Boston Globe

Festival 2022, which will feature 10 weeks of on-site programming, opens June 22, and runs through August 28, attracting dance audiences from across the globe to the Berkshires in Western Massachusetts. The season-opening Gala will be held on June 18. The recipient of the Jacob’s Pillow Dance Award and the gala program will be announced on March 15.

The author of several biographies, plays and opera librettos, Terry Teachout had an expansive interest in the arts. Few of his generation were more prolific. In an age of decline in arts journalism he was the only major critic who regularly covered regional theatre. We saw him several times each season in the Berkshires.

Arnie Reisman, a Martha Vineyard resident died suddenly. He was 79. Starting as editor of the Brandeis University Justice he was later editor of the weekly Boston After Dark/ Phoenix. He was a prolific documentary filmmaker and playwright as well as publisher of several books of poetry. With his wife Paula Lyons, he was also a panelist on NPR’s Says You!, the long-running comedy quiz show. His documentary The Powder and the Glory was the basis of the Broadway show War Paint.

Marjorie Kaye is a painter and sculptor residing and working North of Boston. Her work is an exploration of Sacred Geometry, organic forms, the relationships of color, and are kinetic and energetic. Her exhibition, Energy Fields and Artifacts, opens at Galatea Fine Art on October 1.

A native of Newton and Boston University graduate the career of jazz entrepreneur, George Wein, started with the club Storyville in Copley Square. With the Lorrilards as backers he founded the Newport Jazz Festival and later the Newport Folk Festival. He went on to the the world's foremost jazz promoter. He died today at 95 in New York.

Does listener friendliness in music depend on melody?  John Adams, on whatever musical journey he takes, is haunted by melody, sometimes explicitly and at others, finds it in minimalist repetition where a base line beats and also sings. 

Groupmuse, the community-building startup that aims to adapt the concert experience, announced their plan to become a musician-owned cooperative. They have assembled a Founding Council made up of ten diverse young musician activists. ranging from international prize-winners, to artists who have played over 150 concerts through Groupmuse, to social justice activists fighting to bring about a more equitable and inclusive concert music ecosystem.

Familiar Trees is a new gallery at 411 North Street, Pittsfield. There wiil be a reception for Franklin Einspruch on Saturday, October 17, 2020, 1-4 PM. The exhibition Half Step Half Fall runs through November 21. His Cloud on a Mountain is a book of comics poetry conceived during artist residencies in 2015 and 2018 at Bascom Lodge, at the summit of Mount Greylock in Berkshire County. Familiar Trees specialized in high-quality used books with an emphasis on art, poetry, and literature.

George Crossan Seybolt (1915-1993) was president and chairman of the William Underwood Company, best known for its canned Deviled Ham. He was recruited to the board of trustees by the director, Perry T. Rathbone. When be became president of the board there was constant conflict. Seybolt mico managed the museum and ousted Rathbone over the Raphael incident. His personal appointment for director, Merrill Rueppel, proved to be a disaster. He was fired after a Globe exposé. Seybolt went on to be a museum lobbyist and visionary. It's what we discussed in 1977.

When John Walsh left for the Getty Museum, and with a hiatus in the contemporary department, Theodore E. Stebbins, chaired three departments. He seized the opportunity to acquire American and European modern and contemporary art. There were huge gaps to fill when works that now command millions were relatively affordable.

When I interviewed Alan Shestack in 1992 he had been MFA director for five years. It was a time of economic downturn and the museum faced an annual deficit of $3 million. We discussed ways in which the museum might meet this challenge including a relationship with a museum in Nagoya, Japan which it helped to launch and program. He spoke adamantly that selling works to cover costs violated the mission and covenant of museums and their donors.

In 1983 the Museum of FIne Art organized a traveling exhibition A New World: Masterpieces of American Painting: 1760-1910. It toured the Corcoran Gallery of Art and Grand Palais in Paris, as well as being shown at the MFA. Artists and members of Boston's African American community protested that the exhibition did not include artists of color. In this 1984 interview former MFA director, Jan Fontein, discussed negotiatons to include the 19th century artist Henry Osawa Tanner. We also covered gaps in 20th century European and American art.

For decades artist, curator, installer James Manning has covered Boston's emerging artists and alternative galleries. Other than when Bill Arning was at MIT List nobody has made a greater effort to interact with emerging artists and their galleries. He had his own gallery Art Vigor in East Boston and was director of Gallery FX, a pioneer of the SOWA art district. This activity was rarely covered by the mainstream media. This is an attempt to document a vibrant era . From 2008 until his death in 2018 Manning worked with curator Joe Ketner at Emerson College.

From 1987 to 1993 Alan Shestack was director of the Museum of Fine Arts. He followed Jan Fontein who was director from 1975 to 1987.

A native of Toronto, Matthew Teitelbaum, departed Boston in 1993 to take a curatorial position at the Art Gallery of Ontario. In this interview he was acting director of the Institute of Contemporary Art. Then 37, it provides insights of his curatorial vision and process. He went on to be director of the AGO. In 2015 he returned to Boston as director of the Museum of Fine Arts.

The upscale Tourists a hip, designer savvy resort in North Adams, has launched a program of evenings with artists. Last night there was a cozy, well attended fireside chat with artist and musician Jane Hudson. She and her husband Jeff operated Hudsons Antiques formerly at MASS MoCA. They also perform music as Jeff and Jane. Both are widely exhibited artists. She discussed phases of her career which I have followed as friend and commentator since the late 1960s. It was also her birthday.

An exhibition of Vietnam protest paintings by Arnold Trachtman was censored and closed by the admninistration of Harvard University. We remounted it at the Institute of Contemporary Art then on Soldier's Field Road. That formed a professional and personal relationship. He was a part of a niche of major Boston artists that existed out of the mainstream, Yesterday he passed away in Cambridge at 89.

Located in the belly of the beast the annual Anerican Theatre Critics Association New York conferences consistently feature superb programming. The best and brightest of American theatre are as accessible as a phone call and cab ride away. This year a day of panels were held for some 60 national members and guests at the new MCC theatre complex. Where else can you encounter a Pulitzer winning playwright interviewed by a fellow Pulitzer Prize winner. The panels. convened from 9 to 5, were varied, provactive and galvanic.

Jazz entrepreneur Fred Taylor has passed at 90. He never retired producing concerts and programming for the Cabot Theatre in Beverly. Not surprisingly his yet to be published autobiography, a collaboration with Richard Vacca, is titled What and Quit Show Business. Taylor booked Boston's Jazz Workshop/ Paul’s Mall from 1963 to 1978. From 1991 to 2017 he booked Scullers Jazz Club and produced the Tanglewood Jazz Festival from 2001 to 2007.

During a recent visit to the Museum of Fine Arts a school group was inappropriately treated in a blatantly racist manner. That has caught the museum, and its director Matthew Teitelbaum, in the cross hairs of media whiplash. There is a shameful legacy of racism and anti Semitism at the MFA. It will take decades to make appropriate changes.

Jean Bergantini Grillo was hired as a senior editor and columnist when The Cambridge Phoenix was launched by Jeffrey Tarter on October 9, 1969. She worked with renowned editor Harper Barnes trying to bring shape and coherence to a staff of hippie writers. Today she is writing a play about that era and its macho newsroom. She was one of three women on staff and knew how to use her elbows. She later wrote for The Village Voice, an experience described as chaotic, but loved four years with the Daily News.

The vast archive of some 600,000 objects was a primary source for the Bill Lichtenstein film WBCN: The American Revolution. When in college David Bieber became a campus correspondent for Billboard Magazine. In graduate school at Boston University he wrote a thesis on the impact of WBCN and the growing counterculture media on changing the mainstream of Top 40 radio and the straight press. He became music director of WBUR and went on to work for WBCN and the Boston Phoenix. He provides an insightful overview of an era of social and poltical change for the vast college/ youth market in Boston.

As a junior at Boston University, John Sdoucous, worked with George Wein promoting the Newport Jazz Festival launched in 1954. By 1968 he was booking Summerthing for the City of Boston. He got Janis Joplin on stage at Harvard Stadium in 1969 and launched Concerts on the Common in 1970. He continues to book concerts and festivals all over America. For Sdoucos it all started in Boston.

In 1970 I was hired to cover jazz and rock for the daily Boston Herald Traveler. To my dismay soon I was writing obituaries. It started with Al Wilson (July 4, 1943 – September 3, 1970) of the blues band Canned Heat. Then Jimi Hendrix (November 27, 1942 – September 18, 1970). Not long after Janis Joplin (January 19, 1943 – October 4, 1970). That was the class of 1970 with an average age of 27-28. A year later we lost Jim Morrison (December 8, 1943 – July 3, 1971).

The Cabot in Beverly, Mass. is gearing up for its Centennial in 2020. It escaped the wrecker's ball a few years ago and is now in the midst of renovation, Toward that end there was a gala, all star benefit tribute to a 1920s icon Bessie Smith The Empress of the Blues. It was a night to remember and indicator of the next chapter of a venerable venue.