Fine Arts
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Alexander Calder: The Nature of Movement
Selby Botanical Gardens, Sarasota., Florida
By: - Feb 16th, 2026After lunch, my father and I followed Calder down a short path that led to the high-ceilinged studio. which sat on a plateau where the “vultures” I’d noticed from afar, came into view as a flock of stabiles. They were mostly black, a few red, enormous and, despite their stationary nature, seemed as if they were poised to take off at any minute.
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ICA Director Sue Thurman
Thriving on Newbury Street
By: - Feb 13th, 2026From its inception in 1936, the Institute of Contemporary Art has endured a daunting existential struggle. As late as 1971 the Museum of Fine Arts appointed a part time curator of contemporary art. Lack of interest for modern and contemporary art resulted in a community which did not significantly support institutions, collectors, galleries and artists. The story of the ICA represents the struggle to overcome that indifference. Relocated to Newbury Street, it thrived from 1963-1968 under director Sue Thurman.
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Sónia Almeida: Stages
At the Clark Art Institute
By: - Feb 03rd, 2026The Clark Art Institute continues its art in public spaces program in 2026 with a year-long installation presenting the work of artist Sónia Almeida (b. 1978, Lisbon; lives and works in Boston).
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Jodi Colella at Boston Sculptors
Dangerously Close to Home
By: - Jan 30th, 2026Jodi Colella’s rag rugs, lace doilies, and decorative hand towels flaunt quirky sayings lifted from a century’s old word game. Recontextualizing period phrases to capture the language of 21st century culture, Colella reflects today’s coded patterns of speech and cleverly bypasses polite norms.
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Esther Bell New Clark Director
Assumes Position in July
By: - Jan 29th, 2026The Board unanimously elected Esther Bell to the position following an extensive international search. Bell will be the first woman in the Clark’s seventy-year history to serve as its director. She succeeds Olivier Meslay, who announced last September that he would be leaving the Clark and returning to his native France in 2026.
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Divine Color: Hindu Prints from Modern Bengal
Museum of FIne Arts
By: - Jan 22nd, 2026Organized by the Museum of Fine Arts, Boston (MFA), Divine Color: Hindu Prints from Modern Bengal explores the origins of these popular prints— which have historically been overlooked by the art world—and their powerful impacts on Indian pop culture, religion, and society.
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Thomas Messer and the Early Years of the ICA
Aborted Plan to Merge with the MFA
By: - Jan 21st, 2026From 1957 to 1961, Thomas Messer was director of the Institute of Contemporary Art, Boston and, for part of that time, taught modern art at Harvard. From 1961 to 1988 he was director of the Solomon R. Guggenheim Foundation. For a time there was a plan to merge the ICA as the modern/ contemporary department of the MFA. The ICA was briefly housed on the second floor of the Museum School. He advised on a couple of adventurous MFA acquisitions. A contemporary department was eventually established in 1971.
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Art in Bloom at the MFA
A Fifty Year Tradition
By: - Jan 21st, 2026Framing Nature coincides with the 50th anniversary of Art in Bloom (May 1 through May 3, 2026). This beloved tradition pairs art with floral interpretations created by New England area garden clubs, professional floral designers, and volunteers.
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Photorealism in Focus
Rose Art Museum
By: - Jan 21st, 2026Emerging in the late 1960s during an era of rapid technological change and inspired by the visual language of commercial imagery, Photorealism took shape as artists such as Richard Estes, Charles S. Bell, Ralph Goings, and others created painstakingly detailed paintings based on photographs that pushed the limits of illusion. These artists challenged traditional hierarchies between photography and painting while capturing the nuanced textures of contemporary experience.
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Yinka Shonibare's Sanctuary
Rose Art Museum
By: - Jan 16th, 2026The installation consists of 18 scaled-down replicas of historical and contemporary buildings that have served—and, in many cases, continue to serve—as places of refuge for persecuted and vulnerable groups or individuals. These structures range from ancient temples and medieval cathedrals to modern safe houses and shelters.
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Say It Loud: AAMARP, 1977
ICA Boston
By: - Jan 15th, 2026Founded in 1977 by influential artist, educator, and activist Dana C. Chandler, Jr., the African American Master Artists-in-Residence Program (AAMARP) at Northeastern University is one of the few longstanding residency programs for Black artists in the United States. For nearly five decades, AAMARP has stood at the intersection of art, activism, and community.
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A Wake for Woke
Trump's Assault on the Arts
By: - Dec 13th, 2025During the next five year cycle when conceiving and funding ambitious exhibitions, administrators, foundations and trustees will keep a watchful eye on potential offenses against the government’s ban on diversity, equity and inclusion.
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MFA Opens New Contemporary Galleries
Gift of Wyss Foundation
By: - Dec 13th, 2025The Museum of Fine Arts, Boston, has announced that a suite of new galleries dedicated to modern art will open to the public on December 13. Four new spaces will be unveiled on the first floor of the Museum’s Evans Wing, each showcasing works from the 20th century that include highlights from the MFA’s collection, new acquisitions, and rarely seen loans from private holdings.
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Decentering Whiteness
A Museum Makeover
By: - Dec 12th, 2025A recovering art critic once asked after reading the 1619 Project, “Why don’t you hate all white people?” I asked, “What is a white person anyway?” We realized our identities are far more complex than the containers imposed on us. Whiteness is a burden, built on supremacy, nationalism, colonialism, slavery, and global violence.
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Ginny Williams, Art Whisperer
A Moving Film
By: - Dec 10th, 2025Director Flemming Fynsk's moving film The Art Whisperer is in contention for awards this year. Its subject, Ginny Williams, was an art collector and gallery owner of remarkable instinct and vision.
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Clark Art Institute
Announces 2026 Season
By: - Dec 09th, 2025The Clark Art Institute announces its exhibition schedule through 2026. The lineup includes the first public presentation of the Aso O. Tavitian Collection with an exhibition featuring selected highlights from the 331 works of art that were given to the Clark in 2024.
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Patricia Hills: Art World Feminist
A Lively and Insightful Memoir
By: - Dec 06th, 2025Now in her late 80s. Patricia Hills overcame numerous obstacles to become one of the leading scholars and curators of American art. I knew her as a radical leftist feminist at Boston University. This intriguing and insightful memoir chronicles that daunting journey. The book conflates her life as wife and mother with struggles in academia which regarded the study of American art as "too easy." As a force majeure she trained a generation of Americanist scholars and curators.
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Jared Abner Hauntology
Boston's HallSpace
By: - Dec 03rd, 2025HallSpace presents Hauntology an exhibition of wood sculpture by Jared Abner. This is Abner’s first solo exhibition at HallSpace. In 2021, he was in a 2-person show.
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Susan Cross of MASS MoCA
Appointed Director of Curatorial Affairs
By: - Dec 01st, 2025Susan Cross has been appointed to the new position of Director of Curatorial Affairs at MASS MoCA following a nationwide search.
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Peabody Essex Museum
19th Century Sculptor Edmonia Lewis
By: - Nov 24th, 2025The Peabody Essex Museum (PEM) presents the first major retrospective exhibition of the work of acclaimed 19th-century Black and Indigenous sculptor Edmonia Lewis. 30 sculptures by Lewis from public and private collections across the United States and abroad will be brought together with a number of additional objects in a range of media, giving visitors an opportunity to learn of Lewis’ mastery of marble and her remarkable, storied life.
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Shadow Visionaries: French Artists Against the Current, 1840–70
At the Clark Art Institute
By: - Nov 17th, 2025The Clark Art Institute presents an exhibition on mid-nineteenth-century French artists who looked beyond realistic subject matter. Their work encompasses the Gothic nostalgia of architectural photography, the social critique embedded in searing allegorical illustrations, and the literary connections with fantastical art. Shadow Visionaries: French Artists Against the Current, 1840–70 i
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The New England Experimental Art Group
Gloucester"s Cosmos Gallery
By: - Nov 17th, 2025COSMOS Gallery’s Unexpected #25 – Unwrapped will feature numerous and diverse artwork by The New England Experimental Art Group. The group is renowned for their innovative pursuit of contemporary art, with no constraints on technique or materials.
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Cape Ann Museum Taken for Granite
Hammers on Stone: The Granite Industry & Cape Ann
By: - Nov 16th, 2025There is a judicious balance between tools and ephemera of the industry as well as a superb and insightful mix of works from the museum’s collection that further enhance and illustrate this history. Most intriguing was the manner in which granite and the quarries inspired artists.
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Avery, Gottlieb & Rothko: By the Sea
Blockbuster Reopens Cape Ann Museum in June
By: - Nov 16th, 2025Building on the extraordinary momentum and record attendance generated by the 2023 exhibition Edward Hopper & Cape Ann: Illuminating an American Landscape, the Cape Ann Museum is pleased to announce a new landmark exhibition, Avery, Gottlieb & Rothko: By the Sea, on view from June 30 through September 27, 2026.
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2025 Boston Artadia Awards
Awardees: Sónia Almeida, Brittni Ann Harvey, and Sopheak Sam.
By: - Nov 06th, 2025Artadia, a non-profit grantmaking organization and nationwide community of visual artists, curators, and patrons, announces the 2025 Boston Artadia Awardees: Sónia Almeida, the Wagner Foundation Boston Artadia Award recipient; Brittni Ann Harvey; and Sopheak Sam.
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