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Fine Arts

  • Spectacular Gift to Clark Art Institute

    311 Works of Art and Endoment for New Wing and Curator

    By: Clark - Oct 28th, 2024

    The 331 works of art in the gift include 132 paintings, 130 sculptures, thirty-nine drawings, and thirty decorative arts objects, creating an important addition to the Clark’s holdings. The entirety of the Tavitian gift will be on view when the new Aso O. Tavitian Wing opens. Following an introductory presentation at the time of the new wing’s opening, the works on paper included in the gift will be made available for study purposes and be presented in periodic displays. The majority of paintings, sculpture, and decorative arts objects will be shown on a continual basis, both in the new Tavitian Wing and in the Clark’s permanent collection galleries.

  • Richard Criddle and Joanna Klain

    Yin and Yang at Eclipse Gallery

    By: Charles Giuliano - Oct 06th, 2024

    Upon initial exposure the work of Richard Criddle and Joanna Klain could not be more different,. With further contemplation, however, there are many commonalities. They share an experimental and adventurous approach to materials, in her case collaged paintings, and in his assembled sculptures from found objects. Both artists evoke narrative in their work. Her's are inspired by dreams and night mares while his entail the darkest of humor.

  • Berthe Weill: Art Dealer of the Parisian Avant-Garde

    NYU's Grey Art Museum

    By: Jessica Robinson - Oct 06th, 2024

    In her candid memoir, Pow! Right in the Eye!—recently translated into English—Weill described herself as having a "difficult personality." She wasn’t wrong. Her sharp tongue and uncompromising attitude were well known. Picasso biographer John Richardson even described her as a "peppery, homely Jewish spinster with spectacles thick as goldfish bowls." Yet it was her fiery personality and unrivaled intuition for spotting talent that made her a key figure.

  • Benny Andrews: Trouble

    Ruth Arts Foundation in Wilwaukee

    By: Ruth - Oct 04th, 2024

    Created in close dialogue with the Andrews-Humphrey Family Foundation, Trouble combines Benny Andrews’ (1930–2006) extensive archive with a selection of his paintings and works on paper to reflect the fullness of the artist’s practice, life, and advocacy, and the ways they are intertwined.

  • Power of the People: Art and Democracy

    Agit Prop at the MFA

    By: MFA - Oct 02nd, 2024

    Organized against the backdrop of the 2024 U.S. presidential election, Power of the People: Art and Democracy at the Museum of Fine Arts, Boston (MFA), presents diverse perspectives on democracy through 175 works of art that include ceramics, coins, inscriptions, paintings, sculpture, prints, photographs, posters, and fashion

  • Provincetown Artist and Jeweler Earle Pilgrim

    Exhibition and Discussion with Peter Stebbins

    By: Charles Giuliano - Sep 24th, 2024

    Earle Montrose Pilgrim (1923-1976) was an artist, jewelry maker, and experimental filmmaker. His role in the advanced art of Provincetown remains unheralded. With his wife Lily they resided in the back of their jewelry shop at 393 Commercial street. They invited artists like Lester Johnson and Alan Kaprow to show their work. After 1954 their shop housed Sun Gallery.

  • The Stars We Do Not See: Australian Indigenous Art

    Coming to Salem's Peabody Essex Museum

    By: PEM - Sep 19th, 2024

    The Stars We Do Not See: Australian Indigenous Art, will premiere on October 18, 2025 at the National Gallery of Art, Washington, and subsequently tour North America from 2025–2027. The exhibition will be on view at Peabody Essex Museum from February through June 2027.

  • Joanna Klain and Richard Criddle at Eclipse Gallery

    Multi-Media Works

    By: Eclipse - Sep 18th, 2024

    Both artists have their own extensive exhibition histories. Both have in recent years have become more playful and experimental in their independent approaches. Synchronicity exists between their recent work. Each separately builds and composes imaginary imagery that reflect interior preoccupations with the mysterious and the mischievous. Reception Saturday the 19th of October at 3pm.

  • Provincetown Artist Tony Vevers

    Showed with Sun Gallery and Long Point Gallery

    By: Charles Giuliano - Sep 17th, 2024

    The British born Tony Vevers served as a Staff Sargent for two years during WWII. After which he studied fine arts at Yale on the GI Bill. He and his wife, artist Elspeth Halvorsen, settled in Provincetown. He did carpentry to pay the bills. He showed at the legendary Sun Gallery and was later a founding member of the prestigious Long Point Gallery. Their daughter Tabitha is an artist married to artist/ photographer, Daniel Ranalli.

  • Zombie Formalism

    In the Trenches of Art War

    By: Martin Mugar - Sep 13th, 2024

    Zombie Modernism is Modernism without the authoritative stance of self-consciousness. There is no one home.

  • ICA Showcases East Boston Artists

    Harboring Creativity

    By: eastboston.com - Sep 13th, 2024

    Get ready to immerse yourself in the rich tapestry of East Boston’s artistic community at “Harboring Creativity,” an exhilarating two-day art event happening for its second year at the iconic ICA Watershed on November 16 and 17, 2024, from 11 AM to 4 PM with a reception on Saturday from 4pm – 6pm with food donated by local restaurants.

  • Gabrielle Barzaghi and Susan Erony Seminal Gloucester Artists

    On View at Matthew Swift Gallery

    By: Swift - Sep 11th, 2024

    Both Gabrielle Barzaghi and Susan Erony are among the contemporary women artists whose work is on view at the Cape Ann Museum through September 29. They are having solo shows at Gloucester's Matthew Swift Gallery.

  • Carlos Caicedo at Eclipse Gallery in North Adams

    Pencils Make a Point

    By: Charles Giuliano - Sep 07th, 2024

    Colombian born, Carlos Caicedo, is an award winning graphic designer, artist/ photographer, and fashion creator. His remarkable range of skills is on vivid display in a dense installation at the Eclipse Gallery in North Adams.  

  • Jeffrey Gibson at MASS MoCA

    Installation in Building 5 Opens Nov. 3

    By: MoCA - Sep 04th, 2024

    Jeffrey Gibson’s POWER FULL BECAUSE WE’RE DIFFERENT is a newly commissioned immersive installation that will occupy MASS MoCA’s signature Building 5 gallery and follows Gibson’s highly celebrated United States representation at the 60th edition of La Biennale di Venezia. The exhibition opens on November 3.

  • Women Artists on Cape Ann: 1870-1970

    Cape Ann Museum

    By: Charles Giuliano - Aug 30th, 2024

    For its final exhibition before shutting down for renovation, the Cape Ann Museum took on but squandered presenting an important subject. Women Artists on Cape Ann: 1870-1970 was curated but under served by curator Martha Oaks. There is no catalogue, critical essay, or check list. Other than wall labels we learn little or nothing about obscure women artists. The museum opted to put minimal resources into what potentially was an important chapter of art history.

  • Dr. Nathaniel Halper Provincetown Arts Leader

    Joyce Scholar and Gallerist

    By: Charles Giuliano - Aug 29th, 2024

    Dr. Nathaniel Halper was the first Provincetown arts activist that I interviewed starting in 1982. He died just a year later leaving a distinguished legacy. For a time he was director of HCE then the most prominent of many galleries. In later years he formed a partnership with Mervin Jules to buy and resell from the estate of Karl Knaths. He offered many insights to the prominent arts community.

  • Darrel Ellis and Miguel Ferrando at Candice Madey Gallery

    Divergent Styles, Intertwined Lives: An Artistic Journey

    By: Jessica Robinson - Aug 26th, 2024

    Darrel Ellis & Miguel Ferrando, delves into the intertwined lives and artistic journeys of two figures who were more than just friends—they were creative soulmates. Though their careers spanned only a handful of years (Ellis died of AIDS in 1992 at 34, and Ferrando in 1996, at 38 ), their work, showcased side-by-side, offers a rare glimpse into a  unique artistic creative partnership from the 1980s.

  • Vessels of Slavery: Forget Me Not

    Cape Ann Museum Green

    By: CAM - Aug 08th, 2024

    The artists were brought together by the work of Doris Prouty, an African American quilter who made Gloucester her home for nearly 50 years, when her work was exhibited posthumously at the Cape Ann Museum in 2022.  

  • Cape Ann Museum Makeover

    Over $18 million in Campaign Commitments

    By: CAM - Aug 05th, 2024

    Building on the generous support of the Museum’s Board, donors, and supporters amid growing momentum for general Museum operations, Director Oliver Barker and Henrietta Gates, Board Chair, announced that the institution has generated over $18 million in campaign commitments. This significant support will fund renovations to its Downtown facility, provide upgrades to the CAM Green campus, enhance programming, and augment the Museum’s endowment.

  • Norton Gallery in Palm Beach

    One of America's Top Regional Museums

    By: Charles GiulianoC - Jul 30th, 2024

    The Norton Gallery has been enlarged with a design by Lord Norman Foster. The collection has grown to 8,200 works with five curatorial departments. It took us two days to tour the collection and special exhibitions. The must see Norton is an elite regional museum. It's come a long way from when I visited annually during the 1980s.

  • Video Master Bill Viola at 73

    Early Work in Boston

    By: Charles Giuliano - Jul 14th, 2024

    Bill Viola is remembered by Bostonians for his early installation "Room for Saint John of the Cross" at the Institute of Contemporary Art. He also created a video triptych for the Fulller Museum of Art. A champion was David Ross who hired him as an assistant at the Everson Museum in 1971. Ross later showed him at the ICA and Whitney Museum.

  • Jaune Quick To See Smith on Katherine Porter

    An Appreciation from a Renowned Artist to Another

    By: Jaune Quick To See Smith - Jul 11th, 2024

    Jaune Quick to See Smith responded to my posthumous interview with Katherine Porter. It was too long and detailed to post as a comment. It's a remarkable tribute from a renowned woman artist to another. Recently Jaune was given a retrospective by the Whitney Museum. I have had a long involvement with both of these artists.

  • Artist Katherine Porter Broke Out in Boston

    A Posthumous Interview

    By: Charles Giuliano - Jul 11th, 2024

    In the late 1960s a new generation of artists revitalized the Boston art world. They created Studio Coalition the nation's first open studios event. Katherine Porter emerged with immediate recognition and success. She was shown twice in Whitney Biennials and exhibited in major galleries. Social concerns informed her work. She moved a number of times seeking a like minded community. We reconnected when for several years she lived in Vermont. In her final recent move she settled in Santa Fe.

  • Centennial of Surrealism

    An Enduring Presence

    By: Charles Giuliano - Jul 02nd, 2024

    The vibrant anti art movement Dada fizzled in Paris in 1922. A number of its exponents, artists and writers, regrouped with the launch of Surrealism just two years later. It broke out in Paris with competing manifestos published by Andre Breton and Yvan Goll. They each led rival factions but the more aggressive Breton prevailed. It proved to be the ,most popular and sustained movement of modernism. There are numerous current exhibitions celebrating its legacy.

  • Guillaume Guillon-Lethière at Clark Art Instiute

    Long Forgotten Academic Artist in Project with the Louvre

    By: Charles Giuliano - Jul 02nd, 2024

    Though long forgotten, gigantic works by the academic painter Guillaume Guillon-Lethière have been hiding in plain sight at the Louvre. Installed in the 1830s they flank the walls of the museum's gift shop. That will be removed when the first ever major retrospective of the artist moves from Williamstown to Paris. He was born to a plantation owner and slave woman in Guadeloupe. In his day he was respected but less so with time until now. The Clark exhibition makes a less than compelling case for his reevaluation. With more large signature works the Louvre show may better state his case.

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