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Leon Botstein, the polymath conductor, has taken on a delightful series, Sight & Sound, at the Metropolitan Museum of Art. With The Now Orchestra (TON) he offers a musical program which is related to a current exhibit at the Museum.

Representative works from the Rubell Family collection are on view at the Barnes Foundation in Philadelphia. This is the 10th anniversary presentation of 30 Americans which has travelled the country, but have been seen only once before in the eastern United States. The Barnes presentation is striking. The art even more so.

Despite some elements that don’t hold as well as one would like, this play offers worthy ideas, and the production exceeds expectations.

Boca Raton-based Primal Forces presents a riveting production of Villainous Company. Three actresses thrive in their roles. The characters aren't quite whom they claim to be in Victor L. Cahn's suspensful play.

Lucas Hnath is a master storyteller, weaving threads from seemingly odd places into a seamless whole, which always intrigues. Playwrights Horizons has mounted his The Thin Place, in which shifting forms ask deep questions. Some suggested answers are novel.

The professional, non-profit, regional Slow Burn Theatre Company is staging a rousing production of A Christmas Story: The Musical. The Ft. Lauderdale company's production runs through Dec, 29. A top-notch cast delivers as triple threats.

Jack Quartet is in residence at the Mannes School of Music, the New School. They opened their program with Clara Iannotta’s “Dead Wasps in the Jam-Jar." The title is rich with suggestion. Wasps are not bees, but the buzzing was reminiscent of Nikolai Rimsky-Korsakov’s orchestral interlude from "The Tale of Tsar Sultan."

I’m looking forward to seeing the next iteration of The Plot as Eno continues to develop and refine this work.

Kate Hamill, playwright of Long Wharf’s current production Pride and Prejudice has created somewhat of a cottage industry adapting famous 19th century novels by Austen and Thackeray though now she has moved onto 19th century American novels. Her approach will either delight or infuriate you.

The Crypt Session as imagined and realized by Death of Classical point the way to music’s lifefulness going forward. New, young audiences wait for months to get a ticket to one of these events. Tickets sell out moments after events like this Salon Séance are announced. Andrew Ousley, whose creation Crypt Sessions and The Catacombs assures us that more events in new locations are coming. A cave is promised in the future.

Can there be too much of a good thing? Barrington Stage Company is known for staging classical musicals. But now Ain't Misbehavin has been added to South Pacific. This seems more about the bottomline than balanced programming. The Assembled Parties by Richard Greenberg is the third high season production on the Boyd-Quinson Mainstage. Anna in the Tropics, the Pulitzer Prize-winning play by Nilo Cruz, will highlight the St. Germain Stage.

Lucy Shelton, the legendary soprano, did not let us forget. If we don't live in the action and passions of our musical times, we risk not having lived at all. Igor Stravinsky vocalise, with no words and only sung notes, introduced the evening.

Everything is Super Great is a touching and relatable comic-drama. Stephen Brown's new play is receiving a co-world premiere production at Florida Atlantic University's professional company, Theatre Lab. The production runs through Sunday and features strong acting. The play might remind some of Terrence McNally, with its focus on themes such as the power of art and the importance of human connection.

Internationally acclaimed Director/Choreographer Matthew Bourne returned to Los Angeles on December 5th with a reinvigorated and a brilliantly reimagined production of his most celebrated work that originally burst onto London’s Saddler Well’s stage in 1995; taking the world of ballet by storm.

Separately at Jewish Settlement houses Jack Levine and Hyman Bloom studied drawing with Harold Zimmerman. In 1929, when Levine was 14, they were instructed at the Fogg Art Museum by Harvard professor, Denman Ross. By the late 1930s, with Karl Zerbe, they gained national attention as Boston Expressionists. After a lapse of decades, through February, Bloom is featured in "Hyman Bloom Matters of Life and Death." The MFA has never given Levine the time of day. In 1986, while making a film with David and Nancy Sutherland, I interviewed Levine.

Der Freischutz is everything an 1821 opera should be in a present day performance. The brilliant conception by Louisa Proske, credited with the adaptation and direction, surrounds us from the moment with enter the theater. The circle in the square encompasses the audience. Next to the home of Agathe at one point in the circle is a looming rock which is part of the Wolf Canyon. The orchestra is inside the circle under one section of audience. In the largest seating area, a platform extends. The singing actors use all these spaces. They come very close to us at time, ignoring our presence, but allowing us to see into their souls. Immersion hardly describes what the production offers.

Entering the drill hall at the Armory, we are greeted first by sounds of birds flitting through the tall, pine trees in a forest stage left and right. Branches are laden with snow. The platform of a train station fills the front of the station. The scent of the plywood from which the big blocks of the moving stage are built, also wafts through the hall. The station master’s home is above the tracks. His wife often sits in the window, observing the action below. Express trains roar by, their lights glancing off the ceilings and the other block structures on a shiny floor, whose surface reflects. We are taken in.

The Ryan Lee Gallery in New York City announces the passing of May Stevens. The artist was born in Quincy, Massachusetts and educated at Mass College of Art. Her work was shown and collected by the Museum of Fine Arts, Boston.

On Site Opera revived what one hopes will become an annual production of Gian Carlo Menotti's Amahl and the Night Visitors. In choosing settings for familiar and unfamiliar operas, On Site adds an intriguing dimension to the form. With Amahl, the location in the Holy Apostles Soup Kitchen returns the opera to its original meaning.

What makes Newsies really jump is the dancing with the accompanying choruses like “Carrying the banner” about the independent but challenging life of selling papers on the streets, and “Seize the day” about striking to get their due.

An active patron of New York music associations, Joe Rosen is a first-rate amateur clarinetist who opens his home to salons. Here young musicians accompany him in chamber music pieces. Recently he changed his method of operation. Instead of transposing one string instrument's part for clarinet, he is performing quintets specifically written for the instrument. The clarinet's mellow, earthy timbre is revealed.

Particularly during holiday season, we as social beings, crave the company of friends and familty. Between now and New Year there are many gatherings. It is a time of celebration and excess. This season of ritual tends to play out or wind down into winter hibertaion. My neighbor and friend the North Adams monk, Michael McGrath, discusses the alternative approach of embracing solitude.

The Crypt Session as imagined and realized by Death of Classical point the way to music’s lifefulness going forward. New, young audiences wait for months to get a ticket to one of these events. Tickets sell out moments after events like this Salon Séance are announced. Andrew Ousley, whose creation Crypt Sessions and The Catacombs assures us that more events in new locations are coming. A cave is promised in the future.

The Museum of Fine Arts last featured Boston Expressionist Hyman Bloom in a 1959 group show. The current exhibition Hyman Bloom Matters of Life and Death, curated by Erica E. Hirshler, attempts to make up for that lapse. The focus on cadaver paintings and drawings is bold and spectacular. The work is ghastly with haunting beauty. On a national level it is among the year's best museum exhibitions.

The Wick Theatre in Boca Raton is mesmerizing folks with its production of The Music Man. This mounting features vivacious dancing, credible, energetic performances and solid design. The show runs through Dec. 28 and features the largest cast in The Wick's history. Broadway actor John Tartaglia stars as "Professor" Harold Hill.