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Theatre

  • Geoffrey Nauffts' Bittersweet Play Next Fall

    Dramedy Staged by South Florida's Outre Theatre Company

    By: Aaron Krause - Mar 12th, 2019

    Pompano Beach-based Outre Theatre Company presents an uneven production of Geoffrey Nauffts' tearjerker, Next Fall. Outre artistic director Skye Whitcomb stages the production with sensitivity. Cast members sometimes speak too softly to be understood and their productions are sometimes too one-dimensional.

  • HERE Presents Nick Lehane's Chimpanzee

    Puppetry Moves Like No Other Form

    By: Susan Hall - Mar 11th, 2019

    Chimpanzee is a delightful and superlatively moving account of memories and dreams re-captured in captivity by a primate. Nick Lehane has created this compelling portrait. From the moment lighting director Marika Kent takes us from blackness into the light on the Chimpanzee, graceful light gestures, and some searing white light suggest the chimp's changing moods as does the soundscape by Kate Marvin.

  • New Federal Theater Probes Leroy aka Amiri Baraka

    Weighty Ideas and Dazzling Characters Entrance

    By: Susan Hall - Mar 10th, 2019

    The New Federal Theater and Castillo Theater are presenting Looking for Leroy, a fascinating and enthralling exploration of the work of Leroi Jones aka Amira Baraka. Written with a masterful combination of character detail and theoretical exploration, Larry Muhammad has created a forceful, touching and provocative work.

  • Trenton Doyle Hancock at MASS MoCA

    Mind of the Mound: Critical Mass

    By: Charles Giuliano - Mar 10th, 2019

    There is always anticipation and suspense when MASS MoCA opens another year long exhibition in its vast Building Five. The current installation is Mind of the Mound: Critical Mass by cartoonist, conceptual artist Trenton Doyle Hancock. This time it seems that the generally dead serious curators just want to have fun. It is a show for children of all ages.

  • Sonja Friseli's Aida Is Retired at the Met

    The End of Aida As We Loved Her

    By: Susan Hall - Mar 09th, 2019

    The production mounted at the Met thirty years ago is to be replaced, under the injunction: if it's not broken, break it. Sonja Friseli's Aida is perfect and satisfies audience members of all ages and all hues. Why should a new one be created? If you are having financial troubles, spend more in the wrong place?

  • American Regional Theatre Panel

    Our Purpose, Our Impact, Our Future!

    By: Aaron Krause - Mar 08th, 2019

    The strengths of the Regional Theatre Movement include 'extraordinary artistry,' 'so many phenomenal writers' and 'so much wonderful new work.' Challenges facing theaters today include competition from other entertainment options, high ticket costs and minimal government funding. The panel comprised Theatre Communications Group Executive Director Teresa Eyring and Florida Professional Theatres Association Executive Director Sherron Long. The discussion was part of Palm Beach Dramaworks' Dramalogue series.

  • Christie and Les Arts Florissants at BAM

    Jean-Philipppe Rameau Delights

    By: Susan Hall - Mar 04th, 2019

    William Christie and his Arts Florissant created two dance/opera entertainments by Jean-Philippe Rameau at the Brooklyn Academy of Music. As usual, this group sells out in New York and it is easy to see why. Christie conducts with poise and precision. He enlists a first rate ensemble of musicians to perform period music. To this is added stylized dance and gorgeous operatic voices. In the second one act dance/opera, La Naissance d'Osiris, we saw and heard a divertissement of dances, the gavotte, sarabande and minuet among them.

  • Equity Tour Of Waitress

    Production Makes Stop in South Florida

    By: Aaron Krause - Mar 01st, 2019

    The national touring production of Waitress achieves mixed results. Lyrics were sometimes hard to hear during a performance at Miami's Adrienne Arsht Center . In the #MeToo era, Waitress should resonate with many. The musical adaptation of the 2007 Indie film contains heart, humor and humanity.

  • York Theatre Company's Musicals in Mufti

    Restaging Interesting and Worthy Flops

    By: Karen Isaacs - Mar 01st, 2019

    For 25 years, the York Theatre Company annually has done their “Musicals in Mufti” series featuring little know musicals, flops and those that closed out of town: Minimal sets/props/lighting, a small combo or just a piano, cast with script in hand and in their own clothes

  • Falstaff at the Met

    Verdi's Final Work

    By: Paul J. Pelkonen - Feb 28th, 2019

    "It's not going to be my favorite Verdi opera." This, from an attendee on the 1 train riding away from Lincoln Center after the Metropolitan Opera's Wednesday night performance of Falstaff, efficiently sums up the attitude of audiences toward the composer's final opera--and his only successful attempt at writing comedy. Falstaff is a masterwork, but one held in high regard not for its considerable qualities but for its place as Verdi's last musical utterance. On Wednesday night under the baton of Robert Carnes, the opera received a performance that just might change that gentleman's opinion.

  • Theater for the New City's Catapult!

    A Pithy Comedy by Matthew James Fitzgerald

    By: Rachel de Aragon - Feb 27th, 2019

    If you have ever walked into an art gallery and wondered why, or what, or whether about any particular piece – or the venue as a whole, be prepared to laugh! Fitzgerald's rapid-fire dialog and a versatile and well-cast cast make this visit to the gallery worthwhile. Mark Marcante, Mathew Thomas Burda, David Jones, Lytza Colon Kanako Nagayama and Quinn Therrault have set the scene; the stage becomes a most credible Gallery Zuzu replete with works of art. Director, Tony White knows his subject well. His characters walk out of the art gallery scene like pieces in the exhibition

  • New City Players A Raisin In The Sun'

    Lorraine Hansberry Classic In South Florida

    By: Aaron Krause - Feb 25th, 2019

    Director finds mounting the "monster" play A Raisin in the Sun a huge challenge. Mary Elizabeth Gundlach relies on cast members to help her direct them. Ft. Lauderdale-based New City Players is presenting the complex, layered play through March 10.

  • Race In Miami Lakes

    David Mamet's Scorching Play By Main Street Players

    By: Aaron Krause - Feb 25th, 2019

    David Mamet's Race ratchets up the heat in South Florida. A superb cast disappears into their roles in a production that immediately communicates the racial tension in this country. Miami Lakes-based Main Street Players continues to produce quality work as a professional company.

  • Twilight Bowl by Rebecca Gilman

    World Premiere at Goodman Theatre

    By: Nancy Bishop - Feb 24th, 2019

    The play is Twilight Bowl by Rebecca Gilman, in a world premiere at Goodman Theatre, directed by Erica Weiss with an all-female cast and crew. Bowling is a backdrop throughout—the sport is a symbol of the working class life these young women dream of escaping or are complacent about.

  • Irish Repertory Theatre Celebrates O'Casey

    Shadow of a Gunman

    By: Susan Hall - Feb 24th, 2019

    The Irish Repertory Theatre captures the quotidian of life in Dublin, 1920 as it plays out in Sean O’Casey’s The Shadow of a Gunman. We sit in the extension of a room in a tenement which a poet and a suspender salesman share. Above us, laundry hangs from a window. Charlie Corcoran’s set brings us completely into a day-in-the-life of a wouldn’t-be gunman.

  • A New Work by Yale Drama Graduate Karen Hartman

    Good Faith – Four Chats about Race and the New Haven Fire Department

    By: Karen Isaacs - Feb 21st, 2019

    Good Faith – Four Chats about Race and the New Haven Fire Department now having its world premiere at Yale Rep through Saturday, Feb. 23 fits into the category of documentary theater. It is also referred to as theater of witness or theater of fact. This form combines elements of documentary – reliance of interviews, documents and media reports of an event.

  • Violet the Musical in San Francisco

    Book and Lyrics by Brian Crawley and Music by Jeanine Tesori

    By: Victor Cordell - Feb 20th, 2019

    The year is 1964. Violet, a young woman with suitcase in hand, is about to board a Greyhound bus to leave her hometown of Spruce Pine, North Carolina. Her destination – Tulsa, Oklahoma. Bay Area Musicals offers a lively and well-staged representation of a journey that changes its central figure in unexpected ways.

  • Victoria Bond at the Cutting Edge

    Barnes, Glass, and Enchants

    By: Susan Hall - Feb 19th, 2019

    The program at Cutting Edge Concerts at Symphony Space opened with a delightful bird romp by Maria Newman. Hal Ott on the flute, Scott Hosfeld on viola and the composer on the violin created pictures of four different birds. Olivier Messiaen recorded birds in their native habitats, focusing on their identifying songs. Newman widens the frame to include pictures of the birds' movements and suggests purpose, like the melancholy watchfulness of a snowy owl and the ravenous detection of prey for the falcon.

  • Fulfillment Center by Abe Koogler

    A Red Orchid Theatre Production

    By: Nancy Bishop - Feb 19th, 2019

    Abe Koogler’s play, Fulfillment Center, is the story of four working people (two of them educated ex-New Yorkers) trying to get by in a mid-size New Mexico city. Jess McLeod smoothly directs an excellent cast of four.

  • Indecent In South Florida

    GableStage Production Of Popular Paula Vogel Play

    By: Aaron Krause - Feb 18th, 2019

    Coral Gables theater company presents robust production of play about a controversial 1920s Yiddish work. Indecent tracks the path of The God of Vengeance' success across Europe, until its shut down on Broadway. Music, dance and dialogue combine to celebrate Yiddish language and theater while exploring a dark period in theater history.

  • I Due Foscari by Verdi

    Produced by West Bay Opera

    By: Victor Cordell - Feb 18th, 2019

    Like much early Verdi, I Due Foscari lacks the memorable arias and ensembles that appear on compilation recordings. However, it may be that we just haven’t heard these enough to become familiar with them.

  • 8th Annual 10X10 New Play Festival

    Pittsfield's 2019 10X10 Upstreet Arts Festival

    By: Charles Giuliano - Feb 18th, 2019

    Kudos to Barrington Stage Company for bringing theatre back to the Berkshires in the dead of winter. Yesterday we enjoyed a matinee of the eighth annual, 10X10 New Play Festival. It runs February 14 - March 10, 2019 at BSC’s St. Germain Stage.

  • Berkshire Theatre Group 2019

    Performances on Three Stages

    By: Charles Giuliano - Feb 14th, 2019

    The 2019 program of Bwerkshire Theatre Group will occur at The Colonial Theatre in Pittsfield and on the Fitzpatrick Mainstage as well as Unicorn in Stockbridge. The season starts with previews of The Goat or, Who is Sylvia? by Edward Albee on May 24 in Stockbridge.

  • Bonnie's Last Flight by Eliza Bent

    Next Door at New York Theater Workshop

    By: Rachel de Aragon - Feb 14th, 2019

    Buckle your seat belts; the plane is still on the tarmac and we the audience, seated in airplane style aisles, are already anticipating a turbulent trip. There are technical difficulties. Flight attendants are rushing up and down the aisles shutting the overhead compartments, allaying our fraying nerves with snacks.

  • The Father by Florian Zeller

    Chicago's Remy Bumppo Theatre Company

    By: Nancy Bishop - Feb 14th, 2019

    The Father by French playwright Florian Zeller is a play about aging and dementia. But it’s not your typical touching human story designed to gain your sympathy for a troubled person and family.

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