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Particularly during holiday season, we as social beings, crave the company of friends and familty. Between now and New Year there are many gatherings. It is a time of celebration and excess. This season of ritual tends to play out or wind down into winter hibertaion. My neighbor and friend the North Adams monk, Michael McGrath, discusses the alternative approach of embracing solitude.

The Crypt Session as imagined and realized by Death of Classical point the way to music’s lifefulness going forward. New, young audiences wait for months to get a ticket to one of these events. Tickets sell out moments after events like this Salon Séance are announced. Andrew Ousley, whose creation Crypt Sessions and The Catacombs assures us that more events in new locations are coming. A cave is promised in the future.

The Museum of Fine Arts last featured Boston Expressionist Hyman Bloom in a 1959 group show. The current exhibition Hyman Bloom Matters of Life and Death, curated by Erica E. Hirshler, attempts to make up for that lapse. The focus on cadaver paintings and drawings is bold and spectacular. The work is ghastly with haunting beauty. On a national level it is among the year's best museum exhibitions.

The Wick Theatre in Boca Raton is mesmerizing folks with its production of The Music Man. This mounting features vivacious dancing, credible, energetic performances and solid design. The show runs through Dec. 28 and features the largest cast in The Wick's history. Broadway actor John Tartaglia stars as "Professor" Harold Hill.

The anchor leg of a stunning season for Real Eyes Gallery in Adams, Massachusetts features “Galen Cheney: Mining Memory” through December 29.

The moving two-part drama, The Inheritance, began its stage life at the Young Vic in London. The play transferred to the West End and is now on Broadway. For seven hours, divided into two sessions of theater, the history of gays in American unfolds. At its heart, the playwright Matthew Lopez weaves language of great beauty mixed with humor. Spanish words are sprinkled throughout, ay meo (oh God), la fiesta (the party) and maracon (faggot) among them. These are not phrases but rather exclamations. The word 'faggot' is never used in the play.

The playwright’s contribution to the Joan of Arc literature is that her mother, Isabelle Arc, becomes the voice and the central character. Thus, while Joan’s actions are of historic significance and drive the narrative, Isabelle dominates the stage time. The play centers on family relationships, especially between mother and daughter.

Even if you say bah humbug to holiday shows you might want to check out this one on Broadway.

Opera San José’s production is specifically designed to be family friendly. The opera is sung in English and the supertitles are given in pretty basic vocabulary. Yet, only 15% of the audience is children, so adults, do feel welcomed. It is a quality production, beautifully staged and sung, that will satisfy audiences of all ages and levels of opera understanding.

What makes many of Churchill’s works distinctive and what helps in understanding them is her frequent non-traditional approaches to time representation and to casting.

It takes stamina and seven league boots to keep up with my running buddy Jack Lyons. He was my plus one for the recent American Theatre Critics Association annual New York Conference. In addition to a day of panel discussions and lunch with the stars at Sardi's he took in the three plays covered here. When out of breath trying to keep with some affection I call him Jack Rabbit.

Broadway in Broward series kicks off strong with a heartfelt production of West Side Story. Broadway Palm's inaugural series production features talented triple threat performers. The production runs through Dec. 1.

The premise of Groundhog Day is that Pittsburgh TV meteorologist Phil Connors is assigned to cover the annual event against his wishes.

Lucy Dhegrae, a superb mezzo soprano, lost her singing voice after an assault. In finding her singing voice again, she follows the sounds of a human from the first grunts and breaths to the glorious free sounds of song. Dhegrae is National Sawdust's Artist-in-Residence.

A highly physical and playful production of A Funny Thing Happened on the Way to the Forum is on stage at MNM Theatre Company. The West Palm Beach-based nonprofit company features equity and non-equity Florida actors. Cast members shine in their roles, but the sound system needs improvement. The production runs through Dec. 8 in a South Florida theater season featuring several Sondheim works.

During conferences of American Theatre Critics Association the Rochester based critic, Herbert Simpson, was a raconteur and noble presence. Rooted in the classics he had little patience for current foibles. His opinions were always crusty, witty, scholarly, loquacious and well crafted. As a correspondent we were honored to repost his reviews.

The Verdi Requiem conducted by Teodor Currentzis with the musicAeterna Orchestra and Chorus is performed at The Shed through November 24. The McCourt is a grand space and can seat 1,250 and hold 2000 standing. Designed to be flexibly conformed, this performance has bleacher seats extending from the floor before the stage up to the rafters, or heavens if you will. This program's music is both other-worldly and very much in the now.

The upscale Tourists a hip, designer savvy resort in North Adams, has launched a program of evenings with artists. Last night there was a cozy, well attended fireside chat with artist and musician Jane Hudson. She and her husband Jeff operated Hudsons Antiques formerly at MASS MoCA. They also perform music as Jeff and Jane. Both are widely exhibited artists. She discussed phases of her career which I have followed as friend and commentator since the late 1960s. It was also her birthday.

The young musical polymath Conrad Tao made his debut at Carnegie Hall. In an ambitious program, designed in part to display the elements of virtuoso performance on the piano, Tao played representative composers from J. S. Bach to David Lang and Julia Wolfe.

Tootsie features a Tony-winning performance by actor Santino Fontana. The musical adaptation of the popular 1982 film continues through Jan. 5. The stage show is a big, splashy and funny musical comedy.

It's time to mark your calendar. Tanglewood has annpunced the Popular Artists for the 2020 season. More to be announced later. By Popular Artist the BSO differentiates them from what we assume to be the unpopular ones. Its notable that so far the uber popular James Taylor is not a part of the lineup. But is likely to slip in late, As of now his usual slot for the July Fourth holiday weekend ia wide open. What's announced so far is the Popular prequel.

It was standing room only last night for a packed cabaret in the gallery of the Eclipse Mill in North Adams. The chanteuse, Michelle Wiley et les Garcons, (Opie O'Brian. Carl Oman and guest guitarist) regaled us with two long sets. The program conflated Edith Piaf with Irving Berlin. Dancing was encouraged.

Thrilling moments of the New York fall music season include the arrival of the Chicago Symphony Orchestra at Carnegie Hall. They do not disappoint. The first concert brought forward the superb brass section of the Orchestra in an unjustifiably overlooked early work by Georges Bizet, Roma. No one knows where the title came from.

Ain't Too Proud: The Life and Times of The Temptations is playing in Broadway. This show, while a jukebox musical, does more than string a series of hits together. The dancing is electric and the singing is expressive.

Recently, while attending the New York Conference of American Theatre Critics Association we saw six shows. What follows are capsules of those experiences.