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David Bonetti

Bio:

David covers fine arts and opera. He was a staff writer for the Saint Louis Post Dispatch and before that the San Francisco Examiner and Boston Phoenix. Now retired he has returned to Boston

Recent Articles:

  • Die Tote Stadt (The Dead City) Music

    Boston Premiere for Korngold Rarity

    By: David Bonetti - Sep 16th, 2014

    Best known for his film scores, Erich Wolfgang Korngold was a child prodigy in Vienna. "Die tote Stadt" is his operatic masterpiece. Long ignored, it is increasingly being performed internationally.

  • The Bartered Bride Boston Midsummer Opera Music

    Rare Performance of Czech Opera

    By: David Bonetti - Jul 27th, 2014

    A smart production featuring talented young singers proves a delight for art-starved local summer audiences. Spoiler alert: the young woman who would be bartered ends up with the man she loves.

  • Odyssey Opera Inaugurates June Opera Festival Music

    Three Italian Rarities, Including Verdi's First Comdy

    By: David Bonetti - Jun 16th, 2014

    Odyssey Opera is devoted to taking its audience on a journey "through the lesser known reaches of the opera world." On paper, it was an enticing idea. I could hardly wait. And in execution, it turned out to be a promising start of what one hopes is a long-lived local company.

  • Dmitri Hvorostovsky Sings Russian Songs Music

    Russian Baritone Electrifies Jordan Hall Audience

    By: David Bonetti - Jun 02nd, 2014

    Hvorostovsky plumbs every shade of melancholy in his sets of songs by Tchaikovsky, Medtner and Rachmaninoff. There is no classical song literature more soulful than the Russian.

  • Mark Morris Dancers Acis and Galatea Dance

    Nymphs and Shepherds Frolic at Boston's Shubert Theatre

    By: David Bonetti - May 18th, 2014

    Nobody can set Baroque opera to dance better than Mark Morris, but his latest effort, a joyful Handel opera, often seemed dialed-in. Still, it was Mark Morris and it was filled with delights.

  • I Puritani at Boston Lyric Opera Music

    Bel Canto Masterpiece Features Two Mad Scenes.

    By: David Bonetti - May 05th, 2014

    BLO production got most of it right, although director Crystal Manich, fooled with the ending. But singing didn't soar, leaving the audience with dry eyes at the end of evening.

  • Deborah Voigt Sings at Symphony Hall Music

    Program Highlights Her Vocal Strengths

    By: David Bonetti - May 02nd, 2014

    Deborah Voigt has spoken frankly about cutting back on her opera performances. A set of Strauss songs showed how great she could be in that repertoire. A set of American art songs suggest her new direction.

  • Deborah Voigt Sings at Symphony Hall Music

    Song Recital features Strauss and Tchaikovsky

    By: David Bonetti - Apr 29th, 2014

    Voigt scaled her huge voice down for the intimacy of the song, but let it soar at the conclusion of a Strauss favorite

  • Boston Baroque Does Monteverdi Rarity Music

    Il Ritorno d’Ulisse in Patria

    By: David Bonetti - Apr 28th, 2014

    Left only in a production book, Monteverdi masterpiece must be recreated for performance. Boston Baroque's Martin Pearlman and his superb production team and cast of singers and instrumentalists made it a vibrant experience. Pearlman gets more credit for “Ulisse” than he might for his many other triumphs as company founder, director and conductor because he helped, in a way, to compose it.

  • Nadine Sierra Triumphs with Boston Lyric Music

    Verdi Masterpiece Stylishly but Traditionally Staged

    By: David Bonetti - Mar 19th, 2014

    One of the Boston Lyric Opera's most successful recent productions, "Rigoletto" is an unabashed melodrama but its dramatic truths are relevant to a day when the powerful and corrupt can get their way no matter what.

  • Natalie Dessay Sings French at Jordan Hall Music

    Opera Diva Featured Elegant Songs of Love

    By: David Bonetti - Mar 13th, 2014

    Natalie Dessay has been one of the most electrifying singer/actresses on the opera stage for nearly 30 years. Now, she is focusing her career on pop songs and the classic song literature. Dessay assembled a primarily French program with enough German songs to give the evening some weight.

  • An Incandescent Salome at BSO Music

    Andris Nelsons Knows His Way Around Opera

    By: David Bonetti - Mar 11th, 2014

    A top-tier cast tears the top off Symphony Hall in Richard Strauss's decadent take on the dysfunctional family with a religious prophet thrown in for good measure. The orchestra is enormous: 32 violins, a dozen violas, ten cellos, eight double basses and it seemed like every woodwind and brass player in the greater Boston area. And that doesn’t even account for the harps, tambourine, xylophone, harmonium, gong, kettledrum, timpani, castanet, triangle, glockenspiel and celesta. Andris Nelsons, the BSO director designate, kept them all in control.

  • Student Opera Offers Deep Satisfactions Music

    Boston's Opera Stars of Tomorrow

    By: David Bonetti - Mar 01st, 2014

    In Boston, the two music conservatories and the Boston University Opera Institute offer a mix of warhorses and rarities with young singers variously ready for the next step. Often student performances are frustratingly uneven with various degrees of accomplishment on display, but sometimes they come together with well-balanced casts, offering the experience of professional opera at a quarter the price.

  • Amanda Forsythe Keeps The Garland Fresh Music

    Boston Baroque Presents Rameau's Rarity.

    By: David Bonetti - Feb 18th, 2014

    Jean-Philippe Rameau's one-act opera "La Guirlande" might seem to be a frivolous pastoral, but he brings it to life with rich and subtly detailed music. The afternoon belonged to Amanda Forsythe. She is as fine an actress as singer, imbuing everything with the force of life. Where other singers make you aware of the effort expended to hit high notes (or low), Forsythe makes it all sound easy. She moves without break through the vocal registers that loom as roadblocks to other singers.

  • Sondheim's A Little Night Music Music

    I Could Have Waltzed All Afternoon at Emmanuel Music

    By: David Bonetti - Jan 22nd, 2014

    Emmanuel Music's semi-staged performance of Stephen Sondheim's "A Little Night Music" demonstrated to me that the Broadway musical has its merits. I had expected that whatever the quality of the performance I would be writing a review mourning Emmanuel Music’s decline from pursuing high seriousness in music to reveling in kitsch. How could I have been so wrong for so long?

  • Boston Baroque's Messiah Music

    Historically Informed Performance

    By: David Bonetti - Dec 16th, 2013

    "Messiah" might be a Christmas cliche, but Martin Pearlman and his Boston Baroque keep it light and fleet. The chorus was superb, composed of individuals who could sing in unison, but who were also able to break out of the group with their individual voices. I don’t recall ever hearing a chorus with so many distinct individuals.

  • Boston Early Music Festival Chamber Operas Music

    The BEMF Delighted Jordan Hall Audience

    By: David Bonetti - Dec 03rd, 2013

    The BEMF has produced five semi-stage chamber operas since 2008 and this Thanksgiving weekend presented excerpts from all five.

  • Lizzie Borden's Forty Whacks Music

    Boston Lyric Opera Slated for Tanglewood

    By: David Bonetti - Nov 25th, 2013

    Although its mid-century Freudianism is dated, "Lizzie Borden" still packs a wallop as a work of music-drama. The recent Boston Lyric Opera production was a preview for a performance at Tanglewood this summer.

  • Four Saints in Three Acts Music

    Intriguing Opera by Gertrude Stein and Virgil Thompson

    By: David Bonetti - Nov 19th, 2013

    Gertrude Stein and Virgil Thomson collaborated on a one-of-a-kind opera that keeps on attracting audiences generation after generation. Conductor Gil Rose led a recent concert performance of the Boston Modern Orchestra Project at Jordan Hall, of the New England Conservatory. But, it’s an awful lot of whimsy. (And I hate whimsy.)

  • BU Fringe Festival: Nico Muhly's Dark Sisters Music

    Mormon Polygamy as Subject

    By: David Bonetti - Oct 13th, 2013

    Nico Muhly is the opera composer of the moment, getting a premiere at the Met later this month. Both his operas pick subjects "ripped from the headlines." His Dark Sisters was performed at the Boston University Fringe Festival

  • Boston Lyric Opera's New The Magic Flute Music

    BLO Strips Work of Its Masonic Subtext

    By: David Bonetti - Oct 07th, 2013

    Mozart's "The Magic Flute" has enchanting characters and intoxicating music. But it is often weighted down with its philosophical underpinnings. The BLO brings out its fairy tale elements to the delight of its audience.

  • The Merry Wives of Windsor at BU's Tsai Music

    Nicolai's Rarely Done Opera Worth Waiting For

    By: David Bonetti - Jul 29th, 2013

    The familiar story of the fat knight Falstaff's comeuppance by the two married women he attempts to seduce takes on a new complexion in Otto Nicolai's best known work. Boston Midsummer Opera’s production of “The Merry Wives of Windsor" was given three performances at Boston University's Tsai Performance Center.

  • "The Merry Wives of Windsor" Makes a Merry Evening at Boston Midsummer Opera Architecture

    By: David Bonetti - Jul 29th, 2013

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  • The Boston Early Music Festival Just Smashing Music

    Mahaiwe Performing Arts Center June 21-23

    By: David Bonetti - Jun 18th, 2013

    Handel wrote his first opera, "Almira," when he was only 19. Although it is no masterpiece, it shows at an early stage his gift for melody and his love of the high female voice. The renowned musical event comes to the Berkshires and Mahaiwe Performing Arts Center June 21-23.

  • John Harbison's Opera The Great Gatsby Music

    July 11 at Tanglewood

    By: David Bonetti - May 16th, 2013

    After its last outing at the Met a dozen years ago, Harbison's grand opera seemed to be forgotten. Now, a trimmer, more fleet version brings the works virtues to the fore. The opera will be performed at Tanglewood on July 11.

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