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  • Barbara Hannigan at the New York Philharmonic

    Thrilling

    By: Susan Hall - Apr 27th, 2026

    Barbara Hannigan made her conducting debut at the Wu Tsai Hall in David Geffen Hall. The performance was breathtaking. Singing Fracis  Poulenc’s La voix Humaine, Hannigan makes music visible in her movements. The orchestra understood her every gesture and engaged. 

  • A Midsummer Night's Dream

    Pocket Opera's Wonderful Chamber Opera Adaptation

    By: Victor Cordell - Apr 18th, 2026

    Benjamin Britten hits the right notes with a delightful condensation of Shakespeare's complex but lovable comedy, full of clever plot devices and fun characters. Pocket Opera excels in casting over 20 parts with fine matches, and the score is a great fit for the world premiere concert orchestra version.

  • Jazz Appreciation Month

    Music in the Berkshires

    By: Jazz - Apr 18th, 2026

    Founder Ed Bride has retired. This is the first program organized by the new president Chuck Walker.

  • Nelsons Exodus from the BSO

    Is a New Directorial Model Being Created

    By: Susan Hall - Apr 14th, 2026

    Andris Nelsons will leave the Boston Symphonhy in 2027.  Everything about his departure is guesswork until Chad Smith, President and CEO, and the Boston Symphony Orchestra board speak publicly.

  • Barbara Hannigan Returns to the NY Phil

    Hannigan sings Poulen's Human Voice

    By: Susan Hall - Apr 13th, 2026

    Barbara Hannigan arrives at the New York Philharmonic on April 23.  Her memorable debut was  in Grigor Ligetti’s opera Le Grand Macabre under conductor Alan Gilbert  fifteen years ago. It sold out. The production was the Philharmonic's first opera, directed by Doug Fitch with a multimedia set and backdrop. Hannigan will sing and conduct Poulenc's Human Voice.

  • Berkshire Opera Festival Presents Flower and Hawk

    At Historic Ventfort Hall in Lenox

    By: BOF - Apr 08th, 2026

    This intimate, 50-minute performance (no intermission), sung in English, brings to life one of the most powerful women of the Middle Ages—queen of two nations, mother of kings, and a commanding political force. Set during her imprisonment in Salisbury Tower, Flower and Hawk unfolds as Eleanor reflects on the triumphs and betrayals that shaped her extraordinary life.

  • Saariaho's Innocence Beautiful at the Met Opera

    The Composer's final opera is a Masterpeice

    By: Susan Hall - Apr 07th, 2026

    Innocence, Kaija Saariaho’s searing meditation on collective guilt, received its New York premiere at the Metropolitan Opera. Many of the artists from its world premiere at the Aix-en-Provence Festival five years ago are present here: Susanna Mälkki conducts, bringing  her close collaboration with Saariaho to bear, alongside the brilliant director Simon Stone. Stone makes a work live in the moment, a powerful invitational tool for audiences.

  • BSO Announces BSO 2026-27 Season

    Andris Nelsons at the Podium

    By: BSO - Apr 07th, 2026

    The Boston Symphony Orchestra and Music Director Andris Nelsons announce their 2026–27 subscription season — the orchestra’s 146th — running from September 18, 2026, through May 9, 2027. Subscriptions (fixed and flexible “choose your own” packages) are available now, and single tickets may be purchased starting July 31.

  • The Brady Bunch: The War of the Families Partridge and Brady

    This is What Happens After Cancellation

    By: Victor Cordell - Apr 02nd, 2026

    In a crazy, mixed-up world, Keith Partridge and Marcia Brady fall star-crossed in love, and a plague of carnage befalls their television houses. Despite the accumulation of body sacks, the farce remains a laugher with a mix of surprisingly listenable music.

  • Saariaho's Innocence Arrives at the Metropolitan Opera

    Will the 21st century Masterpiece Succeed in New York

    By: Susan Hall - Apr 02nd, 2026

    Innocence, a twenty-first century masterpiece, has its Metropolitan Opera debut on April 6.  Many of the artists attached to the world premiere in Aix five years ago come with this production,   first and foremost, the composer Kaija Saariaho.  

  • Anything Goes at Alterena Playhouse

    Cole Porter's Beloved Chestnut

    By: Victor Cordell - Mar 29th, 2026

    Billy Crocker impulsively stows away on a cruise ship crossing to London. Avoiding his boss, who is onboard, and the captain prove a challenge. Pratfalls ensue, but so do amorous couples.

  • Jazz at Carnegie Hall with Gerald Clayton

    Langree Conducts the Orchestra of St. Luke's

    By: Susan Hall - Mar 28th, 2026

    St. Luke’s Orchestra under the baton of Louis Langree  gave a splendid performance of classic American music on March 26.  Starting with Charles Ives’ Unanswered Question (on the solo trumpet that begins  the work   and is answered indefinitely by flutes)  Duke Ellington’s iconic works which had their premieres at Carnegie Hall over a half century ago followed. They still feel fresh.  

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    World Premiere about High School Girls and Music

    By: Victor Cordell - Mar 20th, 2026

    Four high schoolers meet in a summer music program for girls in Berkeley, California. Despite differences in performance preference, classical vs. improv, as well as life styles, the four find an ability to mesh their skills and form friendships.

  • Mannes Opera Presents a Korngold Premiere

    A Silent Serenade Given its Delicious US Debut

    By: Susan Hall - Mar 14th, 2026

    Mannes Opera mounted the United States premiere of Erich Korngold’s The Silent Serenade at the Gerald Lynch Theater in New York. Korngold set the standard for film scoring during his decade in Hollywood, and the insights he gained while scoring Robin Hood are evident in this charming blend of Johann Strauss and Jack Warner.

  • Tristan and Isolde at the Met Opera

    A Musical and Visual Treat

    By: Susan Hall - Mar 10th, 2026

    The Metropolitan Opera is proposing a future with its new production of Tristan und Isolde. Directed by the now middle-aged enfant terrible Yuval Sharon, it is in part a test of his suitability for the Der Ring des Nibelungen, which will follow in 2027. Do we imbibe Richard Wagner’s musical potion in Sharon’s new take on the mythic love story?

  • The Mount and NY's Grace Church Collaborate

    Wharton's Roman Fever a New Opera

    By: Mount - Mar 10th, 2026

    The Mount and Grace Church Celebrate Edith Wharton with a One-Night-Only Event on April 9th in NYC – Adapting Wharton: The Operatic Reimagining of Roman Fever

  • Tanglewood Adds Popular Artists

    Snap Crackle and Pop

    By: BSO - Mar 09th, 2026

    The Tanglewood Popular Artist Series adds three blockbuster shows to this summer’s lineup: Hugh Jackman with Keith Lockhart and the Boston Pops (August 11, 7 p.m.), Brandi Carlile (August 18, 7 p.m.), and John Fogerty and Steve Winwood (September 6, 7 p.m.).

  • A New Sound for Sarasota Opera

    Under New General Director Richard Russell

    By: Jay Handelman - Mar 02nd, 2026

    Audiences should not expect drastic changes, but subtle shifts, like introducing Gilbert and Sullivan for the first time. “I have many guilty pleasures in my life. One of them is ice cream and one of them is Gilbert and Sullivan,” Russell said in the announcement.

  • Salome

    West Bay Offers Solid Production of Strass's Classic

    By: Victor Cordell - Feb 16th, 2026

    In a psychopathic rage, Herod's adopted daughter, Salome, calls for the beheading of John the Baptist. Tense music underscores the tense drama.

  • Weinberg's Passenger at Opera Frankfurt

    We Must Not Forget

    By: Susan Hall - Feb 10th, 2026

    Opera Frankfurt gives a commanding and deeply engaging performance of The Passenger by Mieczysaw Weinberg, with a libretto by Alexander Medvedev. Dmitri Shostakovich, a close friend of the composer, read Zofia Posmysz’s novel and immediately saw its potential as an opera. Weinberg agreed and went on to write what he considered the best of his seven operas. The Soviet government suppressed it

  • Love is Destiny at Frankfurt Opera

    R.R.Schlater Directs Agostino Steffani

    By: Susan Hall - Feb 08th, 2026

    Opera Frankfurt is mounting Amor Vien dal Destino (Love Is Destiny) by the late 17th-century composer Agostino Steffani. An Italian who masterfully blended bel canto lyricism with the German counterpoint tradition, Steffani was a major influence on Handel, who frequently glommed onto his work, sometimes quoting it directly.

  • Keith Lockhart and Boston Pops

    Spring Schedule

    By: BSO - Feb 05th, 2026

    This season of Pops presents a lineup of today’s most compelling stars from a range of musical traditions, including Jon Batiste, Ray Chen, Jacob Collier, Ben Folds, Pink Martini, Leslie Odom, Jr., and St. Vincent join the Pops for solo performances. Terence Blanchard and Ravi Coltrane perform a special Miles Davis and John Coltrane Centennial tribute, accompanied by a jazz ensemble.

  • Paul Simon ar Tanglewood

    His Berkshires Debut

    By: BSO - Feb 03rd, 2026

    Paul Simon, one of the most celebrated and beloved singer-songwriters of all time, is set to make his Tanglewood debut this summer as part of the festival’s Popular Artist Series. The 16-time GRAMMY® Award winner and two-time Rock & Rock Hall of Fame inductee brings his highly acclaimed “A Quiet Celebration” tour to the Koussevitzky Music Shed on Saturday, June 27, at 7:30 p.m.

  • The Hello Girls

    Ross Valley Players' Homage to Brave Young Women in WW I

    By: Victor Cordell - Feb 02nd, 2026

    Building on true events and characters, the musical tells of the contributions made by a particular class of women in World War I. For vital battlefield communications in France, General Pershing needed personnel with both telephone operator and French language skills. The answer was ultimately over 200 staff members recruited from the U.S. They were all women. They were The Hello Girls.

  • Heartbeat Opera Gives Us Manon

    Opera Lives in New York

    By: Susan Hall - Feb 02nd, 2026

    Heartbeat Opera is offering a striking new Manon, cut and shaped into a taut hundred minutes, restoring much of the original wit and allowing it to sharpen—rather than soften—the opera’s tragic ending. This one-act chamber adaptation features a new English translation by Jacob Ashworth and Rory Pelsue. Directed by Pelsue with meticulous attention to detail and an unerring sense of pace. Conducted by the inimitable Dan Schlosberg, the production is terrific from start to finish

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