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Good Faith – Four Chats about Race and the New Haven Fire Department now having its world premiere at Yale Rep through Saturday, Feb. 23 fits into the category of documentary theater. It is also referred to as theater of witness or theater of fact. This form combines elements of documentary – reliance of interviews, documents and media reports of an event.

The year is 1964. Violet, a young woman with suitcase in hand, is about to board a Greyhound bus to leave her hometown of Spruce Pine, North Carolina. Her destination – Tulsa, Oklahoma. Bay Area Musicals offers a lively and well-staged representation of a journey that changes its central figure in unexpected ways.

Brian Coleman has published several successful books on hip-hop. The latest of which is a picture book “Buy Me Boston: Local Ads and Flyers, 1960s – 1980s, Volume 1.” It is compiled from thousands of scans of pages of vintage publications.

In recent seasons, Esa-Pekka Salonen has shifted his emphasis from conducting to his first love, composition. However, Friday’s matinee program at the Philadelphia Orchestra at Verizon Hall featured none of Salonen’s own catalogue. Rather, the composer led a program consisting of workers by Béla Bartók and Richard Strauss, two very different composers who are each in their own way, touchstones of the twentieth century.

Kudos to Barrington Stage Company for bringing theatre back to the Berkshires in the dead of winter. Yesterday we enjoyed a matinee of the eighth annual, 10X10 New Play Festival. It runs February 14 - March 10, 2019 at BSC’s St. Germain Stage.

Abe Koogler’s play, Fulfillment Center, is the story of four working people (two of them educated ex-New Yorkers) trying to get by in a mid-size New Mexico city. Jess McLeod smoothly directs an excellent cast of four.

Coral Gables theater company presents robust production of play about a controversial 1920s Yiddish work. Indecent tracks the path of The God of Vengeance' success across Europe, until its shut down on Broadway. Music, dance and dialogue combine to celebrate Yiddish language and theater while exploring a dark period in theater history.

Like much early Verdi, I Due Foscari lacks the memorable arias and ensembles that appear on compilation recordings. However, it may be that we just haven’t heard these enough to become familiar with them.

The Recirquel Company Budapest is presenting Non Solus at the Howard Gilman Opera House at BAM. The front of the stage is swathed in a glimmering material that reflects like plastic and moves like silk. Behind the curtain, misty lights of yellow and white are haloed like a desert mirage. The translucent curtain billows and then collapses in waves of light and texture.

Through March 10, the Clark Art Institute is presenting a compact exhibition Turner and Constable: The Inhabited Landscape. Curated by Alexis Goodin is installed in about a third of the museum’s special exhibition space. It allows us to compare and contrast the twin towers of British landscape painting: Joseph Mallord William Turner (23 April 1775 – 19 December 1851) and John Constable, (11 June 1776 – 31 March 1837).

The 2019 program of Bwerkshire Theatre Group will occur at The Colonial Theatre in Pittsfield and on the Fitzpatrick Mainstage as well as Unicorn in Stockbridge. The season starts with previews of The Goat or, Who is Sylvia? by Edward Albee on May 24 in Stockbridge.

Buckle your seat belts; the plane is still on the tarmac and we the audience, seated in airplane style aisles, are already anticipating a turbulent trip. There are technical difficulties. Flight attendants are rushing up and down the aisles shutting the overhead compartments, allaying our fraying nerves with snacks.

The Father by French playwright Florian Zeller is a play about aging and dementia. But it’s not your typical touching human story designed to gain your sympathy for a troubled person and family.

The Lucas Hnath sequel to Ibsen A Doll's House-Part 2 was a hit on Broadway. The door slammer is making the rounds of regional theatre. This production runs at TheaterWorks in Connecticut through February 24.

Yet again Williamstown Theatre Festival mixes old and new for its 2019 season.

The pipeline in Dominique Morisseau’s play is the school-to-prison path followed too often by young people from disadvantaged backgrounds because of harsh school and police policies.

Although Moby-Dick adheres to the continuous melody mode, many striking set pieces punctuate the score. Much beauty also derives from the orchestral interludes which reflect smooth seas as well as storm with equal competence. But the most striking pieces are the many rousing choruses.

Coyote StageWorks of Palm Springs delivers an early Valentine to fans and lovers of Country Music with a country-western comedy romp and hoot called “Honky Tonk Laundry”, written and directed by prolific playwright Roger Bean. It all comes out in the wash.

Opera Philadelphia has mounted a delightful production of Benjamin Britten's A Midsummer Night’s Dream. The company reminds us, as it does so often, that opera can be highly entertaining and occasionally hilariously funny. Created by Robert Carsen thirty years ago in Aix-en-Provence, the stage is full of royal blues and lime forest greens until all is resolved in white. A new moon hangs in the sky.

Barrington Stage Company (BSC) will feature four world premieres including the new musical from BSC’s Musical Theatre Lab, Fall Springs by Niko Tsakalakos and Peter Sinn Nachtrieb; America v. 2.1: The Sad Demise & Eventual Extinction of The American Negro by Stacey Rose; American Underground by Brent Askari; and Ragtag Theatre’s Hansel and Gretel, commissioned by BSC.

Red Rex, beautifully directed by Jonathan Berry, poses the contentious question of who gets to tell the story. It’s a play about a Chicago storefront theater staged by one of Chicago’s foremost storefront theaters in a space that used to be a grocery store.

In Jordan Tannahill’s Late Company, that time has passed. Debora and Michael’s teenage son, Joel, has committed suicide. Although the obvious path for the parents is to suffer in silence and live with the memory of the lost loved one, Debora is driven by a need to find closure. That target would be someone who can be implicated for the condition that she feels had caused Joel to take his own life.

Barbara Hannigan, one of the world’s leading sopranos, conducted the Juilliard Orchestra in a thrilling performance of Strauss, Haydn, Debussy, Sibelius and Bartok. The orchestra responded with music-making worthy of concert halls across the globe.

With the iconic music of My Fair Lady deleted this stripped down production, with a multi-tasking cast, gets at the essence of Shaw's masterpiece. Directed by Eric Tucker of Bedlam it is on view at Cantral Square Theatre in Cambridge. Much is done by few.

During a 1972 tour the Stones connecting from Toronto got diverted to Warwick, Rhode Island. Waiting for a limo to Boston Garden Keith clocked a photographer who got too close. Cops busted him as well as Mick who chimed in. After hours of delay Mayor Kevin White told 14,000 fans that the Stones were busted but "I got them out." That's not really true. The Stones went on stage at 1 AM for one of the great concerts in Boston rock history. Decades later attorney Martin Kaplan relates what really happened that night.