Tom Sawyer is a coming of age story that walks children into adulthood and also reminds adults what fun it was to be a child. DTF's rendition captured the magic of it all.

Richard Maxwell's language is musical in the delivery of his tribe of usual suspects: Jim Fletcher, Brian Mendes, Tory Vasquez and Gary Wilmes. The actors are curiously contained and liberated at the same time, and they invite us into the flow of the story.

The 27th International Dance Festival was scheduled from 13 August to 4 September. The Artistic Director, Virve Soutinen, invited international dance companies, dancers and choreographers from more than 20 countries to present a fascinating survey of contemporary dance world-wide.

The ensemble cast of mainly Equity performers, make this touching 90 minute, no intermission production about the fragility of life and the quixotic-like hopes and dreams required to cope with its many difficult choices, a production not to be missed. It runs through September 13. 2015.

The last time Harry Connick, Jr. performed at Tanglewood there was a monsoon. Last night was a picture perfect evening as Connick and his nine piece band tore the roof off of the shed in a barn burner to close out the season during Labor Day weekend.

After a two year hiatus, Harry Connick, Jr returns to the stage at Tanglewood for a much anticipated Labor Day show on Friday evening, September 4th. Connick is a crowd favorite that hails from the 'Crescent City' (New Orleans).

Growing up as a teenager in Annisquam the arts were conservative or invisible on Cape Ann. During a recent visit we found that much has changed with a lively and thriving community of artists and writers. We also attended the venerable Gloucester Stage Company.

Beth Henley's 2012 play, The Jacksonian, is a bit of noir, a bit of Southern Gothic decay, and set in a nondescript motel of that name on the outskirts of Jackson, Miss., in 1964.

There is a distinctly Massachusetts flavor to Amherst based, Pulitzer Prize winning playwright, Annie Baker's Flick at Gloucester Stage Company. In two acts and just under three hours it takes a long and slow approach to making us care about minimum wage workers at a one screen movie theater on its last legs.

Imagining life's end as you enter illusion, resistance and acceptance is difficult. It is also difficult to portray. In this imaginative take on the end of controversial Roy Cohn's life, Christopher Daftsios creates a memorable, tortured figure. Directed by Katrin Hilbe to both find intimacy in crucial relationships and a froideur in others, this complex man intrigues to his last breath.

Sylvia Plath knew that her life after death by suicide would be larger than her life in life. The confluence of great gifts and great sensitivity made her life difficult. So too her German parents and then her husband, Ted Hughes. This musical portrait pictures poet Plath in 50's culture, a study of contrasts.

“The Comedy of Errors” is a crafty selection, by Barry Edelstein, to close out the ‘summer season’ at The Old Globe. Under Director Ellis’ creative staging, the masterful production, has been moved up in time from an Elizabethan setting to the jazz-age, sexy, wide-open, ‘laissez les bon temps rouler’ lifestyle of 1920’s New Orleans (NOLA).

Season after season for twenty-eight years the Irish Repertory Theatre has produced plays which touch not only the soul of a nation, but the human soul. A culture in which everyone tells stories provides the bedrock for great story-telling literature. Plays like The Weir offer an artful slice of life and capture its poetry and pain. Playwright McPherson loves the monologue, and weaves four as individual stories into the stories of five residents of a small Irish town.

Jiminy Peak Resort, of New Ashford, Massachusetts, partners with Nexamp, a solar energy developer to construct a 2.3 megawayy solar energy facility that will tackle the majority of power used on the ski mountain and the neighboring community.

In nooks and crannies all over New York, talent is busting out in the 19th New York International Fringe Festival. Herrera is a percussionist who finds the beat wherever she is. In her entrancing concept of a kid in a warehouse music factory, buckets and bikes found lying on the floor offer opportunities for novel and instant sounds. They are even better than chocolate.

The circus came to town joining the Pops for perhaps the most fun and entertaining evening of summer at Tanglewood.

Tejo with its temperate southern Mediterranean climate has 50,000 acres of vineyards, 2800 hours of sunlight a year and less than 30 inches of rainfall each year with temperatures that average 60°F

With the opening of Red Velvet at Shakespeare & Company behind him John Douglas Thompson had time for a leisurely breakfast in Lenox. It was the latest in a series of interviews about his classical and contemporary roles that started with Othello in 2006. This is the first of two parts of that recent dialogue

Things You Shouldn't Say Past Midnight, the new sexy comedy at the Windy City Playhouse, is a comic farce with a coarse edge. Noel Coward it isn't.

Nineteen sculptures by Chicago-born sculptor Charles Ray fill three large galleries on the second floor of the Chicago Art Institute's Modern Wing through October 4.

During the tenth annual Tennessee Williams Festival in Provincetown, September 24 to 27, there will be a staged reading of a work by John Guare "More Stars Than There Are in Heaven" adapted from a short story by Williams.

What happens when a woman can't stand her best friend's finance but shags him anyway? It's only sex she reasons and I was drunk. That's about as deep as it gets in a millenial comedy Engagements by Lucy Teitler having a world premiere at Barrington Stage Company in Lenox.

Eight different playwrights dramatize or "are inspired by" one of the stories of Franz Kafka, the late great Czech storyteller, who tried to keep his unpublished works from being published after his death.

Mostly Mozart. adding a soupçon of musical interest for its audiences and a splendid opportunity for rising young talent to perform in important venues, offers a concert pre-concert, in which you might even hear Emmanuel Ax. Avery FIsher Hall, configured for the Festival, is an acoustically satisfying, intimate experience.

The Lumbee Indian, Lloyd Oxendine, who died on August 5, held a BA in art history from Columbia where he also earned an MFA. From 1970-78 he ran a New York gallery dedicated to Native American Art. In 1972 he wrote what proved to be most of an issue of Art in American surveying 23 artists. For many years he was a brilliant and outspoken activist.