Presided Over Once Formidable Phoenix Media Empire
By: Charles Giuliano - May 25th, 2018
While he lacked stature, Stephen Mindich, who died this week at 74, cast a giant shadow. As a hip capitalist at the height of his power he was an ersatz Citizen Kane of Boston's counter culture industry of print and broadcasting media. In 2013, his Phoenix empire exhinguished never again to take flight from the embers of fame and fortune.
The critical success of "Astral Weeks" by Ryan Walsh has brought national media attention to Boston's counter culture in 1968. Following a prior interview with former Cambridge Phoenix editor, Harper Barnes, we pick up on the other side of the Charles River with former Boston After Dark Editor, Arnie Reisman. This continues our coverage of arts and media during a golden age from 1969 to the demise of The Real Paper in 1981.
Beloved Member of American Theatre Critics Association
By: William Hirschman - Apr 17th, 2018
Glenn Loney’s massive resume in 2006 listed more than 1,000 magazine and journal articles, 530 reviews, 7 books, 6 unpublished plays, 2 detailed show program notes, editing or contributions to 22 books, and 39 in-depth interviews for Cue magazine. Among the books is a two-volume "20th Century Theatre," a day-by-day chronology of American, British, and Canadian Theatre activity from 1900 to 1980. He is rembered by William Hirschman, president of American Theatre Critics Association.
New Journalism in Boston/ Cambridge in the Early 1970s
By: Charles Giuliano - Apr 14th, 2018
The recently published book Astral Weeks, by Ryan Walsh, has brought national attention to the counter culture of Boston/ Cambridge in 1968. This extensive interview with Harper Barnes, former editor of the Cambridge Phoenix and columnist for The Real Paper, covers developments in the early 1970s. It was a fertile era that launched careers of numerous arts critics and political commentators. After a stint in Boston, eventually, he returned to the Saint Louis Post-Dispatch and the city where he continues to reside.
From March 23 to 25 Milwaukee Repertorty Theatre hosted a conference Intersections Summit. It was convened to address equity, identity and inclusion through diversity and community outreach. In a letter to ATCA president, Bill Hirschman, managing director, Chad Bauman, who hosted us said in part "All in all, nearly 200 theater professionals from 80+ organizations from 30+ states attended including ATCA, TCG, funders such as the Doris Duke Charitable Foundation, and journalists from media outlets such as The New York Times and The Chicago Tribune. More than 50 engagement leaders presented sessions and several of which were live streamed via our Facebook page as well as Howlround."
The 2018 season of Barrington Stage Company which will feature three world premieres, including a major new musical from Tony Awards winners William Finn and Rachel Sheinkin, a new play from Off Broadway Alliance Award winner Lloyd Suh, and the first major production from playwright, Rachel Lynett. The season starts with Typhpid Mary by Mark St. Germain in the theatre named for him.
On January 2nd, Palm Springs International Film Festival (PSIFF) officially launched its 29th Annual Film Festival and Gala. More than 2400 guests, attended, along with stars, celebrities, industry professionals, screenwriters, producers, directors, and actors to rub elbows at the Palm Springs Convention Center, as they accepted their Awards for their artistic accomplishments during 2017.
If there were one word to characterize this year’s selection of possible documentary Oscar nominees, it would have to be nihilism. In its preliminary round of voting, the Academy of Motion Picture Arts and Sciences selected 15 films of the 170 submissions for Best Documentary Academy Award, many produced by Amazon Studios, Netflix, HBO, et al.
MASS MoCA heads into the winter/spring season with new works in the spotlight, on stage, and in the galleries. The season kicks off on January 20 with the museum’s annual Free Day, when MASS MoCA opens its galleries, free of charge, and activates its art with family-focused activities and performances throughout the day.
International companies will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States ranges from New York City, Minneapolis, and Houston to Philadelphia, San Francisco, and Chicago, among others.
By: Sandy Katz with photos by Gerry Katz - Nov 26th, 2017
Not getting any younger Sandy and Gerry Katz treated themseles to a week at The Row in the heart of NY's theatre district. From there were short cab rides to all the hit shows from Hamilton and Come from Away. They ejoyed events of American Theatre Criics Assocation inncluding the traiditional lunch with the stars at Sardis.
During last year's NY conference of American Theatre Critics Association (ATCA) there was a panel on the development of the musical, then in previews, of what went on to be the Tony winning musical Dear Evan Hansen. Predicting that lightning will stike twice the team for The Band's Visit discussed the transitions from film, to Off Broadway, and now a production at Broadway's Ethel Barrymore Theatre. The smart money is on running the table during the awards season.
“This is a classic case of confronting a well-organized, well-financed, misguided inside group, hoping to lead them to their better angels,” said Leslie Ferrin, founder of Save the Art. “That’s why we’re crowd-sourcing Save the Art’s legal action fund. We want to invite people to step up at whatever level they can, and say, “we support finding a better solution.”
After celebrating its record-breaking 85th Anniversary Season, Jacob’s Pillow announces new, expanded fall, winter, and spring programming as a main component of Vision ‘22, a strategic approach to the Pillow’s transformation into a year-round center for dance research and development and a civic partner in our region.
Berkshires Heritage and Legacy Worth More Than $60 Million
By: Charles Giuliano - Sep 28th, 2017
To launch A New Vision for the Berkshire Museum it plans to sell 40 key works for some $60 miillion. That's a pot of gold but comes at a terrible cost to the heritage, legacy and cultural branding of the Berkshires. Van Shiields and the museum board insist that there is no other option. That disrespect raises questions regarding stewardship of the 40,000 works in the collection including 2,395 fine art pieces.
Broadway and cabaret artist Barbara Cook was 80 wehen we first saw her perform at Ozawa Hall and several times after that. In Indiana we enjoyed a concert wth Michael Feistein and an interview for critics that followed. We have compiled a collage from those reviews.
In compiling a list of 40 works to deaccession the Berkshire Museum opted to sell no works given by living artists or donors. When Norman Rockwell gave two works to the museum the letter, which is referred to in media coverage, states his wish to share them with the people of the Berkshires. In selling the works is the museum in legal violation of that trust? GIven the sensitivity of what is at stake we demand that the museum make public the artist's letter.
Hir is a family story, a chaotic kitchen-sink story. Playwright Taylor Mac describes it as absurd realism, with a simple plot: The prodigal son returns home from the war and finds nothing is as it was when he left. Isaac (Tyler Olwin) has been away for three years, working on a mortuary crew in Afghanistan.
In the age of social media everyone is a critic., Some enthusiasts post their "reviews" and images to Twitter and Facebook before curtain calls.That was he elephant in the room as some 80 of the 250 members of American Theatre Critics Association gathered for an annual conference this time in San Francisco. In addition to several days of seeing theatre there were meetings and panel discussions focused on issues and ideas in the profession.
ATCA held its annual conference in San Francisco. Shakespeare is alive in well among Bay Area theater companies. The "City By the Bay" and environs offers an array of theatrical productions, from new works to the classics
The evening belonged to Mr. Gilbert, whose taut command of this orchestra over such a long and contiguous work reminded New Yorkers that his departure at the end of this season will be a terrible loss indeed.
Jacob's Pillow and Clark Art Institute Collaborate
By: Charles Giuliano - May 08th, 2017
Jacob’s Pillow Dance Festival has added two more opportunities for audiences to experience Trisha Brown Dance Company. Originally a five-performance run, August 16-19 in the Ted Shawn Theatre, the Pillow has added a Thursday matinee to the company’s schedule. Members of Trisha Brown Dance Company will also perform the site-specific work Trisha Brown: In Plain Site at the Clark Art Institute on Sunday, August 13, a co-presentation of Jacob’s Pillow Dance and the Clark.
Here is a clip and save rundown of the 2017 season of Barrington Stage Company. It begins on May 18 with Kinstler by Jeffrey Sweet, directed by Meagen Fay. Performances: Tuesday through Saturday at 7:30pm; Thursday, Saturday and Sunday at 3:00pm. Opening night May 21, 2017. The programm ends on October 22 with Gaslight.