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The Philadelphia Orchestra under Yannick Nézet-Séguin is well served by Carnegie Hall. Carnegie announced that this concert would be recorded and later available worldwide. Watch for it. An extraordinary evening of music-making was offered. It would be disingenuous not to mention succession at the Metropolitan Opera. When James Levine cancelled conducting an important production of one of 'his' operas, Nézet-Séguin's name was the first to emerge as the new music director.

The Trojan War was likely to have occurred circa 1,200 B.C. It spawned the epic poem The Iliad which was passed along by troubadours and finally transcribed with the development of Ancient Greek around 800 B.C. In a riveting 90 minute, one man show for Shakespeare & Company, Michael F. Toomey provides excerpts and contemporary commentary on one of the founding works of Western literature.

If bad luck comes in threes what's next for the Boston theatre community. Today we have reported on the break up of a 33-year-old relationship between the Huntington Theatre Company and Boston University. Now we report news the Emerson College, the owner of the 115-year-old Colonial Theatre has plans to convert it into a student center. These developments were predicted several years ago by then NEA chair Rocco Landesman. As he suggests, here in the Berkshires, there are too many arts organizations pursuing the same limited potential donors.

We always love bohemians - or at least we used to - but most of us wouldn't want to live the lives of poverty and disease they endured for our entire lives. The classic story of the poet Rodolfo and the doomed seamstress Mimi has jerked tears from audiences since its premiere in 1896. The BLO's production hit all the necessary points without reaching the highest peaks.

Hibla Gerzmava floats notes as though they made an effortless journey from her heart into the surrounding Hall in which she performs. Glamorous and a consummate actress, all the focus is on the gorgeous music that she lofts. It was a special evening at Carnegie Hall in which we got a taste of her perfection as Desdemona in Otello.

For the past 33 years the partnership between The Huntington Theatre Company and Boston University has provided superb theatre to audiences of up to 200,000. In addition to the Huntington Avenue venue it created the Calderwood Pavilion in 2004 in Boston’s South End.

We've had book and film commentary on the legendary Steve Jobs. With the director of Slum Dog Millionaire directing and West Wing's Aaron Sorkin writing, one would have hoped for more insight. Great performances by Michael Fassbinder, Kate Winslet, Jeff Daniels and Seth Rogen make the film worth seeing.

A small but growing increment live to be 100. Rikki Rudd, who was known and loved by many in the Berkshires arts community, passed away on October 6 at the age of 102. She emigrated from Denmark to the U.S. when in her 20s. She pursued journalism after study at Columbia University. That led to world travel and mastery of several languages. To celebrate her 90th birthday she took up sky diving. On every level she lived life to the full.

"The (curious case of the) Watson Intelligence" by Madeleine George is 140 minutes (one intermission) of fast-moving, time-switching scenes with quick costume and set changes. One of the Watsons is Mr. Watson, who occasionally is paged by Alexander Graham Bell, "Come here, Watson. I want to see you."

The 85-minute play "Love and Information" by Caryl Churchill is at times funny, sad, poignant or puzzling. The actors make use of current technology in many scenes. In "Wedding Video," for instance, three couples comment on the video while watching the event on a smartphone, a tablet or a television set.

As globalization brings us closer together, frequent reminders of the horrors we perpetrate on each other are invaluable. A young man who was 14 when he was arrested, tortured and locked up in Guantanamo Bay reminds us that no one is exempt. Laurie Anderson offers an ineffably moving picture in collaboration with Saudi-born Mohammed El Gharani. The installation was recently on view at the Park Avenue Armory in New York.

In the post 9/11 climate President Obama has been referred to as a closeted Muslim. The African American Republican candidate Ben Carson has stated that, despite the concept of freedom of religion, a Muslim should not be President. Before JFK there was a similar injunction against Catholics. For its fall collaboration with regional schools Barrington Stage Company is presenting the awarding winning play Veils by Tom Coash.

Kudos to Berkshire Theatre Group for the tough love of presenting a smash to the head in a stunning production of Harold Pinter's The Homecoming. Eric Hill has brilliantly directed a superb cast in an always challenging Pinter play.

“In Your Arms” is the brain-child of brilliant choreographer/director Christopher Gattelli and Broadway producer Jennifer Manocherian. It is having its world premiere at Old Globe in San Diego.

Playwright John McManus restrains his leading man in a tub of bubbles throughout the play, but this in no way limits the performance of Peter Maloney or his nemesis, Rufus Collins. We are trapped in an intense negotiation of life and death matters.

Renowned as the center of Afro-Brazilian culture with a mixture of black and white races descended from Africans, Europeans, and Native Americans, Salvador has a unique character shaped by exuberant colors, sounds, rhythms, and flavors. Its historic center has the largest collection of baroque buildings in the Americas.

Blessed/ burdened with the fame of her photographer mother, Amy Arbus, after youthful resistance and the pursuit of studying music, was lured into a career in photography. She has had some 25 one woman shows and published five books. The stunning and sensual exhibition of modern master appropriations, Amy Arbus: After Images, is on view at the Provincetown Art Association and Museum through November 15.

The Daisy Theatre is a magical, human evening of theatre lore with incredible marionettes in the lead roles. At the Jerome Robbins Theater, the steeply raked seating enables you to watch the master marionetteer at work, sometimes lit and sometimes in juicy darkness. Yet Ronnie Burkett so enlivens these hardy, delicate creatures he has imagined into life, that everything we watch seems immediate. In fact, urgent.

The 10th Tennessee Williams Theater Festival in Provincetown, Cape Cod, Massachusetts, occurred from September 24 to 27 with great success during a week of daily sunshine. The weather helped: there were outdoor performances on the beach and on a large deck of the Boat Slip. The town took part with venues including Town Hall, the former High School, a radio station and a Night Club. Of course, two major plays were smashingly performed at the Provincetown Theater. And the buzz was all about TW - Tenn at Ten!

Last April, cramped into small rooms in the French Quarter for The Hotel Plays of Tennessee Williams, we first encountered the photographer Ride Hamilton. This past week we again interacted during the Provincetown Tennessee Williams Festival. In addition to the performances we much enjoyed his installation, a collaborator with the festival curator, director and scholar, David Kaplan, at the Berta Walker Gallery. It richly evoked memories of New Orleans.

During the recent Provinctetown Tennessee Williams Festival we attended two performances of cabaret, based on works of Williams at the Crown and Anchor. The two experiences comprised a study in contrast with the best and worst of the tenth annual festival.

In ten years the Provincetown Tennessee Williams Festival has premiered eleven works by Williams as well as ones inspired by him. There was a retrospective of 15 excerpts at Town Hall during thi year's festival. The special treat of the festival was a sneak preview of "More Stars Than There Are in Heaven," based on a Williams short story, a work in progress by John Guare.

For years midcentury magic realist Paul Cadmus and other artists of his generation were neglected by the Whitney Museum. Now, in the inaugural exhibition of its new meatpacking facility, titled "America Is Hard to See," Cadmus and his peers return in force.

Over four days we attended nine performances during the tenth annual Provincetown Tennessee Williams Festival. This planned from the juvenalia of Parade, written during his first visit in 1940, through The Remarkable Rooming House of Mme. LeMonde a violently erotic example of Grand Guignol created near the end of a long and tormented life,

Kimberly Senior, who has directed Disgraced since its first 2012 production in Chicago at American Theater Company, directs Goodman's new production. She directed its Lincoln Center debut in late 2012 and then its Broadway production in 2014. Since then, it has become one of the most-produced plays in the country.