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Director Lilean Blais-Cruz does well with limited resources. Actors extract whatever drama and humor that the words allow. Lighting and sound achieve expected OSF standards. This production plays in the round and with a minimum of staging – the fixed portion being a number of vertical white pipes with light wands attached to a maze of pipes above.

This play is both entertaining and rich with messages. It deserves to be seen. At the same time, the playwright tries to accomplish a great deal, perhaps at the expense of cohesion. The tone changes often as dialogue alternates between Shakespearean tracts taken directly from the source and the naturalistic speech of the Old West.

When Laurie Norton Moffett, director of the Norman Rockwell Museum, in a Berkshire Eagle op-ed piece asked the Berkshire Museum to "pause" in its plan to sell 40 works the story broke as national news. In daily coverage since then the pro and con has rocked back and forth. I seemed like game over when Joe Thompson, director of MASS MoCA, endorsed the sale and radical plans urging readers to "get real." Then lawyers waded in questioning that the works may or may not be "unrestricted." The controversy went into extra innings when the Rockwell family, in an Eagle letter, stated that the artist never intended for his works to be sold as a last ditch bailout for the poorly managed and curatorially aenemic museum.

There is always something provocatice going on at Gloucester's Trident Gallery. The arts are the visible cloak of the bonds -- both empowering and restricting -- of community and heritage. The cloak of the arts reveals the shape of the present, bears the patterns and must of the past, and declares ourselves on our journey into the future.

Berkshire Theatre Group announces additions to the fall and winter seasons, as well as casting for the Fall production of David Auburn’s Lost Lake at The Unicorn Theatre. Therde wlll also be a number of unique musical events at its Colonial Theatre in downtiown Pittsfield.

On Wednesday, August 23, there will be a reading and book launch of Gloucester Poems; Nugents of Rockport by Charles Giuliano at the Gloucester Writer’s Center, 123 East Main Street, at 7 PM. The event will be shared with poet Geoffrey Movius. They grew up together in Annisquam. That experience and inspiration will be a part of the event.

Percussion was the theme of the Mostly Mozart concert featuring also David Lang. Mozart used kettle drums to underiine a point. In his comic opera, Abduction from the Seraglio, he also used triangle, cymbals and a bass drum to suggest the exotic Turkish locale. Jean-Baptiste Lully added percussion for the elevation of a Molière character to noble man. It was an inspired selection of music to surround David Lang's "man made" created to show how elemental percussion instruments are heard by their fancier orchestral counterparts.

Indeed it was a long evening ending around 11 PM with the tradition arsenal of fireworks accompanying the climax ith a massive performance of Tchaikovsky’s energizing 1812 Overture. It evoked Moscow’s triumphant church bells and the thunderous boom of Napoleon’s captured canons.

When ethical concerns and second guessing of its "reboot" plans surfaced the Berkshire Museum has spent money it doesn't have for expensive PR and marketing. Heavy hitters have been hired to deflect tough questions from the media and flack the museum's strategy to sell 40 works of art and change its mandate.

In 1970 the Venezuelan dancer and educator, Tina Ramirez, founded the community based Ballet Hispanico. Under her administration the company commisioned 70 plus works. We saw one of them Palladium at MASS MoCA in October 2006, co sponsored by Jacob's Pillow Dance. This past week the company performed at Pillow in a program created by artistic director Eduardo Vilaro who followed Ramirez in 2009.

"Footloose the Musical" is based on a film that was part of a strong cluster of movies that in some ways was a gentle echo of the youthful rebellion of the '60s. Hollywood struck a rich vein of teen and young adult musical films in the decade starting 1978. Some were based on earlier stage musicals, and others would later become live theater pieces. Starstruck Youth Performing Arts has selected a perfect vehicle for a large teen cast.

Bad Jews is a biting comedy/drama at South Florida theater. Joshua Harmon play marks Main Street Players' third professional production. Company excels in an intense, funny production.

This is a classic comedy that still entertains with a spectacular cast and great timing! Arsenic and Old Lace ran for three years on Broadway starting in 1941 and still holds up. There is a lively production on Stage at Bekshire Theatre Group in Stockbridge.

Leon Botstein, a great American educator and music polymath, makes the case for underexposed compositions by known and unknown composers. This year, he presents Anton Dvo?ák's Dimitrij as a feature of the Bard SummerScape Festival.

Over 62 years of Williamstown Theatre Festival there have been 18 productions of the four best known plays by Anton Chekov; The Cherry Orchard, Uncle Vanya, the Seagull and Three Sisters. There have been five prior versions of Three Sisters and this season we have yet another. Well, not exactly.

Inspired by her great grandmother's life, Pulitzer Prize-winning playwright Lynn Nottage, presents Esther, a fine seamstress in 1905's New York City. Through this lens, we meet others of various races and sexes, from places around the world, all struggling to achieve their dreams. How they fare becomes our concern.

Berkshires Jazz, Inc. continues its summer of centennial tributes on Aug. 12 with the Ted Rosenthal Quintet, in a 100th birthday salute to Thelonious Monk. TD Bank is sponsoring the concert, which takes place at the Lee Meeting House (Congregational Church), starting at 7:30pm.

The Thimble Islands are an archipelago of more than 100 pieces of land in Long Island Sound, off northeastern Connecticut. Some are big enough for people to live on, but many more are just tiny granite outcroppings. Arthur Yanoff visited them a year or so ago, and created a sequence of abstract paintings about them. They will be shown at Reylonds Gallery in New Haven.

It was a relatively short walk from our hotel in San Freancisco to the entrance of its vast Chinatown. We explored and returned several times for fabuous meals.

The burlesque acts at the Irving Place Theatre make up almost half of The Nance, which is riproaringly directed by John Nasca. You’ll see a feathery fan dance by Joan (Britt-Marie Sivertsen) and other songs, dances and modest strip routines by Sylvie and Carmen (Steph Vondell). The women’s costumes are colorful and sparkly—and designed by Nasca, doing double duty as costume designer.

Coincidently, the 2017 ATCA conference took place at the same time that San Francisco is celebrating the 50th anniversary of the city’s now famous 1967 “Summer of Love” revolution of sexual freedom, psychedelic flower-power, pot, and tons of young people with raging hormones.

Joan Beber has tackled an intimate part of her own life, the death of a twin sister, in her new play, Dear Jane. Formed as a letter to her deceased sibling, Beber creates many memorable characters. Katrin Hilbe directs flawlessly.

In compiling a list of 40 works to deaccession the Berkshire Museum opted to sell no works given by living artists or donors. When Norman Rockwell gave two works to the museum the letter, which is referred to in media coverage, states his wish to share them with the people of the Berkshires. In selling the works is the museum in legal violation of that trust? GIven the sensitivity of what is at stake we demand that the museum make public the artist's letter.

Currrently number one at the box office the epic British film Dunkirk, written and directed by Christopher Nolan, is the surprise hit of the summer season. This is the time of year for action adventure cartoon characters, like Wonder Woman, kids stuff and date movies. The film focuses on the British army, then defeated in France, about to be driven into the sea by Rommel and his Panzers. Miracuously that didn't as the British used every available vessel from yachts to fishing boats to ferry the troops across the channel. This was the moment and event when the fate of Europe was at a tipping point. It makes for a heck a movie.

Stratford has a special history with this Shakespeare play, dating from Michael Langham’s extraordinary 1963 production with incidental music commissioned from Duke Ellington. Updating the setting, Langham offered an opulent melodrama with some textual additions, guest musicians and dancers.