Rennie was gripped by the idea that art most often was created by the male gaze. 

Gabrielle Barzaghi is one of the leading contemporary artists residing on Cape Ann. Horse Opera is Barzaghi's fourth solo exhibition at the Matthew Swift Gallery, and presents a significant new body of her work comprising more than a dozen drawings.

In 1999, Anthony Braxton caught the performance of an Improv group at Wesleyan College where he has taught for twenty-three years. Among its members was Lin Manuel Miranda. He picked a trooper and asked him to do an improvisation with him. The duo, collaborating on compositions 279 to 283, was the inspiration for this funny, hip and moving improv designed by Experiments in Opera (EiO).

Locally rooted musical collective Floating Tower, working with Berkshire artist Joe Wheaton, will fill The Adams Theater July 1-2 with a unique, poignant musical tribute to the people of Ukraine. 

Rhiannon Giddens is leading new music which is both classical and popular. Her commitment to telling stories that have been buried and to showing us the world as it really is in music heralds anew age.

No matter whether you read it in school or more recently or even never read the novel, you owe it to yourself to see the absolutely fabulous new stage adaptation now at the Bushnell through Sunday, July 2.

Straw hat is old hat. Summer once meant shows performed in actual barns by talented and young kids. Or tours led by well-known movie and TV stars whose popularity had diminished. Not anymore.

The Dutch National Ballet’s first visit to Jacob’s Pillow offered a deep immersion in classical ballet, past and present. On every level it belongs to the top tier of dance in the Berkshires.

The narrative is historical only in the broadest sense.  While the plot points actually occurred from AD 58 to AD 65, not only are they condensed into one day, but their order is shifted!  Further, the librettist fancifully changes the character of characters, making some good who were actually bad and vice versa.  Who would have thought of the barbaric and narcissistic Nero as also having room for love and magnanimity?  So, for those who lambaste Hollywood for being fast and loose with the facts, let it be known that it had models to draw on

"Is it Thursday Yet", playing at the La Jolla Playhouse, tells the story of dancer Jenn Freeman, who was diagnosed with Autism Spectrum Disorder (ASD) when she was 33 years old.  Using actual recordings of her therapy sessions and home videos Jenn’s father recorded as she grew up, the play is essentially a documentary of Jenn Freeman’s life from infancy to young adulthood. Neither Jenn nor her family knew she had ASD.  

Each of us, each of us all, have lost someone or something.  Each of us has faced fear – fear of loss, fear of failure, fear of death.  In the moments of experiencing those fears,  and of the sorrow that can accompany them, they were real.  In some instances, they were debilitating.

In his first season as artistic director Alan Paul has selected the 1995 play by Pearl Cleage. Set during the Harlem Renaissance its a good but not great play given a flawed production directed by Candis C. Jones for Barrington Stage Company.

The Law Of The Heart, an ancient scroll, speaks of the Three Treasures:  The Way, The Teacher, and The Scripture. Each plays an important role along the spiritual path we walk.

Julianne Boyd, the founding artistic director of Barrington Stage Company, retired last year. Unburdened by administrative responsibilities, she has been lured back to direct a dark, moody masterpiece, Faith Healer by Brian Friel (1929-2015) the greatest Irish playwright of his Generation. For this triumphant return she cherry picked a dream team trio of Christopher Innvar (Frank), the faith healer, Gretchen Eglof his long abused wife Grace, and Mark Dold as the whimsical roadie Teddy.

Tippet Rise Art Center welcomes musicians and concertgoers for its eighth concert season, beginning August 18 and running through September 17. With more than 15 indoor and outdoor performances planned over five weekends, the season features a wide range of repertoire performed by artists who can be young trailblazers or legendary musicians. A highlight of this summer’s season is the debut of the new Wander series, which moves musicians and audiences between different works of art installed at the art center

This fall, beginning after Labor Day, I will be offering a new course entitled "Living a Daoist Life In Today's World."  The course will be 20 classes long and will include study of the Dao de Ching, The Law Of The Heart, and The 49 Barriers To Spiritual Growth.

Perhaps, it’s not accidental that 'Complexions' followed the 'Hip Hop Festival.'The performance started with an excerpt of 'Hissy Fits, 2006,' to ongoing very loud percussion, sounding like drum beats to, as per program, J.S. Bach music. And the music mostly continued at a high decimal, just like hip hop.

Entering Goodspeed’s Terris Theater in Chester to see Here You Come Again, you view a cluttered living space with decorations for multiple holidays, a disco ball, things hanging from the ceiling, etc. Is this a hoarding situation?

Once the show actually began, I was engaged.  While it is just making its Broadway debut, Here Lies Love, with concept, music, and lyrics by David Byrne, music by Fatboy Slim, and additional music by Tom Gandey and Jose Luis Pardo, began as a concept album in 2010. From there, it ran at off-Broadway’s Public Theater (2013, 2014-15) and London (2014-15), both times garnering multiple awards.

For PIXEL, by Compagnie Käfig, today based near Lyon, France, ten male Hip Hop dancers, French style, a woman contortionist, a roller-skater, small robots carrying tiny lights, and a huge metal hoop shared and interacted on stage with highly sophisticated projections, music, and sounds.

Leave it to the brilliant impresario Andrew Ousley and his music series, Death of Classical,  to bring us an incredible and surprising evening of John Cage music. Before Cage moved on to the concepts of indeterminacy and chance, he composed more conventionally arced works for the prepared piano, in which screws were systematically and specifically applied to some strings in a grand piano, Cage clearly began in one place and ended up in another.  Sonatas and Interludes for prepared piano is a deliberate whole. 

Hats are an integral part of the African-American woman's church attendance. Playwright Regina Taylor celebrates not only hats but the women that wear them - their fortitude, their triumphs, and their tragedies. Animated vignettes and a gospel dominated song book provide for a rousing entertainment.

Hall Space presents Ellen Shattuck PIerce "Taking Place." It's a lively exhibition of relief and hand colored laser prints.

Horrors! Guess who's coming to dinner. Gomez and Morticia's daughter Wednesday has fallen in love and wants to marry a "normal" young man. She has even invited him and his family over for a meal. What can be done to stop such a fearsome turn of events?