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Fine Arts

  • Ann Hamilton's Corpus at Mass Moca

    2003 Installation in Building Five

    By: Charles Giuliano - Jul 30th, 2014

    In 2003-2004 Ann Hamilton installed a paper based work Corpus in the vast building five of Mass MoCA. It was a relatvely early project in the space. This article is reposted from Maverick Arts Magazine.

  • Native American Repatriation

    National Museum of the American Indian

    By: Kevin Gover - Jul 29th, 2014

    When the NMAI was established in 1989 with the passage of the National Museum of the American Indian Act (NMAI Act), it included the first U.S. repatriation legislation that provided for the return of Native American human remains and certain cultural items in the collections. Since the museum's inception, one of the highest priorities has been the return of Native American human remains and their associated funerary items back to their communities of origin.

  • Marjorie Minkin’s Lexan Painted Reliefs

    Collaborations with Her Son Mike Gordon of Phish

    By: Charles Giuliano - Jul 28th, 2014

    During the final days of her exhibition at the Eclipse Mill Gallery in North Adams, Mass. we spoke with Marjorie Minkin about her painted Lexan reliefs. We discussed the current exhibition and background of her relationship with renowned critic, Clement Greenberg, and curator/ critic, Kenworth Moffett. As well as a 2005/06 project in collaboration with her son Mike Gordon of the rock band Phish and engineer Jamie Robertson.

  • Pipaluk Lake's Planned Accidents

    Multi Media Works at Maria Lund Galerie in Paris

    By: Maria Lund - Jul 28th, 2014

    Pipaluk Lake takes a long time to conceive her glass and metal “bundles”; she cuts, hammers, attaches, knits, sews… Putting into practice a know-how acquired during a quadruple training in fields as diverse as textile, glass, metal and wood. Once her complex preparation work finished, she abandons her “bundle” to the alchemy of heat and gravity inside the kiln.

  • Love Made Visible by Jean Gibran

    A Complex Book on Her Husband Kahlil Gibran

    By: Charles Giuliano - Jul 27th, 2014

    Decades ago the sculptor Kahlin Gibran and his wife Jean purchased a shell in Boston's ethnically mixed South End. A meticulous craftsman the home evolved as a museum of his work and collection. Together they wrote a definitive 1974 biography "Kahlil Gibran, His Life and World." Now Jean has published "Love Made Visible: Scenes from a Mostly Happy Marriage" about a complex relationship with her late husband.

  • Re-Introducing The Rhino Horn Group

    Evolved from Figurative Expressionism

    By: Adam Zucker - Jul 24th, 2014

    When Pop Art dominated the art world and mass-media a group of New York expressionists said no thanks. The primal, raucous, and confrontational approach to painting exhibited by the group’s members kept the emotional impact of Figurative Expressionism alive. However, aesthetic tradition was less important than the moral obligation of depicting the reality that the artists perceived. This put the Rhino Horn artists at odds with many of the mainstream artists that had turned away from expressionism and humanist art.

  • Jim Hodges at the ICA

    Summer in the City

    By: Charles Giuliano - Jul 23rd, 2014

    The artist Jim Hodges came to New York in the 1980s at a time when AIDS was decimating the arts community. Like others of his generation his work responded to a sense of devastation and loss. A retrospecitve of his eclectic conceptual work is on view at Boston's ICA until September 1.

  • Jamie Wyeth at the MFA

    Good Genes

    By: Charles Giuliano - Jul 22nd, 2014

    Outgoing populist and vulgarian, MFA director Malcolm Rogers, has orchestrated yet another celebrity based, crowd pleasing exhibition. The traveling restrospective of paintings by Jamie, a third generation manifestation of the famous Wyeth dynasty, is actually kind of fun. Where the work fits in the canon of the art of our time, however, is another matter.

  • Group ZERO Co Founder Otto Piene at 85

    Guggenheim ZERO Exhibition to Open in October

    By: Charles Giuliano - Jul 19th, 2014

    From 1974 to 1994 the German/ American artist Otto Piene was the director of the Center for Advanced Visual Studies at MIT. With a farm in Groton he continued to commute to his studio in Dusseldorf. He died this week, at 85, while working on a major museum exhibition and sky art event in Berlin. While celebrated internationally, there will be an exhibition of Group ZERO this seaon at the Guggenheim, he was snubbed by the Boston art world and media.

  • Preserving Mother Cabrini

    The Religious Art of Mummification

    By: Stephen Boyer - Jul 14th, 2014

    Once inside the Mother Cabrini sanctuary I found myself transfixed by her mummified corpse. I wondered: How does anyone worship God in this space? What is it like to take communion with a mummified corpse in the same room? Then I noticed the late afternoon light pouring through the stain glass representation of her on the back wall of the sanctuary. The light poured across the room with the full spectrum of color, it flooded the pews, and led my eye back to her remains.

  • Raw Color: The Circles of David Smith

    Special Exhibition for The Clark Art Institute

    By: Charles Giuliano - Jul 03rd, 2014

    As a part of its expansion and renovation, taking advantage of appropriately scaled new special exhibition space, the Sterling and Francine Clark Art Insitute is progressing beyond its tradition roots by showcasing modern and contemporary art. Currently there is Raw Color: The Circles of David Smith. In August the museum will feature Make It New master works of American modernism from the National Gallery.

  • Remembering the Artist Robert De Niro, Sr.

    The Actor Celebrates His Father

    By: Adam Zucker - Jun 26th, 2014

    "Remembering the Artist Robert De Niro Sr." is a short documentary tribute in which the actor pays homage to his father. It examines the art and life of a Figurative Expressionist painter from the New York School.

  • Adrian Ghenie’s Golems at Pace London

    Figurative Works by a Romanian Artist

    By: Paul Black - Jun 21st, 2014

    Adrian Ghenie highlights an era that questioned man’s significance, the existence of God, and the question of Creationism —through a use of paint that suggests the anamorphic nature of identity through the evolution of scientific understanding, and contradiction of the Baconian flesh that presents it.

  • Franz West at Mass MoCA and WCMA

    From Actionism to the Absurd

    By: Charles Giuliano - Jun 21st, 2014

    The Austrian artist Franz West (16 February 1947- 25 July 2012). is being featured this summer in the Northern Berkshires. There is a display of several large scale, puffy, pink phallic sculptures at Mass MoCA and a tandem exhibition of works on paper and smaller scale sculptures at Williams College Museum of Art. The artist was widely included in global biennials and museum exhibitions including a retrospective at the Baltimore Museum of Art. We consider West in the milieu of post war artists in Vienna including its outrageous Actionists.

  • Emotional Impact: American Figurative Expressionism

    April Kingsley's Catalogue for Michigan State University

    By: Charles Giuliano - Jun 19th, 2014

    While curator of Kresge Art Museum at Michigan State University from 1999 to 2011 April Kingsley had the resources and inspiration to collect works by the undervalued and poorly understood artists of the Figurative Expressionist movement. It was widely felt among artists that there would be a return to the figure informed by but diverging from abstract expressionism. Aspects of this experimentation occurred with little or no direct communication in New York, Provincetown, Boston, and the Bay Area of San Francisco. This book fails to present a cohesive overview of those complex developments.

  • The New Realism: Ananian, Deyab, Lee and Mugar

    Why We Fight

    By: Martin Mugar - Jun 18th, 2014

    The Neo-Expressionism of the 80’s seemed to be the last gasp of that self-centered version that came out of Germany in the 20’s and 30’s.I wanted a language that would embody the state of things of things as they are. Things as they are swimming in a sea of forces bigger than themselves

  • Alice Walton’s Crystal Bridges

    Bringing Iconic American Art to Arkansas

    By: Charles Giuliano - Jun 11th, 2014

    During our visit to Crystal Springs Museum of American Art in Bentonville, Arkansas we met with museum spokesperson Diane Carol. Fending off questions of media controversy regarding aggressive acquisitions she emphasized that the museum is free and serves a region that lacks resources of its quality. As she pointed out since opening in 11/11/11 some 1.3 million visitors have viewed "Kindred Spirits" by Asher B. Durand which formerly hung in the New York Public Library.

  • Crystal Bridges in Bentonville Arkansas

    All the Museum that Walmart Money Can Buy

    By: Charles Giuliano - Jun 10th, 2014

    After extensive renovation and expansion the Clark Art Institute reopens this summer. Much is being made of how its Tadeo Ando designed low lying horizontal line and large reflecting pool embrace nature and the background rolling mountain range. The paradigm for architecture set into natural surroundings, however, is the Moshe Safdie design for Crystal Bridges in Bentonville, Arkansas. It is nestled into a ravine with a series of pontoon "bridges." The museum which opened on 11/11/11 has some 500,000 annual visitors for its controversial collection of American art.

  • Betty Vera Hiding in Plain Sight

    Jacquard Weavings at Eclipse Mill Gallery

    By: Charles Giuliano - Jun 09th, 2014

    Cotton was the material that drove the economy of numerous mills in the Northern Berkshires. That left a terrible legacy of involvement with slavery and child labor during the era of King Cotton. As a part of a healing process the fabric artist Betty Vere is bringing cotton back to the gallery of the Eclipse Mill in North Adams. In the exhibition Hiding in Plain Sight she is displaying a series of Jacquard weaving.

  • Searching Yet Again for Aviator Amelia Earhart

    America’s Most Famous Missing Person

    By: Edward Rubin - Jun 04th, 2014

    This review was written for the Amelia Earhart Image and Icon exhibition at International Center for Photography from May 11 – September 9, 2007. Published here for the first time Rubin considers it as one of his best articles.

  • Alibis: Sigmar Polke 1963-2010

    German Master Surveyed at MoMA

    By: Charles Giuliano - Jun 03rd, 2014

    Sigmar Polke (1941-2010) was one of the most important Post War German artists. He is the subject of a dense, sprawling and and messy retrospective at the Museum of Modern Art through August 3. It would be a folly and conceit to attempt to review such diverse and eclectic, mind boggling work. For that we refer you to mainstream critics all of whom fail, to varying degrees, to nail down the work of one of the most fascinating and daunting artists of our time.

  • Italian Futurism, 1909-1944: Reconstructing the Universe

    Art Under Fascism Explored at Guggenheim Museum

    By: Charles Giuliano - Jun 02nd, 2014

    The Italian artists circa World War I advocated destroying the past while embracing the future. Hence Futurism the subject of an enormous and fascinating survey Italian Futurism, 1909-1944: Reconstructing the Universe on view at the Guggenheim Museum through September 1. In their enthusiasm and nationalism they embraced the Fascism of Mussolini.

  • From Primitivism to Propaganda: Russia’s Modern Masters

    Works from Marina and Nikolay Shchukin Collection at National Arts Club

    By: Charles Giuliano - May 31st, 2014

    From the late 1890s through the Russian Revolution of 1917 the Moscow based business man Sergei Ivanovich Schukin (1854-1936) assembled one of the great collections of early modern art. When the Soviets confiscated the collection he emigrated to Paris. The National Arts Club in New York is currently showing 35 Russian avant-garde works from the collection of family member Marina and Nikolay Shchukin. Through June 14 the exhibition is sponsored by Russian American Foundation as a part of the Annual Russian Heritage Month.

  • Slaves and Slaveholders of Wessyngton Plantation

    Tennessee State Museum Through August 31

    By: Charles Giuliano - May 12th, 2014

    In the past two years the films "Twelve Years a Slave" and "Django Revisited" through graphic dramas have made Americans more vividly aware of the horrific legacy of slavery. Through the well researched and documented exhibition "Slaves and Slaveholders of Wessyngton Plantation" the Tennessee State Museum in Nashville tracks the history of one of the nation's largest tobacco producers through generations from ante bellum to the present. It is based on the book of a Wessyngton slave descendant John F. Baker, Jr.

  • The Frist Center for the Visual Arts

    Nashville's Art Deco Kunsthalle

    By: Charles Giuliano - May 08th, 2014

    Nashville is rightly known as The Music City. Since 2001, with the opening of the Frist Center for the Visual Arts in a former art deco post office the city is also a regional destination for world class art exhibitions. Meeting with museum staff we discussed how a non collecting institution, a kunsthalle, manages to leverage major loans and traveling exhibitions. Primarily this is done by original scholarly work and publications as well as building relationships with partnering museums.

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