Mass MOCA

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The Clark Art Institute’s popular First Sundays Free program returns on Sunday, October 3. Admission to the galleries is free to all visitors for the entire day, but advance registration is strongly recommended.

The Board of Trustees of the Massachusetts Museum of Contemporary Art (MASS MoCA) announces that Kristy Edmunds has been appointed as its new Director, following a 10-month international search and a unanimous decision by the Board. Edmunds comes to MASS MoCA from UCLA’s Center for the Art of Performance (CAP UCLA), where she has served as the Executive and Artistic Director since 2011.

In Iphigenia, two of the most visionary and daring musical voices of our time—composer Wayne Shorter and librettist and performer esperanza spalding—have created a modern operatic re-imagining of the ancient tale of a daughter sacrificed to the gods. The set is designed by luminary architect Frank Gehry. Performances in the Hunter Center are Friday, November 5, 8pm & Saturday, November 6, 8pm

This Saturday the one and only Jeff Tweedy takes the stage in MASS MoCA's Joe's Field, joined by special guest and Wilco bandmate, Nels Cline. If you're mourning another year sans-Solid Sound, here's your chance to get that Wilco-meets-MASS MoCA fix.

Wilco's Jeff Tweedy takes the stage, joined by special guest and bandmate, Nels Cline, for a concert benefiting MASS MoCA’s Joe Thompson “Yes” Fund. All proceeds directly support the museum’s mission – instilled by our founding director Joe Thompson — to champion artists and art-making in all forms. 

As a title, Sections riffs off the organizational structure of a newspaper—a structure which is palpably felt in print editions where each section is folded separately and sandwiched into the others. This concept plays out spatially across the gallery, as the walls, floor and ceiling each become uniquely activated by the work installed on them.

This series of black basalt-ware ceramics was created by James Turrell in collaboration with Irish potter Nicholas Mosse of Kilkenny, Ireland.  The ceramics collection absorbs light as opposed to refracting it; pitch black and unyieldingly dark, Lapsed Quaker Ware exerts a visual gravitational pull, drawing in the viewer with a visceral sense of the sublime.

June at the Clark Art Institute brings the opening of one of its main summer exhibitions, Nikolai Astrup: Visions of Norway, and a variety of programming—in person and online—offering opportunities to explore art, ideas, and creativity in exciting new ways.

FreshGrass features bluegrass traditionalists and innovators on four stages and platforms throughout the museum’s 16-acre campus. Festival programming also includes FreshScores, a silent film with original live music; FreshGrass commissions and world premieres; instrument and industry workshops; pop-up performances and retail; and local Berkshire food and spirits vendors.   

Bang on a Can announces the hourly schedule for the second OneBeat Marathon – Live Online – on Sunday, May 2, 2021 from 12pm - 4pm EDT, curated by Found Sound Nation, its social practice and global collaboration wing. Over four hours the OneBeat Marathon will share the power of music and tap into the most urgent and essential sounds of our time. From the Kyrgyz three-stringed komuz played on the high steppe, to the tranceful marimba de chonta of Colombia's pacific shore, to the Algerian Amazigh highlands and to the trippy organic beats of Bombay’s underground scene – OneBeat finds a unifying possibility of sound that ties us all together.   

The Clark Art Institute’s popular First Sundays Free program continues on Sunday, May 2. Admission to the galleries is free to all visitors for the entire day, but advance registration is necessary.    

Bang on a Can announces the hourly schedule for its next Bang on a Can Marathon – Live Online – on Sunday, April 18, 2021 from 1-5pm ET. All 15 pieces on the program will be world premiere performances of newly commissioned works, streamed from musicians' homes around the country and across the world. Over its first six live online Marathons in 2020-2021 (May 3, June 14, August 1, October 18, February 21, and March 21) Bang on a Can has presented more than 125 performances, including 47 world premieres of new commissions and over 150 composers and performers. Bang on a Can plans to continue these Marathons, streaming online at live.bangonacan.org,

Artist Carrie Mae Weems will join students from Williams College, Bennington College, and Massachusetts College of Liberal Arts for an online public conversation at 5:30 p.m. Thursday, April 1. Some 500 individuals may register for the Zoom lecture which will later be available on YouTube.

MASS MoCA staff petitioned the National Labor Relations Board today, March 8th, for a union election. The unit includes curators, art fabricators, educators, facilities, other front-facing staff, and more.

MASS MoCA presents Close to You, a group exhibition that gathers the work of artists who probe the capacity of the visual arts to conjure feelings of closeness — both to others and to ourselves. On view from Saturday, April 3, through January 2022, in the Michael & Agnese Meehan Gallery, the exhibition features the work of Laura Aguilar, Chloë Bass, Maren Hassinger, Eamon Ore-Giron, Clifford Prince King, and Kang Seung Lee.

Skyspace will augment one of the world’s most comprehensive experiences of installations by James Turrell while realizing a vision the artist had when visiting the museum’s campus in 1987. The Skyspace will join a long-term exhibition of Turrell works at MASS MoCA, which includes one work from each of the six decades of the artist’s career.

The Massachusetts Museum of Contemporary Art (MASS MoCA) announces Glenn Kaino: In The Light of a Shadow from April 3, 2021 through September 4, 2022. Curated by Denise Markonish, the show will take over MASS MoCA’s signature Building 5 galleries, with a series of immersive installations that create a sense of wonder and hope while issuing an urgent call to action. 

In 2015, Michael Conforti retired as director of the Clark Art Institute after some 20 years. The Clark is very different now then what he signed on for. Today, the Clark hosts summer blockbuster shows and is one of the nations foremost research centers. From the beginning, it has had close ties with Williams College where Conforti teaches a graduate course in museum studies. He oversaw the expansion and renovation with architect Tadao Ando. While running the Clark he was on the road and hard to pin down. Now retired, we worked together on an extensive overview of his career, accomplishments, and issues for museums.

In a year like no other, we're as grateful as ever for you, our art-loving community near and far. Thank you for your continued support, words of encouragement, and mask-covered smiles — we wouldn't be here without you. 

MASS MoCA and the Berkshire Cultural Resource Center (BCRC) at MCLA are launching In Session, a series of four panel discussions on anti-racist work in museums, streamed live on MASS MocA's YouTube channel and Facebook page beginning on Thursday, December 10, at 6pm EST with upcoming dates to be announced soon.

In March 2020, Los Angeles-based artist Richard Nielsen began painting portraits of people in their COVID-19 face masks. On view at MASS MoCA, This is Not a Gag includes his first set of 49 paintings. Presented in a Zoom-like grid, the series shows the determination behind the eyes of artists, writers, and friends of the artist and MASS MoCA. The subject’s faces may be covered, but variations in masks and individual expressions speak volumes about our lives today. These paintings are not about the pandemic, per se, but about the fiercest and finest parts of human nature.

After 22 years as a curator of the deCodova Museum, Dr. Nick Capasso, for the past 8 years has been director of the Fitchburg Art Museum. It is one of the poorest regions of the state. The community is 35% Latino and 55% of school children speak Spanish at home. The museum is unique for its bilingual initiatives and community outreach. There is diversity in all aspects of its exhibitions and programming. The museum shows New England artists. The collection has grown with an emphasis on photography, African, African American, and American art. Meeting daunting challenges the Fitchburg Art Museum is a remarkable success story.

Suzette Martin's project of 200 'prayer flags' has been installed at the River Street Park in North Adams, MA, behind MASS MoCA. They have been fastened along a fence at 6' apart. A proto-project, also titled 'Airborne Transmission' of then 19 flags can still be seen on the grounds of the Eclipse Mill in North Adams. These 'flags' have been there since August. The new installation is impressive and will have a much larger impact, by reminding us that the entire Nation is still reeling from the Covid-19 pandemic, now with more than 200,000 deaths in the USA. Please read below.

The art of Blane De St. Croix comes at the viewer via a multivalent attack on the staggering challenges posed by irreparable climate change. The diversity of this artist’s media and its ecological content — driven by a political mandate — evokes the tradition of Social Sculpture by the postwar German artist Joseph Beuys. The MoCA project How to Move a Landscape draws on dramatically different approaches to convey the rapid erosion and melting of permafrost in the Arctic.