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Opinion

  • ATCA Focuses on Diversity

    Panel Discussions for NY Critic’s Conference

    By: Charles Giuliano - Nov 16th, 2018

    In order to survive and remain vital American Theatre Critics Association must become younger and more diverse. Intersectionality and inclusion is an ever greater driving force for producers, theatre companies and their critics. The dynamics of that synergy were explored through panels and programming of what has evolved as an annual New York conference.

  • 3rd Annual Berkshire Theatre Awards

    27 Critics Voted for Prized Berkies

    By: Charles Giuliano - Nov 13th, 2018

    For the third annual Berkshire Theatre Awards, at the Zion Luteran Church in Pittsfield, it took two hours to present trophies in 21 categories. Some 27 critics voted on awards to companies in the Berkshires extending into New York, Connecticut and Vermont. The top honors went to Barrington Stage Company with nine awards and Williamstown Theatre Festival which took home five.

  • Bringing King Kong to Broadway

    Developing the 20' and 2000 Pound Gorilla in the Room

    By: Charles Giuliano - Nov 06th, 2018

    During a session of the NY Conference of American Theatre Critics Association we met with creators of the soon to be smash hit musical King Kong. The star of the show stands 20' high, weighs 2000 pounds, and roars with a rage that is absolutely terrifying. He is one very pissed off great ape.

  • Ed Sanders Delivers Annual Olson Lecture

    A Letter from Gloucester

    By: Pippy Giuliano - Nov 06th, 2018

    Our correspondent, Piippy Giuliano, has more arts related news and commentary in another lively Letter from Gloucester. She reports that "Ed Sanders delivered the ninth annual Charles Olson Lecture at the Cape Ann Museum this weekend to a packed crowd." She also atteneded the vernissage of Lost in America featuring work by Susan Erony at Trident Gallery. She marks the 75th anniversary of the publication of Virginia Lee Burton’s classic children’s book, The Little House.

  • Letter from Gloucester: Maximus

    Recalling the Polis of Charles Olson

    By: Pippy Giuliano - Oct 22nd, 2018

    This is the second Letter from Gloucester by correspondent Pippy Giuliano. She evokes the memory of epic Gloucester poet Charles Olson. He was indeed the bard by the sea who created layers of Cape Ann history from colonial times to his era in the poetic tome Maximus. It is in this daunting tradition that she contributes with humility her "lettters."

  • Topsy Turvy on Mt. Greylock

    Bascom Lodge Reading and Book Launch

    By: Charles Giuliano - Sep 04th, 2018

    Astrid Hiemer contributed 19 photo illustrations for my fifth book of gonzo poems Topsy Turvy. On Sunday of Labor Day weekend we collaborated for a reading and book launch at historic Bascom Lodge on Mt. Greylock. There was a nice turnout on the porch. Jose, Alvin, Rick and Art joined us for the jazz dinner that followed. We stayed the night and had breakfast with hikers. It was an adventure we need to have more often.

  • Norman Rockwell for Mass Attorney General

    Send a Message to Maura Healey

    By: Steve Nelson - Aug 30th, 2018

    Initially, Attorney General Maura Healey opposed the fire sale of Berkshire Museum treasures proposed by now long gone and hardly missed director Van Shields. Those who protested gutting the collection were shocked and dismayed that Healey folded. Commentator Steve Nelson suggests that you send the AG a message. He suggests Norman Rockwell as a write in candidate during the primary on Tuesday, September 4. Nelson is an Op Ed contributor to the Berkhire Eagle.

  • Paul Manafort Dressed for Success

    A Million Bucks for Schmatas

    By: Charles Giuliano - Aug 07th, 2018

    When Paul Manafort offered to work pro bono for the Trump campaign he was deep in debt. He owed a million for clothing including $25,000 suits and notorious ostrich and lizard coats for $48,000. That's nothing new to Beltway politics. During the Truman/ Eisenhower era lobbyists gifted mink coats, oriental rugs and refrigerators to government insiders. A $28,000 vicuna coat, a gift from Bernard Goldfine, was a scandal that ended the career of Ike's trusted Sherman Adams.

  • Was Strindberg a Proto Feminist

    Creditors at Shakespeare & Company Provokes Questions

    By: Charles Giuliano - Jul 25th, 2018

    As magnificently performed by Kristin Wold, her Tesla, in Strindberg's Creditors is a strong, complex, progressive woman. For the first time Shakespeare & Company in Lenox is producing the modernist Swedish playwright. In his own words, however, he stated that "... a woman is a scaled down man, a form whose development was arrested between adolescence and full manhood. ...Woman is inferior to man.”

  • Impact of ICA Expansion to East Boston

    Continued Neglect of Community of Artists

    By: Philip Gerstein - Jul 11th, 2018

    The ICA has a major problem not just with East Boston artists, but with most local Boston-area artists, and it's due primarily to 3 factors -- mistaken policies, mistaken attitude, and mistaken curatorial direction. The author is an artist.

  • Casting, Equity and Where to Go from Here

    Responding to “Boo Yellowface!” Protests During St. Louis Conference

    By: Chad Bauman - Jul 09th, 2018

    A couple of weeks ago, theater leaders from across the country authored a statement asking colleagues to reexamine their casting policies in light of recent incidents in which white actors were cast to portray people of color. Since that time, nearly 800 theater artists have signed and there is a working group actively discussing next steps so that we can end this pervasive practice. Because, as managing director of Milwaukee Repertory Theatre, Chad Bauman signed the petition, he withdrew from publishing this commentary in American Theatre Magazine. It is reposted from his blog with Bauman's permission.

  • How NY Times Is Harming Regional Theatre

    Trashing Barrington Stage Production Not an Isolated Incident

    By: Mark St. Germain - Jul 06th, 2018

    We have posted an opinion piece "End of The Royal Family of Broadway: NY Times Review Spikes Barrington Stage Production." That evoked an e mail from playwrite Mark St. Germain which is posted with his permission. In his view the attack on a developing musical is not an isolated incident. Under its current policies the Times is now inflicting more harm than doing good for regional theatre.

  • End of The Royal Family of Broadway

    NY Times Review Spikes Barrington Stage Production

    By: Charles Giuliano - Jul 06th, 2018

    The Barrington Stage world premiere of the musical Royal Family of Broadway has earned mostly positive reviews. It has been treated as a work in progress potentially bound for Broadway. The team assembled for this production have been there before. Because of a devastating review by Jesse Green in the New York Times that may not happen. While Green is an established, and well qualified critic, is it the role of the Times to nip in the bud regional productions being developed for a run in New York?

  • Van, Van the Used Up Man

    Berkshire Museum Director Shields Retires

    By: Charles Giuliano - Jun 28th, 2018

    In a tersely worded press release, offering no explanation, the Berkshire Museum announces parting ways with its controversial director, Van Shields. He was hired in 2011 and presided over the decline and potential extincton of the museum. His strategy to sell key works from the permanent collection and launch his New Vision was met with protest and global media attention. Some will praise him for "saving" the museum and endowing its future. For others he leaves behind a pariah shunned by other museums. His departure and potenial board restructuring are essential as the museum mends fences and fine tunes drastic plans for renovations and gimmicky reinstallatons.

  • ICA Launches Watershed in East Boston

    Expansion Shuttles Across the Harbor

    By: Frank Conte - Jun 25th, 2018

    When the ICA opened its new home on the edge of Boston Harbor its fatal flaw was immediately obvious. While praised for dramatic design with development of surrounding towers it was soon hemmed in with no space for expansion. In a bold move it has now reached across the harbor to fast changing East Boston. A former factory has been reconfigured as Watershed. It combines generous exhibiton space with opportunities for meetings, education, and community programming. A long time community activist Frank Conte covers the launch which opens with free admission on July 4.

  • Director Laurie Norton Moffatt of Rockwell Museum

    What His Legacy Means to the Berkshires

    By: Charles Giuliano - Jun 12th, 2018

    The Norman Rockwell Museum in Stockbridge has just launched “Keepers of the Flame: Parrish, Wyeth, Rockwell and the Narrative Tradition.” During a recent press preview we enjoyed an unencumbered view of the scholarly and superbly installed exhibition. Founding director, Laurie Norton Moffatt, discussed what the Rockwell legacy means in light of the controversy of the sale of two of his works by the Berkshire Museum. One of those works "Shuffleton's Barber Shop" was acquired by George Lucas who is loaning it to the Norman Rockwell Museum for the next 18 months.

  • Recalling Sighting John Updike

    The A&P of the Mind

    By: Martin Mugar - Jun 09th, 2018

    Summering in Annisquam Martin Mugar, like the Ipswich based author, John Updike, became aware of distinct difference of class and culture. Thre were the easy, self confident debutantes who shopped at the A&P in their bathing suits. And the townies, like Sam, who unnoticed lusted for them. Recently, Mugar was reminded and inspired by watching the author crossing a street ages ago. Here he spins the yarn of old.

  • Real Eyes on Adams

    Former Furniture Store Now a Gallery

    By: Charles Giuliano - Jun 03rd, 2018

    Until a few years ago the vast Simmons Furniture Store anchored the Park Street business area of downtown Adams. The town has improved curbside cosmetics. Now that business has been revitalized as Real Eyes Gallery with two large spaces. One featuers an arts and crafts store while the other displays works by former Met Opera scene painter, Bill Riley. He and his wife Francine Anne Riley are now gallerists as well as continuing as arts activists and community catalysts.

  • Fed and State Support for Berkshire Arts

    Making $1 Worth $10

    By: Charles Giuliano - Jun 01st, 2018

    Arts leaders and the media met at Shakespeare & Company to hear good news about state and federal funding. With manufacturing long gone from the region cultural tourism is the major industry. The arts season attracts more than 400,000 visitors and generates 4,000 plus jobs. Congressman Richard Neal announced $348,000 in NEA funding for the Berkshires. The federal funding cycle provides $900,700 to the Massachusetts Cultural Council and $1,092,400 to the New England Foundation for the Arts to benefit cultural groups across the state. He reported that the NEA this year got an increase of $3 million for a total of $152,849,000.

  • Boston Publisher Stephen Mindich at 74

    Presided Over Once Formidable Phoenix Media Empire

    By: Charles Giuliano - May 25th, 2018

    While he lacked stature, Stephen Mindich, who died this week at 74, cast a giant shadow. As a hip capitalist at the height of his power he was an ersatz Citizen Kane of Boston's counter culture industry of print and broadcasting media. In 2013, his Phoenix empire exhinguished never again to take flight from the embers of fame and fortune.

  • Berkshire Museum Plays Bait and Switch

    Juried Show Art of the Hills Opens on June 2

    By: Charles Giuliano - May 22nd, 2018

    On Sunday, June 2, the Berkshire Museum is hosting a festive opening for its summer-long juried exhibition Art of the Hills. Of 230 who applied works by 36 regional artists will be on view. I will not cross picket lines to attend the "celebration." There are no plans for Berkshire Fine Arts to view or review the exhibition.

  • Arnie Reisman on Boston's Counter Culture

    Golden Age of Arts and Media from 1969 to 1981

    By: Charles Giuliano - May 08th, 2018

    The critical success of "Astral Weeks" by Ryan Walsh has brought national media attention to Boston's counter culture in 1968. Following a prior interview with former Cambridge Phoenix editor, Harper Barnes, we pick up on the other side of the Charles River with former Boston After Dark Editor, Arnie Reisman. This continues our coverage of arts and media during a golden age from 1969 to the demise of The Real Paper in 1981.

  • Rick Harlow's The Landscape of Energy

    Statent by a Berkshire Artist

    By: Rick Harlow - May 05th, 2018

    Through the end of May The Eclipse Mill Gallery launches its 2018 season with the first Berkshire solo show of abstract paintings by resident artist, Rick Harlow. In an artist's statement Harlow provides a context for what he describes as The Landscape of Energy. On May 26 in the gallery at 243 Union Street, North Adams, the group Aluna will create improvised music inspired by the paintings.

  • Flight of the Phoenix

    Former Editor Arnie Reisman Rebuts Editor Harper Barnes

    By: Arnie Reisman - Apr 15th, 2018

    The response of former Boston After Dark editor, Arnie Reisman, to former Cambridge Phoenix editor, Harper Barnes, was too long to post as a comment. Accordingly, we have opted to run it under Reisman's byline. He was my first editor at the Brandeis Univertsity Justice and later hired me for Boston After Dark. There is much yet to be said about alternative media in the 1970s but with this exchange matters get curiouser and curiouser.

  • Legendary Alternative Editor Harper Barnes

    New Journalism in Boston/ Cambridge in the Early 1970s

    By: Charles Giuliano - Apr 14th, 2018

    The recently published book Astral Weeks, by Ryan Walsh, has brought national attention to the counter culture of Boston/ Cambridge in 1968. This extensive interview with Harper Barnes, former editor of the Cambridge Phoenix and columnist for The Real Paper, covers developments in the early 1970s. It was a fertile era that launched careers of numerous arts critics and political commentators. After a stint in Boston, eventually, he returned to the Saint Louis Post-Dispatch and the city where he continues to reside.

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