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  • Carmen at Opera Philadelphia

    New Production Sizzles at the Academy of Music

    By: Susan Hall - Apr 30th, 2018

    Carmen has arrived in all her glory at the Academy of Music in Philadelphia. Heralded by digital billboard signs on the highways and byways around the city, and topping off the PECO Building in downtown Philadelphia, the news is being broadcast. The Academy has been packed. This new production by Opera Philadelphia and its partners in Seattle and Ireland, is smashing.

  • Uchida at Carnegie Hall

    Sheer Perfection at the Piano

    By: Paul J. Pelkonen - Mar 02nd, 2018

    Is it possible for an artist to be above criticism? That question is necessitated by this week's schedule st Carnegie Hall, which features not one but two recitals of Schubert piano sonatas by the astounding Mitsuko Uchida. On the concert hall as well as on disc, Uchida offers a highly personal approach to these works. At the first of these concerts on Monday night, she offered three of the sonatas.

  • American Lyric Theater Alumni in Concert

    Incubating Opera Through Mentorship

    By: Susan Hall - Jan 15th, 2018

    The American Lyric Theater has an annual concert in which the work of their alumni is featured. This year's program included an opera by Patrick Soluri with libretto by Deborah Brevoort; a Christmas opera by Ricky Ian Gordon, libretto by Royce Vavrek; and a one act children's opera.

  • Orchestra Now at Alice Tully Hall

    In Search of Space

    By: Paul J. Pelkonen - Dec 19th, 2017

    The Orchestra Now is still a new presence on the classical music scene in New York but it is, on the surface, a pretty good idea. Conceived by Bard College president Leon Botstein, T?N (as they style themselves) is the renamed, re-packaged, re-marketed top-level student orchestra of that august educational institution. On Thursday night, the Bard students visited Lincoln Center's Alice Tully Hall to play an ambitious program under the baton of JoAnn Falletta.

  • First Night Saratoga 2018

    Light Up the Night

    By: Alix Jones - Dec 14th, 2017

    As one of the oldest and largest celebrations of its kind in the country, First Night Saratoga is the most affordable, accessible, safe and exciting way to spend New Year's Eve in New York's capital region. With over 170 different performances from 6pm to midnight, this event is great for everyone from kids to couples who want a fun night out on the town!

  • Hannigan and de Leeuw at Park Avenue Armory

    Eric Satie's Death of Socrates Performed

    By: Susan Hall - Nov 19th, 2017

    The lights in the corridor outside the Veterans Room in the Park Avenue Armory, dimmed to black and down the hallway proceeded the featured artist, Barbara Hannigan, bearing a candle.

  • National Sawdust 5 Boroughs Music Fest

    New York's Composers a Riot of Song

    By: Susan Hall - Nov 17th, 2017

    In one fell swoop, Jesse Bloomberg, the artistic director for the 5 Boroughs Music Festival, brings together a sampling of composers who are tucked into the nooks and crannies of our city. Assigning them the subject of the city unleashes their spirited take on New York. Songs ranged from poetic evocation to the tiny drama about a struggling barista which was inspired by Monteverdi.

  • Alyson Cambridge Sings at The Crypt

    William Bolcom's Song Cycle on Sally Hemings

    By: Susan Hall - Nov 16th, 2017

    Composer William Bolcom and librettist Sanda Seaton have drawn a complex and moving picture of Sally Heings in an 18 song cycle. Soprano Alyson Cambridge is Sally and her performances evokes the slave/mistress of Thomas Jefferson.

  • Turandot at the Metropolitan Opera

    James Morris' 1000th performance at the Met

    By: Paul J. Pelkonen - Oct 18th, 2017

    Turandot is Giacomo Puccini’s final, unfinished work. It is a a grand fantasy of legendary China as reimagined through the lens of Italian romanticism. It is a farm tale, the story of an ice-hearted princess and the fearless Prince who wins her hand. It is seen (wrongly) as the end point of the genre of Italian opera. It is also, along with La bohème, the last of the Metropolitan Opera’s giant Franco Zeffirelli productions, crowded extravaganzas that evoke the opulence of a bygone era. (In this case, we’re talking about the 1980s.)

  • The BSO Season at Tanglewood

    Promises to Deliver

    By: Paul J. Pelkonen - Jun 25th, 2017

    Whisper the name "Tanglewood" and you will tickle the conscience of the novice classical music-goer, and fire the memories of those who have walked its grassy paths and visited the summer home of the Boston Symphony Orchestra. Located on a sprawling estate in Lenox, Massachusetts, this is the Cadillac of summer festivals, offering symphonies, chamber music and opera to a throng of devotees who make the pilgrimage again and again.

  • Wu Man and Shanghai Quartet

    Make Music Not War at Park Avenue Armory

    By: Susan Hall - Jun 22nd, 2017

    The Shanghai Quartet is an internationally acclaimed chamber group which bridges the sensibilities of East and West. Focusing in their program on folk music, you could close your eyes and sometimes imagine Ferde Grofé and Aaron Copland. Bach crops up as a reference.

  • Babel from the White Lights Festival

    Cacaphony of Words, Dance and Music

    By: Susan Hall - Oct 28th, 2016

    The impact of the Tower of Babel is immediately felt in the silence of the Rose Theater. Watching steel frames in the shapes of cubes and rectangles built up and toppled on stage, seeing people trapped by them and also liberated graphically, drives home our divided world and the need for human unification. These structures both divide and unite. There is hope.

  • Mark Morris Dance at Mostly Mozart

    Morris Paints Notes in Dance

    By: Susan Hall - Aug 27th, 2016

    Mark Morris is billed as a musician, and has, in fact, been music director of the Ojai Festival. He is clearly a musicians’ musician and knows as much about music as most professionals. His main gig is choreography. He insists on using live ‘bands,’ in this case, the Mostly Mozart Orchestra. Morris channels Mozart's notes in surprising and apt movements.

  • New York Theatre Workshop's Hadestown

    To Hell and Highwater with Anaïs Mitchell

    By: Susan Hall - Jul 02nd, 2016

    A brilliant new take on the Orpheus myth by Anaïs Mitchell and Rachel Chavkin. The story of Orpheus and Eurydice was the basis of the first opera written in 1600. It has intrigued artists ever since, from Monteverdi to Christoph Willibald Gluck to Jacques Offenbach. Dramatists too have found the tale impossible to resist, Thomas Pynchon, Salmon Rushie and Tennessee William among them. This may be the first time the audience sits in purgatory.

  • Elektra is Galvanic

    Murder and Revenge without Intermission at the MET

    By: Deborah Heineman - Apr 23rd, 2016

    A remarkable non-stop performance by Nina Stemme – who never leaves the stage in this 110-minute production – sets the tone for a magnificent interpretation of Strauss’ devastating opera.

  • Alexandre Tharaud Performs Bach

    A Crypt Session at the Church of the Intercession

    By: Susan Hall - Apr 05th, 2016

    Alexandre Tharaud is more than a musician's musician. His heart-rending performance of the Bach Goldberg variations put him at the same pinnacle of pianists as the Bach work is for music afficiandos. In a concert series performed in an intimate acoustic marvel, the crypt of the Church of the Intercession in upper Manhattan, Tharaud delivered a mesmerizing take on this crown jewel of compositions.

  • Paul Appleby, the Natural, at Carnegie

    A Master of Language and Meaning

    By: Susan Hall - Mar 17th, 2016

    Paul Appleby has rocketed to the top of the music world. This modest, charming man has a voice for the ages and communicates in many languages with an easy skill. At Zankel Hall in New York he sang about the infinite varieties of love as expressed by Schumann, Wolf, Berlioz and Villa Lobos. Matthew Aucoin's Merrill Songs were premiered. This irresistible master tenor speaks to the heart.

  • Tanglewood Update, new popular artists added to venue

    June will be rocking at Tanglewood.

    By: Philip S. Kampe - Mar 01st, 2016

    Tanglewood is appealing to all age categories with the addition of popular artists, Earth, Wind & Fire, Jackson Browne, Train and the B52's.

  • Boston Symphony Shakespeare Festival

    Three Concert Program Features Vocal Music, New Works

    By: David Bonetti - Feb 17th, 2016

    Acknowledging the 400th anniversary of Shakespeare's death, the BSO programmed music by some of the greats based on his works. Music director Andris Nelsons brought his lively intelligence to the enterprise, in which a new work based on Ophelia's words by the Dane Hans Abrahamsen was the stand-out hit.

  • The Cleveland Orchestra Graces Carnegie Hall

    Mitsuko Uchida Plays and Leads

    By: Susan Hall - Feb 15th, 2016

    Mitsuko Uchida plays and conducts Mozart with the Cleveland Symphony. Will she continue in a new career as a conductor? In Munich, the Bayerische State Opera is often conducted by Oksana Lyniv. Gemma New is at the New Jersey Symphony, and Mirga Gražinyt-Tyla is the new music director of the Birmingham Symphony. Women are coming to the podium.

  • Son House

    Prechin the Blues

    By: Charles Giuliano - Feb 12th, 2016

    A man of God in his twenties Delta man Son House succumbed to the Devil's music. During the Folk Revival I saw him perform at the 1969 Newport Folk Festival.

  • What's New at the Metropolitan Opera

    Sondra Radvanovky Crowned Queen of Opera

    By: Susan Hall - Feb 08th, 2016

    It seems just yesterday that Placido Domingo marched into General Manager Peter Gelb’s office and told him that he must keep the great soprano Sondra Radvanovsky on the Metropolitan Opera roster. Gelb could not say no. And so we have this season Donizetti’s Queens with Radvanovsky singing Anna Bolena, Maria Stuarda and Elizabeth.

  • Orpheus at Carnegie Hall

    Pianist Buniatishvili Makes Mozart an Erotic Experience

    By: Susan Hall - Jan 31st, 2016

    Orpheus’ performers clearly come to an agreement before they come onto stage, leaderless. This form gives the music a chance to implode and explode in the hands of gifted individuals coming together.

  • Jaap Van Zweden New Music Director of the NY Phil

    An Electrifying Conductor Arrives

    By: Susan Hall - Jan 27th, 2016

    On January 27, 2016, New York Philharmonic Chairman Oscar S. Schafer and President Matthew VanBesien announced that conductor Jaap van Zweden will become the Orchestra’s next Music Director, beginning in 2018–19. It will be the orchestra’s 177th season. Mr. van Zweden will serve as Music Director Designate in the 2017–18 season.

  • Mark Goldenberg and Eric Skye's Artifact

    New CD of Organic Music

    By: Joseph Callouri, edited by Philip S. Kampe - Jan 24th, 2016

    Artifact is one of those recordings that warrants repeated listening. Each time I listen to the CD, there is something new to marvel at, especially the organic, full and clean masterful guitar tones. Add the masterful song writing with actual melodies that stick out in each song and you have an album that stands out and sticks in one's brain.

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