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Theatre

  • Barrington Stage Looks to 2020

    South Pacific, Assembled Parties and Anna in the Tropics

    By: Barrington - Oct 09th, 2019

    Barrington Stage Company has announced three productions for its upcoming 2020 season – the musical masterpiece South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan and The Assembled Parties by Richard Greenberg on the Boyd-Quinson Mainstage, and Anna in the Tropics, the Pulitzer Prize winning play by Nilo Cruz, on the St. Germain Stage.

  • Wiesenthal Performed Near Miami

    GableStage Mounts Play About Renowned Nazi Hunter

    By: Aaron Krause - Oct 08th, 2019

    Actor shines as Wiesenthal in GableStage production of one-character play. Tom Dugan's piece is laser focused, touching and funny. The play centers on the end of the humanitarian's "career" bringing former Nazis to justice.

  • Mark Twain’s River of Song

    At TheatreWorks Silicon Valley

    By: Victor Cordell - Oct 08th, 2019

    LeKae, a black woman, plays the white boy Huck, and the viewer happily suspends disbelief, as she thoroughly convinces playing the role of the youth as he breaks away from the constraints of convention. They reproduce the escape from the fictitious town of St. Petersburg, Missouri, rafting down the Mississippi, wide-eyed and reveling in the beauty of the world and of freedom.

  • American Underground By Brent Askari

    Social Justice Drama at Barrington Stage Company

    By: Charles Giuliano - Oct 07th, 2019

    As the final production of the 25th season, artistic director, Julianne Boyd, is directing the world premiere of a timely social justice play American Underground by Brent Askari. It postulates a future when all American Muslims are treated as enemies of the state.

  • Laurie Anderson at the Kaplan Penthouse

    The Sound of Music and the Music of Language Mix

    By: Susan Hall - Oct 06th, 2019

    Laurie Anderson curated the New York Philharmonic NightCap at the Stanley Kaplan Penthouse on October 5. This nightclub event followed a performance of Hector Berlioz’ Symphonie Fantastique in David Geffen Hall. The host, Nadia Sirota, pointed out that connection between Berlioz’ and Anderson’s work. Both use narrative but that by Anderson and her friends tests the boundaries of sound.

  • The Jazz Singer at Henry Street Settlement

    By Joshua Gelb

    By: Rachel de Aragon - Oct 06th, 2019

    Joshua Gelb and Nehemiah Luckett do more than put on a good show. They ask us to look within the iconography and stereotypes of The Jazz Singer as props for the American story. The Henry Street Settlement's Abrons Art Center is the quintessential stage for this piece. A theatrical venue that reforms and reshapes itself to respond to an ever changing neighborhood demographic it is both old and new. The old playhouse in which the play was performed was built in 1915. It stands a block away from the historic Bialystoker Synagogue which opened in 1905 in a building originally built in 1826. The building was reputedly a stop on the underground railroad.

  • The Height of the Storm on Broadway

    Eileen Atkins and Jonathan Pryce Are Masterful

    By: Karen Isaacs - Oct 06th, 2019

    Seeing Eileen Atkins and Jonathan Pryce on stage together in The Height of the Storm by Florian Zeller is watching master craftsmen work. I wouldn’t care what the play was about; I want to marvel at their skills.

  • Why by Peter Brook and Marie-Hélène Estienne

    Theater for a New Audience Gives A Crucial Answer

    By: Susan Hall - Oct 04th, 2019

    Peter Brook andMarie-Hélène Estienne’s Why is playing at the Theater for A New Audience. The co-director-writer Brook’s work spans a century. Yet, as he starts this work, we are surprised and delighted by the answer to the question of the play’s title. The question is tucked away in a little box, on a little scrap of paper, like a note launched in a bottle on an ocean. It has landed at last in Brooklyn.

  • Ruggero Leoncavallo’s Pagliacci

    Unique Setting for Boston Lyric Opera Production

    By: Doug Hall - Oct 04th, 2019

    Boston Lyric Opera’s season opener Ruggero Leoncavallo’s “Pagliacci” brings inventive staging and design to their production. It promotes a carnival-like atmosphere that invigorates the storyline and engages the audience.

  • Wittengenstein and Russell Revealed

    Douglas Lackey Play at Theater for the New City

    By: Rachel de Aragon - Oct 01st, 2019

    Lackey is a master at bringing philosophy out of the dusty corners of academia and putting them on a very passion filled center stage. As with his previous works produced at Theater for a New City Daylight Precision (2014) and Arendt/ Heidegger; a love story (2018) Ludwig and Bertie is a victory for smart theater.

  • Eugene Onegin by Tchaikovsky

    California's Livermore Valley Opera

    By: Victor Cordell - Oct 01st, 2019

    Eugene Onegin represents all that can be despicable in the idle rich. Baritone Morgan Smith captures the arrogant, unempathetic nature of the character to the extent that one wonders why Tatiana would be so taken by him.

  • Oedipus an Opera by Elli Papapakonstantinou

    Classic Myth Brought to Life at BAM

    By: Susan Hall - Oct 01st, 2019

    Elli Papapakonstantinou has created a masterful and absorbing re-telling of the Oedipus story at the Fisher Theater, BAM. Elements of the story we know are central to the production. The sense Papapakonstantinou conveys is the randomness of life. The gruesome drama of the events we hear sung and see danced are horrific. Presented with strong videos, smoke and mirrors, with live video-ing of the principal characters, the piece is larger than life.

  • What the Jews Believe at Berkshire Theatre Group

    Written and directed by Mark Harelik

    By: Charles Giuliano - Sep 29th, 2019

    The only Jewish family in a rural Texas town struggles with issues of illness and faith. How can the Jewish Yaweh allow the young and innocent to die of cancer while Jesus Christ offers cure and redemptio. Written and directed by Mark Harelik What the Jews Believe asks questions for which there are no answers.

  • New York Philharmonic Pairs Schoenberg and Bartok

    From Sweden Come Rich New Takes

    By: Susan Hall - Sep 29th, 2019

    The New York Philharmonic became an opera orchestra for Schoenberg’s Erwartung and Bela Bartok’s Bluebeard’s Castle. A Swedish cast, including the incomparable Nine Stemme and directed by Bengt Gomer, provided new twists to the tales, emphasizing the real or imagined murder of an errant lover and possible survival of an eighth wife of Bluebeard. His beard is not blue, and attractions go beyond a castle and riches.

  • Free For All by Megan Cohen

    Cutting Ball Theater in San Francisco

    By: Victor Cordell - Sep 27th, 2019

    Isn’t Free Fall supposed to be an adaptation of Strindberg’s masterpiece Miss Julie? Many adaptations of plays update the timeline and shift the locale to one that is familiar to the audience, but playwright Megan Cohen adds a new plot layer of climate change and turns the original play’s dark humor and sharp edges into farce.

  • Opera Philadelphia's Love for Three Oranges

    Prokovief's American Opera Mounted Like Lollipops

    By: Susan Hall - Sep 24th, 2019

    Apparently the audience for the Sunday performance of Love for Three Oranges at the Academy of Music in Philadelphia was only the second best audience so far. The best, 1,300 school children who had earlier found this work irresistible. It is.

  • Joseph Keckler to Die for at Opera Philadelphia

    Making the Case for Death

    By: Susan Hall - Sep 24th, 2019

    Joseph Keckler takes on the subject of singing in opera with a unique flare for the dramatic, for humor and deep delve. He is a masterful monologuist. In Let Me Die, he goes to the center of the operatic volcano, the death song. Here divas have been challenged since Monteverdi to blast out their pain in dying with vocal chords wide open and lungs at full mast. Yet they are fading away. Neither singer nor composer has ever been much disturbed by the odd idea that someone is going to a breathless state with lungs belting

  • Harold Pinter's Betrayal

    Director Jamie Lloyd's Broadway Revival

    By: Karen Isaacs - Sep 23rd, 2019

    Pinter tells this story with a twist – the play begins two years after the affair has ended, and ends as the affair is beginning.

  • Man Of La Mancha

    An MNM Theatre Company Production

    By: Aaron Krause - Sep 23rd, 2019

    West Palm Beach-based MNM Theatre Comapny delves deeper into Man of La Mancha. This production isn't just a showcase for great singers singing glorious songs. Director Bruce Linser emphacizes the darkness of the prison scenes. MNM's mounting features strong acting, singing.

  • Opera Philadelphia Presents Denis and Katya

    Philip Venables and Ted Huffman Update Romeo and Juliet

    By: Susan Hall - Sep 23rd, 2019

    Opera Philadelphia presents Denis and Katya, the world premiere of a new opera by Philip Venables and Ted Huffman. Keenia Ravvinia is credited both with creative contributions and translation of the events surrounding the dual death of two fifteen year old Russians. The teens had holed up in a cabin where weapons were stored and used them to attack the police. No one really knows what happened, but it was an event that was covered by the young couple in smart phone videos and periscope posts and widely picked up by the media.

  • This is Why We Live at La Mama

    Open Heart Surgery Theatre Presents Physical Take

    By: Rachel de Aragon - Sep 22nd, 2019

    Coleen MacPherson and her talented company bring 21 poems of the Polish poet Wslsawa Symborska to the stage. Symborska, who won the Nobel Prize for literature in 1996, provides a 'script' which is both lyrical and amusing. The collaborative vision of Open Heart Surgery was born in Toronto in 2014, but this all female ensemble is international in both personnel and its vision.

  • Skintight at LA's Geffen Playhouse

    Broadway Star Idina Menzel

    By: Jack Lyons - Sep 20th, 2019

    The promise of high energy singer/actor Idina Menzel’s debut on the Geffen’s stage is sure to lure her fans. Playwright Joshua Harmon’s newest and talky comedy play “Skintight” is directed by Daniel Aukin. Geffen’s artistic director, Matt Shakman, may have missed the mark by selecting “Skintight” for the Geffen’s 2019/2020 season opener.

  • Sea Wall/A Life at Broadway's Hudson Theatre

    With Jake Gyllenhaal and Tom Sturridge

    By: Edward Rubin - Sep 19th, 2019

    Sea Wall/A Life, two extraordinarily powerful one act plays, presented in monologue form, are holding court at the Hudson Theatre on Broadway. Fueled by strong reviews, and the star power of film and stage actors, Jake Gyllenhaal and Tom Strurridge, it is one of the most deeply moving productions currently gracing the stage here in New York City.

  • Martin Moran's One Man Show, All the Rage

    The Barrow Group Presents the Award-WInning Mono Drama

    By: Susan Hall - Sep 18th, 2019

    Martin Moran performs his one-man show, All The Rage, at the Barrow Group through October 5. Thoroughly entertaining, it tackles one of the deepest of subjects: forgiveness for unforgivable offenses. Seth Barrish directed this award-winning show.

  • Romeo and Juliet by Charles Gounod

    Produced by San Francisco Opera

    By: Victor Cordell - Sep 17th, 2019

    Charles Gounod’s Romeo and Juliet faithfully follows Shakespeare’s dramatic narrative and adds a score of great beauty that has graced the repertory since its spectacular debut in 1867. San Francisco Opera’s faithful production possesses sterling artistry and striking staging that honor this compelling opera.

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