The Irish Repertory Theatre captures the quotidian of life in Dublin, 1920 as it plays out in Sean O’Casey’s The Shadow of a Gunman. We sit in the extension of a room in a tenement which a poet and a suspender salesman share. Above us, laundry hangs from a window. Charlie Corcoran’s set brings us completely into a day-in-the-life of a wouldn’t-be gunman.

Meeting on a Saturday afteroon in the dead of winter the agenda was a wine stating at Spirited in Lenox. First lunch at a new taco joint just up the road from Pittsfield.

David Mamet's Race ratchets up the heat in South Florida. A superb cast disappears into their roles in a production that immediately communicates the racial tension in this country. Miami Lakes-based Main Street Players continues to produce quality work as a professional company.

Director finds mounting the "monster" play A Raisin in the Sun a huge challenge. Mary Elizabeth Gundlach relies on cast members to help her direct them. Ft. Lauderdale-based New City Players is presenting the complex, layered play through March 10.

The Whole World a Bauhaus, the 100th anniversary exhibit of Bauhaus work, is now on display at the Elmhurst Art Museum. There are national and global Bauhaus exhibitions. This one is on view in Chicago.

"It's not going to be my favorite Verdi opera." This, from an attendee on the 1 train riding away from Lincoln Center after the Metropolitan Opera's Wednesday night performance of Falstaff, efficiently sums up the attitude of audiences toward the composer's final opera--and his only successful attempt at writing comedy. Falstaff is a masterwork, but one held in high regard not for its considerable qualities but for its place as Verdi's last musical utterance. On Wednesday night under the baton of Robert Carnes, the opera received a performance that just might change that gentleman's opinion.

On March 7 the documentary film WBCN and the American Revolution will have a sneak preview at the DC Film Festival. On March 9, 12 and 13 there will be screenings at the Cinequest Film Festival in San Jose. A world premiere is being planned for Boston in April. The day after wrapping the film Bill Lichtenstein discussed the project which started in 2006. The story of WBCN is set against events from the launch of the radical FM station in 1968 to developments surrounding the resignation of Richard Nixon seven years later.

The vast archive of some 600,000 objects was a primary source for the Bill Lichtenstein film WBCN: The American Revolution. When in college David Bieber became a campus correspondent for Billboard Magazine. In graduate school at Boston University he wrote a thesis on the impact of WBCN and the growing counterculture media on changing the mainstream of Top 40 radio and the straight press. He became music director of WBUR and went on to work for WBCN and the Boston Phoenix. He provides an insightful overview of an era of social and poltical change for the vast college/ youth market in Boston.

The strengths of the Regional Theatre Movement include 'extraordinary artistry,' 'so many phenomenal writers' and 'so much wonderful new work.' Challenges facing theaters today include competition from other entertainment options, high ticket costs and minimal government funding. The panel comprised Theatre Communications Group Executive Director Teresa Eyring and Florida Professional Theatres Association Executive Director Sherron Long. The discussion was part of Palm Beach Dramaworks' Dramalogue series.

The Aspect Foundation is committed to making the concert experience memorable. By offering food and drink before the concert and during intermission, and selecting unusual and glistening venues, audience members are swept into their commitment to first-rate music-making. Evenings Aspect presents are unforgettable. Go to one and you will be hooked.

Several years ago The Fenway Motor Inn, morphed into the boutique, rock themed, Verb Hotel. David Bieber was commissioned to provide vintage memorabelia from his vast archive. Since then, with a small staff, he has been unpacking and cataloguing the collection. He also worked with the late Stephen Mindich to archive The Phoenix material at Northeastern University. Bieber discusses an era in the counterculture of Boston when there was a community of music makers, promo men, writers and DJs. Rent was cheap compared to now and we were living large on other people's money.

There is always anticipation and suspense when MASS MoCA opens another year long exhibition in its vast Building Five. The current installation is Mind of the Mound: Critical Mass by cartoonist, conceptual artist Trenton Doyle Hancock. This time it seems that the generally dead serious curators just want to have fun. It is a show for children of all ages.

n Friday, June 28, at 7 p.m., Earth, Wind & Fire returns to Tanglewood, bringing its U.S. tour to the Koussevitzky Music Shed. Earth, Wind & Fire are a music institution. Over a five-decade history, they have sold out concerts all around the globe, scored eight number one hits, and have sold over 100 million albums worldwide.

Pompano Beach-based Outre Theatre Company presents an uneven production of Geoffrey Nauffts' tearjerker, Next Fall. Outre artistic director Skye Whitcomb stages the production with sensitivity. Cast members sometimes speak too softly to be understood and their productions are sometimes too one-dimensional.

The New Federal Theater and Castillo Theater are presenting Looking for Leroy, a fascinating and enthralling exploration of the work of Leroi Jones aka Amira Baraka. Written with a masterful combination of character detail and theoretical exploration, Larry Muhammad has created a forceful, touching and provocative work.

“The Judas Kiss”, written by playwright Hare, is deftly directed by Boston Court’s co-artistic director Michael Michetti, and, boldly explores Hare’s raison d’etre for his roman a clef story. Act One of the play is set in the Cadogan Hotel in London, in 1895.

The Warhol exhibition at the Whitney Museum of American Art leads you through the commercial illustrations, personal drawings, paintings, prints, photos, silkscreens, films, videos, music production, his Factory years and more. The last galleries show his giant Mao painting, works in collaboration with Jean-Michel Basquiat, and the 35-foot mural titled Camouflage Last Supper 1986, a rendition of the Last Supper under camouflage print.

Baruch Performing Arts Center presented a Thoreau song cycle by Gregory Spears and Virginia Woolf's Diaries by Dominic Argento. Spears, a phenom among contemporary composers, loves Henry David Thoreau, but found his poetry less than thrilling. Diving into his prose, he decided to take up the more difficult challenge of setting prose to music.

In Lauren Yee’s tense and scintillating comedy/drama, Cambodian Rock Band, lead character Chum had escaped Cambodia during the height of the atrocities and resettled in Massachusetts. It is produced by Oregon Shakespeare Festival and plays in repertory through October 27, 2019.

True West, Roundabout Theatre’s staging of the Sam Shepard play, stars two fine actors—Ethan Hawke and Paul Dano. It’s a play that descends from brotherly rivalry to rage and chaos, amidst a dozen toasters and piles of toast. And then Mom arrives home from vacation to her little tract house east of LA and her sons turn into little boys—briefly.

Ashes is touring the world and landed at the adventuresome theater HERE in New York. Billed as a puppet show, yet so much more, Ashes tells the tale of a pyromaniac in 1970s Norway as the story is being woven by Gaute Helvoli. In his novel Before I Burn, the author strives to tell the story of arson in his own town at the time he was a very young child. Parallels between his story, typed on a scrim and intermittently woven into Dag, the arson's story, are Biblical in dimension. Fathers and sons are the subject.

In the opera canon, The Barber of Seville is one of relatively few that can ease many unfamiliar with opera into enjoying it.

Jacob’s Pillow announces that internationally sought-after Colombian-Belgian choreographer Annabelle Lopez Ochoa is the recipient of the 2019 Jacob’s Pillow Dance Award.

Sean O’Casey, considered one of Ireland’s finest playwrights, was born in the Dublin slums and was involved in the Irish Nationalist cause for years. His Dublin trilogy focuses on the Irish wars and their impact on the Irish people. Irish Repertory, New York’s distinguished Irish theater company, is in the midst of its O’Casey Cycle, three plays by Sean O’Casey set during the Irish war for independence and the civil war that followed.

Theatre of Voices returned to Zankel Hall in Carnegie Hall to perform the music of Arvo Pärt alongside the New York premiere of visual poems accompanied by a picture poem by Phie Ambo. No Mickey Mousing was intended. Instead the pictures were suggested by changing seasons, and a farm in Denmark. Both Pärt and David Lang were beautiful, deep meditations on nature, man's the the world's.