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Theatre

  • Debussy at the Metropolitan Opera

    Nezet-Seguin Makes His Mark

    By: Paul J. Pelkonen - Jan 16th, 2019

    Claude Debussy only wrote one opera. Pélleas et Mélisande (based on a symbolist play by Maurice Maeterlinck) succeeds by destroying many of the conventions of the genre to which it belongs. On Tuesday night, the Met unveiled its revival of Pélleas, another acid test for its new music director Yannick Nézet-Séguin and a younger generation of singers wandering through the hazy, maze-y woods of the mythical kingdom of Allemonde.

  • Goodbye, Dolly!

    Remembering Carol Channing at 97

    By: Charles Giuliano - Jan 15th, 2019

    Broadway and cabaret star Carol Elaine Channing passed away today at the remarkable age of 97. She originated the iconic lead on the 1964 production of Jerry Herman's Hello,Dolly! It earned her a Tony award for which she was nominated three other times. She was still glamorous and forever young, but pushing 60, when I saw her in the late 1970s at Boston's jazz and cabaret club Lulu White's. That spectacular night evokes many fond memories.

  • Free Shakespeare In The Park

    Romeo and Juliet by Florida Shakespeare Theater

    By: Aaron Krause - Jan 14th, 2019

    An uneven South Florida mounting of Romeo and Juliet needs more energy. The Bard's poetry mostly fails to land in Florida Shakespeare Theatre's production. Miami-area based troupe finds the humanity of the characters in Shakespeare's tragedy of star-crossed lovers.

  • The Infinite Hotel at Irondale

    New Music/Theater Captures Audiences

    By: Susan Hall - Jan 12th, 2019

    Death hangs over the exuberant music/drama The Infinite Hotel. Jib sings of the pain of loss from beginning to end. Her music is lifeful, as is the music of Amanda Palmer and Jason Webley who gave new work to this production.

  • Prism in Rolling World Premiere at Prototype

    Ellen Reid's Powerful Opera

    By: Susan Hall - Jan 11th, 2019

    Ellen Reid has an unusual knack for drawing the colors of emotion from an orchestral ensemble and the human voice. Aware of this talent, the composer chooses to present a story with an emotional rather than a narrative arc. The rolling premiere of her new opera, Prism, is presented at LaMama in New York.

  • Charlie Johnson Reads All of Proust

    À la recherche du temps perdu

    By: Nancy Bishop - Jan 10th, 2019

    An older man decides he will read Marcel Proust’s iconic novel. As he reads all six volumes over the course of a year, he responds to Proust and reflects on his own life. And his audience may gain insights into their own too.That’s the sum total of an engaging solo production titled Charlie Johnson Reads All of Proust, now on stage at Chicago's Den Theatre

  • The Infinite Hotel at Prototype Festival

    Michal McQuilken's Rollicking Celebration of Community

    By: Susan Hall - Jan 10th, 2019

    The Prototype Festival rolls on with a big production at Irondale, a Brooklyn venue which offers a large space and unusual opportunities for audience viewing. The Infinite Hotel by Michael Joseph McQuilken is having its world premiere. This is a rollicking, joyful and often touching production. It is full of surprises.

  • New Play Festival in South Florida

    Palm Beach Dramaworks Inaugurates Weekend-Long Event

    By: Aaron Krause - Jan 09th, 2019

    Festival stresses regional theater's importance in developing plays. Audiences learn they become "artists" during the process. Palm Beach Dramaworks' New Year/New Plays Festival launches with panel, staged readings.

  • THISTREE with Leah Coloff at Prototype

    World premiere at HERE

    By: Susan Hall - Jan 08th, 2019

    A mysterious figure hidden in a huge poke bonnet parades onto the rear of the Mainstage Theater at HERE. She is trailed by figures bearing jeans, an icon of the American West. These are dropped to form a trail, like Hansel and Gretel's candies, leading to the pioneer, Leah Coloff's, seat on stage. Coloff with Ellie Heyman has created a lament modeled on a traditional cowboy ballad.

  • Ismael Reed's The Haunting of Lin-Manuel Miranda

    Rome Neal Directs Sold-Out Readings at the Nyorican Cafe

    By: Rachel de Aragon - Jan 08th, 2019

    Audience response to The Haunting of Lin-Manuel Miranda, a new entertaining, witty and historically incisive play was unusually enthusiastic. Ismael Reed's work was still in street clothes with scripts in hand. The actors, despite the trappings, delivered their lines with pathos and conviction, and Reed's vision shown through the bare-bones milieu.

  • Tao and Teicher at the Guggenheim Museum

    World Premiere of More Forever

    By: Susan Hall - Jan 07th, 2019

    Caleb Teicher is no stranger to Jacob's Pillow. This summer he will perform More Forever, which had its world premiere at the Guggenheim Museum in New York this weekend. It is a glorious piece developed in collaboration with pianist, composer and actor Conrad Tao.

  • Talking About Brecht in Chicago

    Meeting of Modern Language Association

    By: Nancy Bishop - Jan 06th, 2019

    I discovered Brecht many decades ago, when I was just becoming a theater lover. I’m not sure I had ever heard of Bertolt Brecht when I saw what has become one of my favorite plays—The Resistible Rise of Arturo Ui—at the renowned Tyrone Guthrie Theater in Minneapolis. It was 1968 (I had to look that up), one of the first years of the Guthrie’s existence.

  • Superior Donuts In South Florida

    Tracy Letts Dramedy by Miami Lakes' Main Street Players

    By: Aaron Krause - Jan 05th, 2019

    Despite some apparent opening night issues, Main Street Players delivers a well-done production of Superior Donuts. Tracy Letts' play is sweet, but also has some meat to it. Superior Donuts was a finalist for the 2009 2009 Harold and Mimi Steinberg/ATCA (American Theatre Critics Association) New Play Award.

  • Amy Heckerling's Clueless, The Musical

    From Screen to Stage Off Broadway

    By: Edward Rubin - Jan 04th, 2019

    For those that loved Clueless, the 1995 cult movie starring Alicia Silverstone and Paul Rudd, watched the TV series (1996-99) based on the film, and perhaps read all twenty-one of the Cher young adult books, well, Clueless is back on stage, Off Broadway.

  • Adriana Lecouvreur at Metropolitan Opera

    Gala Features Beczala, Maestri, Netrebko, and Rachvilishvili

    By: Susan Hall - Jan 03rd, 2019

    Adriana Lecouvreur was brought to New York most recently in a Carnegie Hall concert by Eve Queller’s Opera Orchestra of New York. Angela Gheorghiu came to sing the diva role and was delicious, both touching and full of haughty allure. When Anna Netrebko expressed interest in the Adriana role, The Metropolitan Opera joined with five partners and hired the stalwart Sir David McVicar to produce.

  • Best Theatre for 2018

    Covering Broadway and Connecticut

    By: Karen Isaacs - Jan 01st, 2019

    This is list is based on shows I saw in 2018 – they may have opened officially in December 2017 and some current shows I’m not seeing until January. (Specifically Ferryman and To Kill a Mockingbird).

  • Bruce Coughran's A Time for Hawking

    At Indra’s Net Theater

    By: Victor Cordell - Dec 28th, 2018

    A Time for Hawking is a brisk-moving, well-explicated educational primer in the form of an involving comedy/drama. The playwright, Bruce Coughran, who also directs, has selected three contrasting characters whose real lives would intersect in significant ways. He has deftly integrated a panoply of scientific and philosophical milestones into their conversation.

  • La Ruta an Important Play by Isaac Gomez

    World Premiere in Chicago at Steppenwolf

    By: Nancy Bishop - Dec 24th, 2018

    Steppenwolf Theatre is staging La Ruta, an important world premiere play by Isaac Gomez, based on his own research on the women of Cuidad Juarez, played by an eight-member all-female Latinx cast. Sandra Marquez’ careful direction recreates the work and home lives of these women—and the dangers they live with—in a powerful, emotional way.

  • All Is Calm: The Christmas Truce of 1914

    Stranger Than Fiction at Loreto Theatre on Bleecker Street

    By: Karen Isaacs - Dec 23rd, 2018

    What is remarkable about this production directed by Peter Rothstein with music direction by Erick Lichte is both the simplicity and the complexity of the production. There is no set; the stage is a black box. No orchestra or piano accompanies the actors as they sing; it is a capella. The harmonies arranged by Lichte and Timothy C Takach are wonderful.

  • The Lifespan of a Fact at Studio 54

    By Playwrights Jeremy Kareken & David Murrell and Gordon Farrell

    By: Karen Isaacs - Dec 21st, 2018

    Playwrights Jeremy Kareken & David Murrell and Gordon Farrell have balanced the piece carefully. This is based on the essay and book by John D’Agata and Jim Fingal. They are the John and Jim of the story. But I suspect details have been changed, in fact it is billed as “a new play based on a true-ish story.” It is a tight 85 minutes enhanced by fine performances.

  • The Year to Come by Lindsey Ferrentino

    At the La Jolla Playhouse

    By: Jack Lyons - Dec 20th, 2018

    Playwright Lindsey Ferrentino apparently felt the urge to inform audiences just how disparate are families and their need to share their ubiquitous stories with the world at large. Television has been the delivery system that best gets the comedy job done. Sitcoms have mastered the medium for more than 70 years. . But I’m not quite sure that Ferrentino’s comedy play “The Year to Come” is the vehicle to bridge so many gaps facing our ever changing society.

  • Riffing on Ibsen

    A Doll’s House, Part 2 in San Diego

    By: Jack Lyons - Dec 20th, 2018

    “A Doll’s House, Part 2”, premiered in 2017- garnering 8 Tony Nominations – is a perfect example of how an iconic classic play coupled with talent, and a sense of curiosity from an original thinking playwright can become a fresh, smart, new work, that’s been dazzling audiences wherever it performs. (Lucas Hnath’s 2016 play “The Christians”, received a Tony nomination for his insightful story of a Pastor who questions his belief in God and The Bible).

  • Actor/Director Charles Weldon at 78

    Was Artistic Director of The Negro Ensemble Company

    By: Charles Giuliano - Dec 18th, 2018

    During the recent NY conference of American Theatre Critics Association Charles Weldon was a lively participant on a panel focused on diversity. He was Artistic Director of The Negro Ensemble Company (NEC) since 2005. He joined the Negro Ensemble Company in 1970 and acted in many of its classic plays including "A Soldier's Play," "The Great McDaddy," "The Offering," "The Brownsville Raid" and the Company's Broadway production of "The River Niger."

  • Strange Window at Next Wave, BAM

    Marianne Weems Re-invents Henry James

    By: Susan Hall - Dec 16th, 2018

    The Builder’s Association re-invented Henry James’ Turn of the Screw for today. Strange Window takes its title from a story James heard from the Archbishop of Canterbury. A woman was so fearful of strange figures who appeared in the windows of her home that she moved to protect her children.

  • The Wiz In South Florida

    Classic Musical At Stage Door Theatre

    By: Aaron Krause - Dec 14th, 2018

    Stage Door Theatre's mounting of The Wiz is uneven. The production largely lacks magic and sound is a problem. However, the production improves in the second act, with strong singing and acting. Actress Nayomi Braaf makes a refreshingly bright-eyed, optimistic Dorothy.

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