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  • Sneak Preview of the Met 2012-2013

    The Met Opera Announces the New Season

    By: Susan Hall - Feb 21st, 2012

    While wonderful singing is planned some singers who haven't been popular at the Met are returning. Good news. Sondra Radvanovsky returns for seven performances as Elisabeth de Valois in Don Carlo. Marina Poplyskaya is gone. Ferruccio Furlanetto returns as Philip and Dmitri Hvorostovsky will sing Rodrigo. This is so promising.

  • The Freihofer's Saratoga Jazz Festival

    Scheduled for June 30 to July 1

    By: SPAC - Feb 20th, 2012

    The Freihofer's Saratoga Jazz Festival, one of the most celebrated and longest-running jazz events in the world, will celebrate its landmark 35th Anniversary at Saratoga Performing Arts Center, June 30 and July 1, with a dynamic lineup of more than 20 acclaimed artists and ensembles on two stages.

  • Marriage of Figaro at Opera Colorado

    Superb Staging by Comic Opera Expert David Gately

    By: Susan Hall - Feb 16th, 2012

    Just because Marriage of Figaro is a great opera, with 14 of its 26 musical numbers ensembles does not mean that a production will succeed. In Denver attention has been paid to every aspect of this Mozart and the opera gleams. It's fun too.

  • Opera Notes from the Met

    Ernani, Aida, and the Saga of the Ring Continues

    By: Susan Hall - Feb 14th, 2012

    In support of their great young soprano, Angela Meade, the Met put three great voices on the stage for Ernani. Not your usual fare at the Met, but a thrilling performance, due locally in HD on February 25th.

  • New York City Opera Returns with La Traviata

    Brooklyn Academy of Music a Hopeful Home

    By: Susan Hall - Feb 13th, 2012

    After months of effort to restore an important opera company to the New York scene, the City Opera found a wonderful venue for La Traviata. Brooklyn Academy of Music is a hopeful venue for the homeless company.

  • The Lighthouse by Peter Maxwell Davies

    Boston Lyric's Annex Production at the JFK Library

    By: David Bonetti - Feb 12th, 2012

    Three light-house keepers off the coast of Scotland disappear without a trace. Did they succumb to "The Cry of the Beast" or did they just go mad?

  • BeauSoleil at the Colonial Feb. 24

    Louisiana Band Cooks a Musical Gumbo

    By: Colonial - Feb 09th, 2012

    Founded in 1975, BeauSoleil released its first album in 1977 and became one of the most well-known bands performing traditional and original music rooted in the folk tunes of the creole and Cajun people of Louisiana. BeauSoleil tours extensively in the U.S. and internationally.

  • Lyric Opera of Chicago: Aida

    Interwoven Grandeur and Intimacy

    By: Susan Hall - Feb 09th, 2012

    Verdi's Aida is a wonderful opera warhorse. At the Lyric Opera of Chicago, it was the very best of its recent outings, featuring Sondra Radvanovsky, Marcello Giordani and Jill Grove. Conducted by Renato Palumbo and directed by Matthew Lata you could not ask for a better production.

  • The Collegiate Chorale Presents Bruckner and Tippett

    Carnegie Hall is Home to A Child of Our Time

    By: Susan Hall - Feb 05th, 2012

    One of the consequences of the demise of Opera Boston was the cancellation of an opera by Michael Tippett. The Collegiate Chorale keeps Tippett live in a stunning performance of A Child of Our Time.

  • Andris Nelsons and Boston Symphony Orchestra

    Nelsons to Conduct at the 75th Anniversary Tanglewood Gala

    By: Susan Hall - Feb 02nd, 2012

    We may be years away from the installation of a new Music Director at the BSO, but Nelsons presence at an important event, made me wonder.

  • News from the Metropolitan Opera

    Firing the Imagination, or Not.

    By: Susan Hall - Feb 01st, 2012

    Tosca is now terrific, thanks to Tomer Zvulun, Angela Meade is more firmly planted in the wings and on stage, but the Ring ends up in the beheading of bobble-headed statues, a bore and a visual insult.

  • Ear Say: Ana Popovic and Candye Kane.

    Recent CDs By Women Blues Singers

    By: David Wilson - Jan 31st, 2012

    Here are two contemporary releases by women with whom the blues have had their way, Ana Popovic and Candye Kane.

  • Rienzi Takes Avery Fisher Hall Under Eve Queler

    Opera Orchestra of New York Demolishes Rome

    By: Susan Hall - Jan 30th, 2012

    Rienzi, Wagner's third opera, was scheduled for an OONY concert performance in 2009, but the economic crisis cut it. Now Eve Queler returns with one of her signature pieces, and the staging was wonderful indeed.

  • Tanglewood Jazz Festival Cancelled

    Labor Day Weekend Events To Be Announced

    By: Charles Giuliano - Jan 28th, 2012

    As tickets go on sale for the 2012 Tanglewood season we are saddened to learn of the demise of the annual Tanglewood Jazz Festival. The BSO at a later date will announce plans for the now open slot of Labor Day Weekend. But it is encouraging to learn of new dates for jazz masters Chick Corea and Gary Burton as well as a date for bass player Christian McBride.

  • La Dame Pique Peaks at the Paris Opera Bastille

    Vladimir Galouzine, a Great Hermann

    By: Susan Hall - Jan 25th, 2012

    Singer after singer, in role upon role, hits a home run at the Opera Bastille. You might think this is the way Opera should be delivered, but we don't get it at the Metropolitan Opera, so consistent performance is a thrill in Paris.

  • Opera Bastille's Smashing Manon by Massanet

    Natalie Dessay and Giuseppe Filianoti Enchant

    By: Susan Hall - Jan 19th, 2012

    Let us hope that there will always be Paris, because at the Opera Bastille, there will always be opera as it is meant to be: big, thrilling, musically completely in step and in tune. Even punk and Emo seem just right on stage with the descending staircases of Kings.

  • Florian Hecker “MIT Project”

    Music to Challenge and Entertain the Senses

    By: Nelida Nassar - Jan 16th, 2012

    The artist Florian Hecker primary interest is in sound and music as well as the interplay between acoustics, software development, composing and the different circulation of material in sound. Chimerization is the piece he specifically created and performed during his artist in residency at MIT . It hybridizes many disciplines - philosophy, typography, music, technology, science and more. “It is an attempt to find a materialization and exchange qualities for a utopian longing.”

  • Catherine Russell at Mass MoCA February 18

    Jazz Singer to Appear in the Hunter Center

    By: MoCA - Jan 16th, 2012

    Catherine Russell, who has earned comparisons to jazz icons such as Ella Fitzgerald and Bessie Smith, will share her soulful blues on Saturday, February 18, at 8pm in MASS MoCA's Hunter Center in a concert sponsored by Amtrak.

  • Jane and Jeff Hudson Rock Mass MoCA

    Re-release of 30-year-old LP Flesh

    By: Charles Giuliano - Jan 15th, 2012

    Some 200 senior citizens stayed up late last night at Mass MoCA to cheer on their peers Jane and Jeff Hudson. They were cool to the point of stoic performing loud synthrock with pulsing, robotic, rhythm tracks. The occasion marked the re-release of their 30-year-old indy album Flesh. It was a fun night.

  • Wilco Solid Sound Festival a No Go

    Set To Return in 2013

    By: Charles Giuliano - Jan 13th, 2012

    Cancel your hotel reservations and put away the tent and camping gear. Damn. There will be no Wilco Solid Sound Festival at Mass MoCA this June as there has been for the past two years. That's tough darts for fans and merchants alike. The rock band will perform a benefit for MoCA on a date TBA and return with the festival in 2013.

  • Le Comte d'Ory Seduces Our Gal in Zurich

    Camareno, Bartoli and Olvera Scintillate at the Opernhaus

    By: Susan Hall - Jan 13th, 2012

    Zurich proves that opera can be live and freshly-minted in apt productions, beautifully sung and acted and true to the composer and the form without twisting itself out of shape to satisfy. When it first opened in Paris almost two hundred years ago critics said Le Comte d’Ory was a mess, too vaudeville, and too much of a pastiche of Rossini’s previous work.

  • Otello at the Zurich Opera House

    Thomas Hampson, Barbara Frittoli and Jose Cura

    By: Susan Hall - Jan 09th, 2012

    Americans turn up their noses at Reggie Theater and Eurotrash, but certainly in Zurich, the directors understand what the implied deconstruction means. The setting may be changed, and the costumes made to match stage time, but the heart of a wonderful story remains the same. Intelligent opera designers understand that jealousy, temptation and the impact of missing handkerchiefs don't change over time. The Zurich Otello mounted by noted British stage director Graham Vick is wonderful.

  • Rufus Wainwright's Prima Donna

    Urgent Plea For New York City Opera

    By: Susan Hall - Jan 04th, 2012

    Parts of this opera are available in a terrific documentary, Rufus Wainwright, Prima Donna, the Making of an Opera. City Opera plans to give the US premier at the Brooklyn Academy of Music, but they have not resolved problems with unions. Rufus's letter tells you all about it.

  • The Chamber Music Society of Lincoln Center Channels Bach

    All the Brandenburg Concertos Presented with Aplomb

    By: Susan Hall - Jan 03rd, 2012

    The Chamber Music Society knows what it is doing. Under the artistic direction of Wu Han and David Finkley, they have become the go to group of the heavy-duty institutions of Lincoln Center. But while three big houses often paper to get a plausibly filled hall, the CMS is packed. We learned some of the reasons why in their Baroque December.

  • The Amore Opera Presents The Barber of Seville

    A Delightful Production of Rossini's Legendary Opera

    By: Susan Hall - Jan 02nd, 2012

    Although the Metropolitan Opera is committed to driving audience from live performances in the House by mounting rehearsals for HD broadcasts, where singers often call in performances, opera is live and thriving in America, even though Opera Boston closed. The Amore Opera in New York is heir to the Amato Opera, famous for giving an opportunity to talented young performers and also for mounting unusual fare. The Amore is terrific, under the helm of Nathan Hull.

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