Mass MOCA

The leaders of ten arts and culture institutions from across Berkshire County have convened the Berkshire Arts and Culture Alliance (BACA) to advocate for the economic, tourism, and infrastructure needs of arts and culture organizations in the county.

"Power Full Because We Are Different" is a monumental installation by Native American artist Jeffrey Gibson. The inspiration and intent of the project is to articulate and express the concept of the “two-spirit,” a third gender that is both—and neither—male and female and is embraced by many Indigenous cultures. Significantly the far right regime of President Donald Trump has rescinded a $50,000 NEA grant for this ambitious and expansive project.

Resident Artists and Authors from the Eclipse Mill show their work during Berkshire Art Week.

On Friday night, the National Endowment for the Arts sent MASS MoCA an email notification of the termination of our awarded grant for the support of Jeffrey Gibson’s commission POWER FULL BECAUSE WE’RE DIFFERENT.

MASS MoCA today announces its full lineup of summer programming. Following the celebratory opening weekend of Vincent Valdez: Just A Dream…, this summer’s concerts, workshops, and events include SNACKTIME (July 12), Guster & The Mountain Goats (July 26), and many others live in concert; the final Like Magic: Screening Series (June 7) prior to the exhibition’s September closure; the return of MASS MoCA’s summer fun spot The Chalet; and a late summer outdoor show with Lake Street Dive (September 6); among other energizing offerings.

Steve Locke is having a show now installed at MassMoCA (opened last August – goes to until Nov 8). Three years ago I wrote a poem to Steve, whom I know, after seeing his exhibition of “Cruising” at the Alexander Grey Gallery

Jacob’s Pillow Dance Festival 2025 will feature indoor performances in the landmark Ted Shawn Theatre and the newly-opened Doris Duke Theatre, as well as outdoor performances on the Henry J. Leir Stage. The return of the Doris Duke Theatre restores Jacob’s Pillow to its full presenting capacity for the first time since 2020, reuniting the Festival’s three core performance spaces and offering audiences an unparalleled range of dance experiences across the Pillow’s grounds.

Ohan Breiding is a Swiss-American artist, raised in a Swiss village and living between Brooklyn, N.Y., and Williamstown, MA. They work with photography, photographic and filmic archives, and video in a collaborative practice that reinterprets historical events, putting the past into a meaningful transformative relation with the present. They employ a trans-feminist lens to the discussion of ecological care to amplify the systemic failures and violence of the Anthropocene. 

Designed by the leading Dutch architecture firm Mecanoo, the reimagined Doris Duke Theatre occupies the site of the former studio theater from 1990, destroyed by fire in November 2020.  The new theater aims to become one of the world’s most technologically advanced dance venues, providing a makerspace for artists seeking to integrate artificial intelligence, extended reality, robotics, and immersive platforms into live performance.

Upon initial exposure the work of Richard Criddle and Joanna Klain could not be more different,. With further contemplation, however, there are many commonalities. They share an experimental and adventurous approach to materials, in her case collaged paintings, and in his assembled sculptures from found objects. Both artists evoke narrative in their work. Her's are inspired by dreams and night mares while his entail the darkest of humor.

Both artists have their own extensive exhibition histories. Both have in recent years have become more playful and experimental in their independent approaches. Synchronicity exists between their recent work. Each separately builds and composes imaginary imagery that reflect interior preoccupations with the mysterious and the mischievous. Reception Saturday the 19th of October at 3pm.

Jeffrey Gibson’s POWER FULL BECAUSE WE’RE DIFFERENT is a newly commissioned immersive installation that will occupy MASS MoCA’s signature Building 5 gallery and follows Gibson’s highly celebrated United States representation at the 60th edition of La Biennale di Venezia. The exhibition opens on November 3.

This summer, the Peabody Essex Museum (PEM) invites you to reimagine the world of maps and globes in an installation conceived by Argentinian artist Agustina Woodgate. In Ballroom, the gallery floor is filled with globes that have been meticulously sanded to remove all traces of information, transforming what were once vital sources of knowledge into mute objects.

The exhibition title temporary arrangements refers to Mary Lum’s journeys though the streets of New York and Paris, observing the fragments of a crumbling façade of a building, a vendor’s pushcart, or a poster for a vernissage, which may have a short shelf life in the urban environment. Lum takes photographs on the streets looking at geometric forms, planes of color, and text.

The Ringling Museum in Sarasota, Florida is one of the most unique, and curious collections in America. It is sited on a manicured, tropical, 66-acre campus that conflates nature, leisure, warmth and depth in Old Master paintings, Ancient Mediterranean art, Asian art, 19th and  20th century art, prints, drawings and photography, as well as extensive circus related memorabilia. There are period rooms with collections of decorative arts. Through expansion it is now the 20th largest American museum.

On January 1, 1863, President Abraham Lincoln signed the Emancipation Proclamation. Not long after that, John Quincy Adams Ward (1830-1910) created the bronze sculpture “The Freedman.” It depicts a semi-nude seated figure in the act of his removing shackles. Resembling the iconic Roman “Boxer,” the work was arguably the first bronze sculpture to depict an African American.

Williamstown Theatre Festival announces The Plastic Bag Store, produced by MASS MoCA in association with WTF, opening May 9. Created by artist Robin Frohardt and produced by Pomegranate Arts, this immersive, multimedia experience will be open from May 9 through September 2 in MASS MoCA’s Building 1.

MASS MoCA announces Summer 2023 programming including the exhibitions Joseph Grigely: In What Way Wham? (White Noise and Other Works, 1996-2023), on view beginning May 28, Anne Samat: Love, on view beginning June 24, and Elle Pérez: Intimacies, on view beginning July 22

 Pixies’ concerts are well-known for being “one-of-a-kind,” as the band has no pre-determined set lists, the “next song” is the one that “feels right," so you’ll never see the same show twice. And the song choices go deep.

FreshGrass, MASS MoCA’s annual three-day festival of bluegrass and roots music, announces the initial 2023 lineup, featuring Dropkick Murphys Acoustic—playing songs from their two albums with the lyrics of Woody Guthrie - plus acoustic arrangements of all your DKM favorites—Lukas Nelson + POTR, Sierra Ferrell, Rhiannon Giddens...

Welcome spring with a double header exhibition by Stephanie Boyd and Jane Hudson at Spring Street Market and Cafe in Williamstown. It will be on view from April 1 through June 17.

After more than a year of bargaining, the Whitney Museum Union of Local 2110 UAW have reached a tentative agreement with the Museum on a first union contract. Union members are in the process of voting on the contract.

Stephen R. Lawson, 73, a longtime resident of Williamstown died on February 7, 2023, of natural causes. In varying capacities he was an associate of the Williamstown Theatre Festival for some five decades. For 13 years he curated the Williamstown Film Festival which was produced at Images Cinema and MASS MoCA.

MASS MoCA has promoted veteran curator Denise Markonish to become its new Chief Curator, the first in MASS MoCA’s nearly 25-year history. Markonish joined MASS MoCA in 2007.

Phil Kline's Unsilent Night has been presented in 150+ cities across five continents since its debut 30 years ago on the streets of Greenwich Village. Free as always.