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My colleague Phillip S. Kampe spent opening day at Tanglewood. It. was not what he expected. He enjoyed bottled water only. Yet the scenery and the quiet was transforming. You can fill in the real thing with rich program streaming from the Boston Symphony.

Broadway star Nick Cordero dies from complications of COVID-19. Cordero, 41, portrayed tough guy characters in musicals. Cordero's wife, Amanda Kloots, chronicled Cordero's condition on Instagram. Kloots and others used the hashtag #WakeUpNick to hope that Cordero would awaken from a long coma while in intensive care.

“City of Angels”, the Showtime TV movie series, is a powerfully relevant TV series and a sharp reminder not only of why the painful American Civil War of 1861 was fought, only later to introduce new Jim Crow laws in the South. The tensions between LA’s Chicano community and the corrupt white power structure within the city government of 80 years ago centers around the more militant factions of young Mexican-Americans known as ‘Pachucos.

How one man lovingly – and obsessively - constructed his very own movie palace in the basement of his suburban home.

Pinocchio and The Rake’s Progress, video recordings of performances at Aix, are now being offered. They continue on YouTube after the Digital Festival 2020 ends. The importance of Aix as a creator of new work and new productions is clear in these two works.

The American Theatre Critics Association has announced the finalists for the Primus Prize. Critics will announce the winner next month. There were 21 submissions. The three finalists explore the aftermath of violence.

This week we lost a neighbor and friend the artist/ activist Phil Sellers. He grew up in Ohio where he and his wife Gail Kolis Sellers launched a pottery business. They moved to North Adams to be with her family. Together they ran River Hill Pottery in the Eclipse Mill. The Sellers were involved in many arts and politcal activities. That entailed organizing artists to help oust long term mayor John Barrett,III. They became close friends with mayor Dick Alcombright who helped with their many public art projects.

The pandemic has turned many us into food junkies, where online viewing of food shows is at a all time high. Travel show viewing is a close second. My family follows suit and have found two outstanding communicators to follow. This is my story about them.

In October 2019, I was having dinner with my friend Kendall Messick, an artist who creates installations with still photography, film, video and ever-evolving two-and three-dimensional media. Over dinner he told me he was flying to Bogota, Colombia, the next day for a major installation of his work. The show is an achievement of both patience and memory. It was thirty-four years in the making.

Joe Thompson graduated from Williams College in 1981. As founding director of MASS MoCA he has been here ever since. Stepping down in October he will sever ties next summer. Between now and then he will plan the next move. Other than some loose ends his remarkable work here is complete. Magnificently so.

The Tony Awards will take place online this year. Earlier this year, presenters postponed the event due to the pandemic. The annual ceremony recognizes excellence in live Broadway theater.

Elsa Dorfman was the limner of the Beat Generation. She made deadpan, large-format Polaroid potraits of her celebrity pals as well as ordinary folks. She passed away a few months ago but is superbly recalled in a Netflix documentary by Errol Morris. It's so like Elsa who is regarded as a major artist but described herself repeatedly as a "nice Jewish girl."

Alex Ross whose Wagnerism is to be published on September 15th, first heard Wagner on a LP record borrowed from his local library. Listening to Lohengrin, he was neither transformed nor transfixed. The Meister is not a free pass to paradise. Yet many listeners have been instantly seduced by a steady procession of creeping chromaticisms.

Historians a century from now may decide that this part of the 21st century was a political horror show. So it only makes sense that the real world of racial injustice and our racist history is bleeding over into pop culture. We can now partake of film, video, books and music where these historical themes are blended with horror and heroic stories.

The MFA will open over the next month or so in phases. First, and with great pleasure, we reopen the Art of the Americas Wing, reinvigorated with some new additions and enhanced interpretation. “Women Take the Floor,” on the Wing’s third level, has new works to see, presenting a refreshed narrative worth another look, and “Black Histories, Black Futures,” the groundbreaking display curated by Boston teens, remains on view in the Level 1 Rotunda, Sharf Visitor Center, and Hemicycle.

Alex Ross’s depiction of Wagner in America, in his new work "Wagnerism," is focused at the start on the author Willa Cather. Ross finds Cather and Thomas Mann the most musically educated and sophisticated of the many literary figures who infused their work with the ideas of the Meister. The boundless scope of a work, its inclusion of ancient myth made present, and leitmotifs bound together to organize a story, are key elements of the Wagner style.

In a moment of upset when we are raging against that “thing” we thought so awful, shouting such hurtful words at the one standing before us, imagine how horrified we would be if we could step back to watch ourselves! Wouldn’t we wish we could find that patience, that wisdom,, to know that awfulness diminishes over time?

A work in progress, "Eleanor," by Mark St. Germain was commissioned by Florida Studio Theatre in Sarasota. It was given a reading there. Recently it had a reading with another actress, Harriet Harris, for Barrington Stage Company. With two performances in an empty theatre it was viewed by subscription. By phone we discussed the new work and its intriguing character who was superly portrayed by a remarkable actress.

Ever wonder what the great artist, sculptor, architect, painter and poet, Michelangelo, ate and drank? According to his handwritten, and illustrated, 16th century grocery list, the Master thrived on a diet of fish, bread and lots of wine.

We are swept along by her lilting Irish brogue as Geraldine Hughes takes the stage in her Belfast Blues. Irish Repertory Theatre chose the play to open their fall season streaming. Charlotte Moore and her partner Ciarán O’Reilly chose well. This one woman shows draws the portraits of twenty-four characters, all presented through the vessel of Hughes. Yet we never wonder who is speaking. We learn the gestures and tics of each character and come to be entranced.

Rob Kapilow begins his “What Makes it Great” evenings with a discussion of special elements in a musical work to be performed in its entirety at the conclusion of the evening. Kapilow is a conductor and performer. Always responsive to a live audience, he draws us in, elucidating us as he instructs. Now he is streaming from an empty Merkin Hall. Yet you become addicted in one outing. Through Kapilow, listening to music has added whole new dimensions. Orli Shaham provides examples for a discussion of Beethoven's Piano Sonata No. 5. She also gives a deeply moving performance of the Appassionata.

In the age of COVID, Stephen Karam's dramedy The Humans is particularly timely. The Olney Theatre Center is streaming the play through Oct. 4. Karam balances comedy, creepiness, and drama. The Olney Theatre Center production features first-rate performances.

Richard Curtis, masterful playwright and master of mystery, has produced a new creepy podcast series in time for Horror Season. Episode 1, You Have a Guest, is available now. A demon’s dozen disturbing audio dramas are conjured out of the dark imagination of this horror dramatist. .

The Provincetown based conceptual artist, Jay Critchley, is known for wit and outrageous projects. Trump has him mad as hell and he can't take it anymore. Rather than just get mad he's getting even. His latest stunt it literally to tar and feather the White House.

The 2020 B3 Biennial in Frankfurt/Germany will open with 'Hello Truths, Extravaganza Virtuale' on October 9 in the US East Coast time zone @ 4 pm and in Frankfurt/Main @ 10 pm. The festival will be concluded after ten days on October 18. More than 100 artists from 23 countries will participate in an array of virtual events.